Soundtracking: Marriage Story

by Chris Feil

Noah Baumbach opens Marriage Story with the beginning thrums of Randy Newman’s fairy tale score set against a duet between its divorcing couple. As they list their affections, it’s almost like they could break into song. And eventually they will, but not until they are ready. Scarlett Johansson’s Nicole and Adam Driver’s Charlie won’t sing until they have been given the back-breaking gift of clarity, the kind of new beginning you can’t really get until the old you is burnt to the ground. Marriage Story presents their new outlook by making fresh use of two songs from one famous musical with its own musings on love and marriage, Stephen Sondheim’s Company.

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Questions for the podcast?

Murtada and Nathaniel are recording tonight so let us know what burning questions you have about the Oscar race! 

Team Experience: Globe Reactions -- Surprises, Joys, and Omissions.

As ever we’ve polled members of Team Experience about the latest big awards announcements. We’ve had 24 hours to think about the Globe nominations so we asked a few questions. 

1. What was your favourite Golden Globe nomination?

 2. What was the biggest surprise for you?

 3. Which omission made you saddest and how will you mourn?

Team Experience answers are after the jump and yours should add yours too in the comments section. Ready? Let’s go…

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Costume Designers Guild Nominations

by Murtada Elfadl

The costume guild nominations were announced today and some of the titles expected were indeed nominated. Ruth E Carter for Dolemite Is My Name, Arianne Phillis for Once Upon a Time….. In Hollywood and Julian Day in Rocketman. All in the Period Film category. 

However, surprise no shows were The Irishman, Little Women, and Judy. Perhaps because it mainly has suits and no showy gowns and dresses, The Irishman was omitted. But then how do we explain them passing on Judy? After getting only 2 Golden Globe nominations does this spell doom for Little Women’s awards chances? Or has it started screening too late for this year’s earlier deadlines?

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The de-aging Olympics of 2019

by Cláudio Alves

The cinema of 2019 has been rich with technological wonders. Septuagenarian actors are now able to have virtual facelifts and look like middle-aged men again. Movie stars can be returned to their youthful selves of the 1990s and there's even the possibility of CGI cloning. This trend is so weirdly generalized that it can be found in a wide variety of projects: MCU tentpoles, auteur's forays into the land of action cinema, and three-and-a-half-hour-long meditations on mortality.

Not surprisingly, these various achievements might be in contention for the Best Visual Effects Oscar, but it's unlikely all of them will be honored...

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