What did you see this weekend?

What did you see this weekend?

Weekend Box Office (Estimates) April 5th-7th  🔺 = new or expanded theater counts
W I D E	PLATFORM / LIMITED
1 🔺 Shazam!  $53.4 on 4217 screens *NEW*	1 🔺  The Mustang $771k (cum. $2) on 350 screens

2 🔺 Pet Sematary  $25 on 3585 screens *NEW*	2  No Manches Frida 2 $415k (cum. $8.7) on 275 screens

3 Dumbo  $18.2 on 4259 screens (cum. $76.2) BEST OF TIM BURTON	3 🔺  The Aftermath $375k (cum. $1.1) on 344 screens   REVIEW

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Farewell, Crazy Ex-Girlfriend

by Dancin' Dan

When the history of Peak TV is written, there better be a whole chapter devoted to Crazy Ex-Girlfriend. That Aline Brosh McKenna and Rachel Bloom's musical comedy managed to last four seasons on The CW is amazing enough. But doing so with a diverse cast, while constantly pushing the boundaries of what network television would allow to be broadcast in prime time, taking anti-feminist tropes and twisting them around until they become feminist, and spotlighting mental health issues in a sensitive, impactful way is a miracle.

On Friday night, Crazy Ex-Girlfriend aired its series finale. Magically, the show was able to end on its own terms, giving us the full four-season arc its creators had always envisioned. And what an arc it's been [SPOILERS AHEAD]...

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April Foolish Predictions #4: Best Supporting Actor

Previously: Animated Features, Foreign Films, Sound & Music, Prediction Index

What will the Supporting Actor race look like this year? Will it be awash in "comebacks" (Al Pacino, John Lithgow, Tim Robbins, David Straithairn)? Perhaps it'll lean into fresh cinematic faces (Aldis Hodge, Jonathan Majors, Kristoffer Hivju, Taika Waititi)? Maybe it'll be a year of long-awaited first nominations for thespians who've had rich careers (Ben Mendelsohn, Bruce Willis, Jonathan Pryce, Antonio Banderas, Tracy Letts)? Most likely, as with each Oscar year before it, it'll be some random combo of all three but determining who the five men will be this early is nigh impossible. Why is that? Well, there are a few reasons...

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April Foolish Predictions #3: Foreign Language Film

And now we move to (nearly) the silliest category to try to predict a year in advance, Best Foreign Film. Individual countries don't begin announcing which films they're submitting until the summer (and usually wait until the end-of-September deadline) so it's a bit like blindfolding yourself and pointing at a spinning globe. Nevertheless we just like to have predicted the five countries so we have stats later on about how well we did while blindfolded (it's a sickness, this punditry calling).

Previous famous nominees or winners of the Foreign Film Oscar

But mostly we threw up this early chart because we wanted to freshen up the foreign stats & Oscar history portion of that traditional annual page. Take a look won't you? Tell us if you learned anything new! We've been brainstorming behind the scenes at TFE at a way to deep dive into this category's history but we keep hitting the roadblock of films being unavailable (a far worse roadblock in this category than in others) due to... well, you know, the films being from other countries and distribution sometimes not extending much beyond their initial theatrical runs decades ago.

April Foolish Predictions #2: Music and Sound Categories

[drumroll] It's Time! Our annual April Foolish Oscar Predictions have begun.

Ad Astra was supposed to be out next month but rumors are that it's not finished yet

First we looked at Animated Features and now we turn our attention to the Sound categories. It's rather perverse to do them second and here's why: Original Songs and Original Scores are among the last things we have confirmed each year. Technically speaking you can wait until your whole film is nearly complete before adding a score or commissioning an original song. It's not always wise to wait of course since songs, especially, can be more effective if they're woven in and some directors prefer to work with some idea of what the score will be like while they're editing. Nevertheless there is much that's completely unknown about this film year in terms of its music...

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