BAFTA predictions? Why not!

by Nathaniel R

Rather famously the BAFTAs did a gigantic overhaul of their nomination process to insure gender parity and diversity in their nominations. Many of the individual category nominations were decided by tiny juries. But for the winners the whole voting body will vote. Given that the nominations themselves were impossible to foresee perhaps the winners will be too? So lets just try our hand at divining what might come to pass.

FILM

• The Father
• The Mauritanian
• Nomadland
• Promising Young Woman
• The Trial of the Chicago 7

WILL WIN: This is actually a tough call. BAFTA has disagreed with Oscar more than we commonly think for the top category...

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A surprising BAFTA nomination list

by Nathaniel R

Nomadland and Rocks lead the nominations at the BAFTA Film Awards this year with 7 nominations each. The Father, Mank, Minari, and Promising Young Woman were right on their heels with 6 nominations each (though Mank and Minari both missed key top categories). After years of criticism over BAFTA's lack of diversity they made 120 rule changes (!) and, coupled with a strong year for films from and starring ethnic minorities or women, two thirds of the acting nominations went to people of color and the majority of the directing nominations went to women.

We've outlined the complex changes they made around the Best Director category (which created quite a surprising result) but in general it's easiest to think of what BAFTA did as adding what amounts to Oscar's International Feature "Executive Committee" to the longlist process in multiple categories to keep an eye on diversity and fix any glaring ommissions before the final nominations vote.

Oscar voters turn in their nomination ballots tomorrow (if they haven't already) so this won't be influential per se but it's still interesting. Especially since the nominations are so very different than what the Oscars will end up being (due to different eligibility lists and now different rules, too)...

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BIFA Nominations: "Saint Maud" leads the horror friendly pack

by Nathaniel R

The British Independent Film Awards have announced their nominations for the year. 27 films received at least one nomination but the bulk of the nominations went to Saint Maud (17), His House (16), and Rocks (15). UPDATE: Rocks and His House later emerged as the big winners. Higher profile Oscar hopefuls like The Father (6) and Ammonite (2) didn't do as well though The Father eventually won 3 of its 6 categories. Due to the category divisions BIFA has a lot of people that are double or triple nominated this year (they have the regular categories plus "debut" style categories). The BIFAs have a unique process in that the nominations are juried and then winners are decided in two separate ways. All BIFA vote by secret ballot to decide the winners of the nine craft categories plus Best Film, Best International Film, Discovery Award, and Short Film. But everything else is decided by discussion of individual juries separate from the juries who picked the nomination! Confusing right?! 

THIS POST HAS BEEN UPDATED WITH THE WINNERS 02/19/21

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Best of the London Film Festival 2019

Please welcome guest contributor Scott Thomson, who just participated in the Critics Mentorship Programme at the London Film Festival. We've invited him to tell us about his favourites from the festival, which just concluded. -Editor

Monos, Colombia's Oscar submission, won the film festival's top honors

by Scott Thomson

The programming team at the London Film Festival delivered a magnificent slate of films this year, working within a series of expertly curated strands to shape the programme into something that caters to all tastes. This year there was a focus on developing a hub for the Festival, with a schedule of free events to generate a more connected and interactive vibe.  As London falls fairly late in the Festival calendar, it does not tend to get a great deal of World Premieres, but the buzz and atmosphere around both the larger and smaller offerings is undeniable and LFF deserves a lot of credit for being a festival that is very much for the audiences.

With 40% of all films on the programme this year were from female filmmakers this is another huge step in the right direction for festival curation; the content is most certainly available and other festivals should take note. With 28 films under my belt this year I have taken in a lot of what I was hoping to, but inevitably missed out on some wonderful stuff. Here are some of my ‘Bests’ from London this year: 

Adele Haenel and Celine SciammaBest Film: Monos (which also took the Best Film prize at the Festival). There is not an ounce of fat on Colombia's Oscar submission. It's thrilling, progressive cinema with an outstanding young cast. Everything is cinema magic including that machine energy Mica Levi score. 

Best Director: Celine Sciamma, Portrait of a Lady on Fire. My my my, I’m still swooning. Sciamma’s gentle gaze on this beautiful love story is so open hearted and considerate...

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