Let's Spend Forever With Kent

by Jason Adams

I don't know how you guys all felt about The Nightingale -- that is if you've gotten the chance to see The Nightingale -- but Jennifer Kent's divisive second film has been, for me, a 2019 favorite. Add it up with The Babadook and I'm ready to follow Kent anywhere now, and it looks like we know where she's taking us next -- to 1890s Tennessee to be precise. 

She'll be adapting Alice + Freda Forever, Alexis Coe's 2014 true-crime retelling of a story that captivated / horrified the unprepared nation, involving two teenage girls who fell in love and whose sapphic obsession quick turned to violence and most unsavory murder...

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Portugal's Oscar Finalists

by new contributor Claudio Alvez

a biopic on the queer 1980s singer António Variações could be Portugal's Oscar submission

In the history of the Best International Film Oscar (formerly known as Best Foreign Language Film) no country has as many failed submissions as Portugal. It’s been submitting films every year since 1980 and yet, not one of them has managed to secure a nomination. As a Portuguese cinephile and Oscar buff this has always saddened me and I doubt this Awards season will change anything. 

At the moment, there are four finalists for the Oscar submission. A special jury has selected Rage, Parque Mayer, Variações: Guardian Angel and The Domain. Following this, the Portuguese Academy of Cinema (Academia Portuguesa de Cinema) will vote on the eventual Oscar submission. The results should be known this month, perhaps around the time The Domain arrives at Portuguese cinemas. Right now, it’s the only one that hasn’t opened yet, having just been shown at the Venice Film Festival where it’s competing for the Golden Lion. It’s also the only finalist I haven’t watched, though I can give an overview of the four films...

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TIFF: "Atlantics" haunts and hypnotizes

by Nathaniel R

Atlantics made history earlier this summer when it became the first film directed by a black woman ever to compete for the Palme d'Or at Cannes. Though it lost the top prize Atlantics was a winner generating a lot of "must-see" buzz and eventually taking the Grand Jury Prize. Given that reception Netflix swept in to snatch it up for future streaming. Now that it has a home we wonder if it can continue to make waves, if you'll pardon the oceanic pun.

On the one hand it'd surely be tough to convince people to see a Senagalese movie without any easy summary or hook from a debut director. In that regard we're thankful Atlantics has a future firmly in place. On the other that futures is a double edged sword. As with Roma before it, which was also light on dialogue and rested on great cinematography and a brand new actress playing a quiet passive protagonist, its considerable strengths are entirely cinematic. Memorable images abound with clever lighting choices and a robust but never gaudy color palette. Atlantics bold and unsubtle sound will transfer with greater ease to in-home viewing with the constant roar of the ocean competing with an intrusive but sometimes inspired 80s influenced electronic score...

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TIFF: "Synonyms" is essential viewing

by Chris Feil

Unfolding with the wonder of a contemporary fable, Nadav Lapid’s Synonyms takes a sometimes witty but often breathtaking approach to displaced national identity. Already awarded the Berlin International Film Festival’s Golden Bear, the film is an unpredictable existential examination of redefining oneself in a world that exploits you, and the limitations of willful self-reinvention.

Newcomer Tom Mercier stars as Yoav, a young Iscraeli man relocating to Paris after a term in the military. He’s quickly robbed of all his belongings while squatting in a posh apartment, begging for help naked throughout the building before being found near death by young couple Caroline and Emile (Louise Chevillotte and Quentin Dolmaire). They possess the prototypically French persona that Yoav wants to adopt, and are all too generous and willing to play welcoming committee...

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Who will win the Emmy for Supporting Actress in a Drama?

By Spencer Coile 

Like in year’s past, Game of Thrones came back into the Emmy conversation by steamrolling the competition with an historic nomination count of 32. Amidst a plethora of technical categories and despite its middling reception for its eighth and final season, the HBO juggernaut still managed to score a whopping four nominations in the Supporting Actress in a Drama Series race. With The Handmaid’s Tale largely ineligible this Emmy cycle, it felt inevitable that another show would swoop in and dominate this category, a trend that's been growing given the new nomination procedures.

Still, this does not guarantee that the Iron Throne secures an easy victory. With two first-time Emmy nominees outside of Game of Thrones (can you believe Fiona Shaw has never been nominated?!) in scene stealing roles, might this race be more unpredictable than we once thought? 

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