Posterized: The still-young career of Tom Holland

by Nathaniel R

With Spider-Man Far From Home owning the holiday weekend, the just turned 23 year old Tom Holland is back in the spotlight. He's already been a professional actor for 11 years, starting with a West End production of Billy Elliott in 2008, where he first played Billy's best friend and later graduated to the lead role to rave reviews. His first gig in front of cameras (The Impossible, 2012) also prompted critical superlatives and he was well on his way to major stardom. We were rooting for him from then on and knew he would be the perfect Spider-Man before he was cast. Thankfully, the MCU made a good decision there and the rest has been history.

So let's take a trip back through his shortcareer via movie posters. How many of his 12 key screen projects (11 features and one major television event) have you seen? The posters are after the jump...

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Beauty Break: Happy 4th of July

We wish we were feeling more festive today and could shout "Happy Fourth of July !!!" with enthusiasm but the USofA hasn't felt like something to celebrate lately what with concentration camps for children, a would be fascist and friend o' dictactors as President. The next election (and a real Captain America) can't come soon enough!

That said, if you appreciate movies / moviestars for their escapist value, WHICH WE DEFINITELY DO, let's briefly forget our collective troubles by staring at them in their red white and blues. We've shared some of these images before but such is also the natural of holidays... TRADITION. Enjoy the views after the jump...

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Yes No Maybe So: Knives Out

by Ben Miller

Director Rian Johnson can do what he wants these days.  After helming a Star Wars movie, directors have the cache to explore different realms of entertainment.  Johnson decided to go with Knives Out, an original story inspired by Agatha Christie murder mysteries.  Let’s break it down with our Yes, No, Maybe So™ system...

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Big Little Lies MVPs: Episode 2.4 – “She Knows”

Previously: Episode 1 (Nathaniel) Episode 2 (Spencer) Episode 3 (Lynn)

Let's face it. This fucking lie has had quite a shelf life.

by Nathaniel R

I can't be the only person to have made this observation but occasionally Big Little Lies is rather like a high-end version of Desperate Housewives. There are the core group of women who maybe wouldn't be friends in real life but whose distinctive personalities make a juicy combustible mix as a cast (within the alloted tight geographically region: cul de sac in one case, beachfront in the other) Didn't Housewives also have a crime or murder mystery each season to mix in with the soap opera theatrics? At any rate, it's worth mentioning because the writing on Big Little Lies this season is... questionable. It's not a patch on the first season cumulatively, alas, but scene by scene it's still great evening entertainment in the old tradition of the "watercooler" show; it certainly gives us a lot to talk about!

In this episode, Mary Louise (Meryl Streep) makes her big move -- suing Celeste (Nicole Kidman) for custody of "her boys". That's the huge story beat that will undoubtedly take us through to the finale (episode 7) but it's more like a prologue this time around as the bulk of the episode deals with 1) Amabella's birthday party 2) Madeleine and Ed's flailing marriage, and 3) the bizarre 'are they really going there?' subplot of Bonnie's mom having a stroke while also possibly being psychic and predicting that Bonnie will drown. We suspect everyone in the writer's room of Big Little Lies wore matching Regina George"A Little Bit Dramatic" t-shirts while they wrote "She Knows"

Top Ten MVPs of Big Little Lies, Episode 2.4: “She Knows”

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Doc Corner: 'The Edge of Democracy' on Netflix

By Glenn Dunks

There is a moment towards the start of The Edge of Democracy where director Petra Costa suggests that she thought both she and the political democracy of her homeland, Brazil, “would be standing on solid ground” now that both are in their 30s. It’s a noble idea not to mention a bit cute and certainly a little naïve because anybody with the benefit of hindsight knows that one’s youthful ideals often rarely bear such fruit.

It’s also an appropriate introduction to this, her third feature. That blending of the two narratives is just one small part in how Costa, whose 2012 earlier feature Elena was an even more intimate debut, makes her homeland’s troubling descent into authoritarianism all the more painful. It’s personal. For her and the audience of her gripping and devastatingly relevant documentary.

The Edge of Democracy is easily one of the great works of documentary this year.

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