Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
DON'T MISS THIS
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe
Saturday
Oct202018

Tweetweek

A collection of random tweets for your (hopeful) amusement...

Click to read more ...

Friday
Oct192018

The Romanoffs 1.1 "The Violet Hour" 

By Spencer Coile 

I vividly remember watching Mad Men for the first time during my junior year of college, struck by the way Matthew Weiner crafted a series that was cinematic and rich in detail, dialogue, and characters. Since its finale in 2015, I’ve been searching for a series that struck the same chord with me. Enter: The Romanoffs, the new Amazon Prime series from Matthew Weiner. Its premiere was a long time coming, with news, expansive cast announcements, and speculation circulating for years. Would Weiner capture lightning in a bottle again?

As it turns out, The Romanoffs is an anthology series, where each episode presents a new story about people who believe themselves to be descendants of the slaughtered Romanov family. Based off the first two episodes, it’ll be a globe-trotting series, bouncing across countries, and continents...

In its pilot episode, “The Violet Hour,” we are introduced to Greg (Aaron Eckhart), an American living in Paris who also takes care of his snobby elderly aunt, Anushka (Marthe Keller). Anushka takes great pride in her lineage, announcing herself to be a direct heir to the Romanovs. Her lavish Parisian apartment reflects her wealth and status, to the chagrin of Greg’s girlfriend Sophie, (Louise Bourgoin), who is waiting for the fateful day that Greg will inherit it...

Click to read more ...

Friday
Oct192018

Middleburg Opening Nite: Yalitza Aparicio and "Roma"

by Nathaniel R

with Yalitza Aparicio on opening nightThe Film Experience's beloved annual trip to the Middleburg Film Festival in Virginia got off to a late start. Flight delays and airport mix-ups and the like but a happy result: the Lyft driver was very chatty and wanted movie recommendations. I was happy to oblige since it wasn't just small talk but actual cinephilia! She wanted to know if I'd ever seen Woman in the Dunes and Hereditary. C'mon Double Feature! 

By the time I arrived at the opening night film, Alfonso Cuarón's Roma, it was already halfway over. As you know we've already seen and loved, but I watched from the back of the house as it was a sold-out house. Who knows how many chances any of us will have to see those teeming incredible images on a gargantuan screen...

Click to read more ...

Friday
Oct192018

Blueprints: "A Simple Favor"

This week Jorge dives into martinis and missing persons, to examine the mythos of a perfect woman in the fall's most delightful surprise.

First impressions are important, and writers usually either build upon or subvert the first thing we see about a character: the clothes that they’re wearing, the setting that they appear in, the way they carry themselves, and the adjectives they use. All of these elements can tell us who a character is before they even say a word. 

A Simple Favor is all about image and perception. The image we present to the world, and the part of ourselves that we keep hidden. The way we are versus the way we are perceived. In particular, the film is about Emily’s image. Not only her physical looks (which are hugely important), but the aura and lore that she has created around her. The idea of Emily...

Click to read more ...

Thursday
Oct182018

Review: "Halloween"

by Chris Feil

After being reinterpreted by Rob Zombie in two grittier takes, Michael Myers returns to Haddonfield and to his storytelling roots in David Gordon Green’s Halloween. And even more importantly, so is his first survivor Laurie Strode and the indomitable woman that plays her: Jamie Lee Curtis.

This take unfurls the fortieth anniversary of the original John Carpenter film (dispensing with the narrative of all other installments) as the septuagenarian Michael escapes his asylum confines to return home and kill again. But this time Laurie is ready, perhaps too ready. She’s been waiting actually, devoting her life to preparing for his inevitable return by outfitting her home with intricate safety mechanisms and a cache of guns. The fallout has been isolating herself in a constant thrum of anxiety and becoming estranged from her daughter, played by Judy Greer. Michael’s return puts him and Laurie on their fated trajectory, this time with Laurie’s granddaughter (and the fate of her family’s survival) in the middle.

Click to read more ...