A Preview of BAM Cinema Fest

by Murtada Elfadl

The Farewell

This Wednesday June 12th marks the start of the 11 day BAMCinemaFest at the Brooklyn Academy of Music. It's a local New York summer mainstay that highlights mostly emerging filmmakers. Some of the films in the lineup have premiered earlier this year at Sundance like the opening night film; Lulu Wang’s The Farewell. Some at last year’s Venice; Rick Alverson’s psychodrama The Mountain. However the festival has its share of world premiers. Let’s preview some of the eclectic films that Brooklynites will enjoy over the next two weeks...

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Beauty vs Beast: Sailors Moon

Jason Adams from MNPP here using this week's "Beauty vs Beast" to memorialize a sad anniversary -- the great German filmmaker Rainer Werner Fassbinder died of an overdose on this day in the year 1982. Unsurprising given his extraordinary output over the course of his 37 years on Earth Fassbinder's projects outlived his days, and one finished film came out a few months after he'd passed -- his gorgeously gay and strange Genet adaptation Querelle, starring Brad Davis as a sailor entangled in lusty criminalities in port, and that's where we'll rest our eyes today (since we're also covering LGBT films all June to boot). Much like Lieutenant Seblon (a perfectly mustachioed Franco Nero, awash in long eroticized pauses) can't keep his eyes off his charge, neither can we all these years later...

find bike trails

PREVIOUSLY The first week of Pride Month took us to sweet Translyvania, where Tim Curry's Dr. Frank N Furter easily swanned off with 0ver 80% of your Rocky Horror votes. Said kris01:

"Brad and Janet are cute and everything, but Frank n Furter can create life. Iron Man has a million suits to jerk off too, but can he make people!?"

"Speed" Turns 25

by Lynn Lee

When Speed was first released a quarter century(!) ago, the premise seemed ridiculous: Bomb on bus is triggered to go off if the speed ever drops below 50 mph.  A bus in Los Angeles, no less.  At rush hour!  (Actually, it’s always rush hour in L.A., then as now, which only reinforces the preposterousness of the scenario.)  Nevertheless, Speed managed to suspend viewers’ disbelief – and their breaths – with a combo of taut white-knuckle thrills that didn’t require elaborate special effects and light humor that relieved but didn’t distract from the constant tension. 

A major hit both critically and commercially, it went on to win two Oscars (for sound mixing and sound editing) and elevate the then up-and-coming Keanu Reeves to full movie star status.  Now that Keanu seems to be having another “moment” in his long and eclectic career, it feels like an especially opportune time to revisit the movie that vaulted him on to Hollywood’s A list.

How does it hold up?

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A rollicking good Tony Awards this year with "Hadestown" dominating

by Nathaniel R

The Tony Awards are -- very generally speaking -- the best produced awards show of the majors. Though their Emmy category keeps changing consider this: In the past 12 years of the Emmys, the Tony Awards have won their category 8 times from 11 nominations, missing a nomination only once. The Oscars and the Globes and the Grammys could never; Their combined total of wins and nominations in that same 12 year time frame is 0 out of 20. Last night at the 73rd annual Tony Awards, the American Theatre Wing demonstrating again why they're always a threat as "Best" with a remarkably sincere but funny and entertaining show with a plethora of fantastic acceptance speeches and exciting musical performances. The musical Hadestown and the epic play The Ferryman were the big winners with 8 and 4 wins respectively.

After the jump some of our own 'Best' proclamations of the night, the full winners list, and awards trivia...

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Weak Sequels & Promising Platform Titles

Weekend Box Office Estimates June 7th-9th (ESTIMATES) 🔺 = New or Expanding / ★ = Recommended
W I D E	PLATFORM / SPECIALTY TITLES
Secret Life of Pets 2	Last Black Man in San Francisco
1 🔺 Secret Life of Pets 2  $47.1 on 4561 screens *NEW*  REVIEW	1🔺 Biggest Little Farm $347k on 285 screens (cum. $2.4)
2 🔺 Dark Phoenix $33 on 3721 screens *NEW*  REVIEW	2 🔺 Late Night $249k on 4 screens *NEW* REVIEW ★
3  Aladdin  $24.5 on 3805 screens (cum. $232.3) 1992 RETROSPECTIVE	3 🔺  All is True $237k on 328 screens (cum. $752k) POSTERIZED: DAME JUDI
4 Godzilla: King of Monsters  $15.5 on 4108  screens (cum. $78.5) POSTERIZED	4 🔺  Last Black Man in...  $230k on 7 screens *NEW*  REVIEW ★
5 Rocketman $14 on 3610 screens (cum. $50.4) REVIEW ★	5 🔺 Echo in Canyon $205k on 43 screens (cum. $501k)
6 Ma $7.8 on 2816 screens (cum. $32.7) REVIEW	6 🔺 The Souvenir $169k on 145 screens (cum. $696k) REVIEW ★

What did you see this week? 

• Secret Life of Pets 2 and Dark Phoenix both had dismal openings when compared to their predecessors. Dark Phoenix is likely to become the first X-film not to gross $100 million domestically. But that's okay, since Disney acquired Fox and this franchise can now go dormant until the MCU has their way with it. (We don't really understand why Disney is still going to dump money into The New Mutants reshoot. Just release it on Disney+ and be done with the bad Fox X-Men titles!) 

• Late Night had the weekend's best per screen average with $62k per theater and will go nationwide next weekend. The Last Black Man in San Francisco, also had a solid opening and the film will hopefully be able to capitalize on its strong reviews as it expands during the summer as counterprogramming for adult audiences. Late Night is hoping for a bigger box office splash than Booksmart and we assume they'll get it with more recognizable stars headlining. 

• Other limited openings this week lower on the charts were the music doc Pavarotti (with $142k), stripper doc This One's for the Ladies ($16k), and the Matt Bomer starring Papi Chulo with $7k from 2 theaters. 

• Rocketman crossed $50 million dollar in its 2nd weekend, holding the best of last week's wide releases down only 45% from its opening weekend (by contrast Ma was down 56% and Godzilla a steep drop of 67%) 

ENJOY THE TONY AWARDS AND BIG LITTLE LIES TONIGHT. WE'LL HAVE COVERAGE OF BOTH ON MONDAY AND TUESDAY.