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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Sunday
Jul302023

A History of the Oscars at the Emmys (Can They Win Variety Special, Live, for the First Time?)

by Christopher James

Could continued fervor for the Oscars that awarded Everything Everywhere All At Once lead to an Emmy win for the Oscars ceremony?

The Academy may hand out awards, but they also compete for them! The Oscars regularly compete at the Emmys in the Variety Special categories, having won 7 Emmys from 68 nominations over the past 10 years. This flies in the face of the common joke that the Oscars are regularly the most maligned awards show on the block. Still, Hollywood's big show has never won the Variety Special (Live) prize, nor the Special Class Program award before it. This year’s Oscars got above average reviews, including from The Film Experience. It contends in four categories, including Directing (which it has won twice previously). 

Could a strong show and a great winner with Everything Everywhere All At Once propel the Oscars to a big Emmys win?

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Saturday
Jul292023

Review: "The Beasts" of Galicia

by Cláudio Alves

Rodrigo Sorogoyen's The Beasts opened at last year's Cannes Film Festival to thunderous acclaim, beginning  a global trip through film festivals and the odd commercial market. Its greatest success came in Spain and France, the two nations that coproduced the film, whose troubled relation toils the land and souls of a narrative inspired by real-life tragedy. If you're an awards obsessive, you might remember The Beasts from news about the Goyas and César, for the film was a sweeper in the former and won Best Foreign Film against mighty competition in the latter – including the Oscar-nominated Triangle of Sadness, EO, and Close

Regarding this bounty, it's easy to feel some skepticism creeping in, though, after you've seen The Beasts, the voters' fervor feels somewhat fair. As the film finally enjoys a limited release in American theaters, let's explore its tale of xenophobia and violence in modern Galicia, where monsters rove, feigning humanity…

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Friday
Jul282023

Emmy Analysis: Drama Guest Categories

By Abe Friedtanzer

Hiam Abbass

Best Guest Actor in a Drama Series and Best Guest Actress in a Drama Series are two of the races where only two HBO series are represented, and they also happen to contain nominees from the exact same two shows: The Last of Us and Succession. Before we get to the people recognized and the work they did (spoiler alerts for both series), let’s take a look at the history of these categories and whether this has happened in the past...

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Friday
Jul282023

Emmys Postpone Ceremony in Light of WGA and SAG Strikes

 

The show blog must go on.

In lieu of the WGA and SAG strikes, the Emmys have officially moved away from their September 18th date. This is the first time the Emmys have postponed their date since 2001, after the September 11th attacks. No new dates have been announced for both the Primetime Emmy Awards and the Creative Arts Emmys. It stands to reason that the show will not be rescheduled until the strike ends. As stated earlier on the site, The Film Experience stands with SAG-AFTRA and the WGA in their quest for fair wages. Hopefully, all production (including our beloved award shows) can return once the AMPTP (Alliance of Motion Picture and Television Producers) agrees to negotiate with the guilds in earnest.

In the meantime, all this means for us is that there’s just more time to celebrate the amazing work of television that is being honored this year.

In the coming months, you can expect more category analyses, volleys on the big four awards and coverage of many of the Creative Arts categories. You can find our Emmys coverage so far below: 

Are there any shows or categories that you want us to delve into at The Film Experience? Let us know in the comments below.

Thursday
Jul272023

Blue Jasmine @10: Confessions of a Blanchett Agnostic

by Cláudio Alves

It's been ten years this week since Blue Jasmine arrived in theaters, kickstarting one of the most unwavering award sweeps in living memory. After a period where she dedicated most of her attention to the theater, Cate Blanchett returned to big screen leading lady status with Woody Allen's San Francisco-set Madoff-inspired spin on A Streetcar Named Desire. Her Jasmine is a modern Blanche Dubois bedecked in Chanel, a showcase for thespian pyrotechnics so immense nobody can be left indifferent. No wonder so many count the performance as Blanchett's best and one of the top Best Actress winners of the 21st century. I understand and even grasp the grandeur that enchanted Oscar voters, critics, cinephiles everywhere.

And yet, I can't deny a certain skepticism when faced with the achievement itself, finding it highlights many of the issues I often have with Blanchett on screen. Maybe I am a Blanchett agnostic…

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