"Avengers: Endgame" Teases

by Nathaniel R

Avengers 4 (or 5 if you count Captain America: Civil War, which you probably should) finally has a title: Avengers Endgame. Yay, superhero movies are ending! (Just kidding in two ways. They're obviously not over and I like 'em even while I wish they weren't the dominant moviegoing culture.) 

But anyway, you know what would be truly truly thrilling? If Marvel Studios and Disney were brave enough to not release ANY more footage from Avengers: Endgame beyond this teaser. Why waste all the money on advertising and spoil the visual reveals when everyone is already going to see the movie? Avengers: Infinity War grossed 2 billion worldwide making it the highest-grossing movie of 2018. There's no reason to believe that Endgame couldn't do the same even without the hardsell. 

The teaser is after the jump...

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Please welcome, the Latino Entertainment Journalists Association

Though TFE has bemoaned the need for every little city in the world to have their own critics organizations (sometimes two!) rather than merely joining preexisting organizations, we don't feel the same way when it comes to representation and diversity. We were actually shocked to realize that there wasn't already an organization for Latino entertainment journalists. Clayton Davis of Awards Circuit fame saw the gap and founded The Latino Entertanment Journalists Association and will serve as its first president. Additional founding board members are Toni Gonzales (Freelance), Niki Cruz (AM NY), and Kiko Martinez (Remezcla). This new Association will announce their first film awards on January 20th, 2019...

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Review: Vox Lux

by Chris Feil

Vox Lux opens with visceral brief violence and closes with extended musical euphoria that it keeps out of our reach. The sophomore feature of Brady Corbet, the film is most defined by its refusal to allow us to access it even as it monolithically announces its themes. It feels at once like someone screaming into the abyss of an empty stadium with locked doors. But somehow it keeps us banging on its doors that never budge.

The film follows the birth and would-be rebirth of superstar Celeste, played separately in two acts by Raffey Cassidy and Natalie Portman...

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Team Experience on Globe Snubs, Strange Honors, and Best Director Nominees

As is our habit we polled Team Film Experience and web friends on the Golden Globe nominations. This will come in two parts but we'll start with a cleanse by shaking off the bad feelings. We must bid a fond fist-shaking farewell to our favorites that the Globes shunned and reveal the nominations that confuse us.

We think you'll also enjoy the part where we choose which Best Director would best dramatize our moods while watching the nominations. Ready? Here goes...

1. Which omission most galls you?

MURTADA: Widows. Viola Davis for Widows. Elizabeth Debicki for Widows. Steve McQueen for Widows. It had many opportunities to get mentioned and zilch.

JASON ADAMS: Toni Collette and Carey Mulligan, the drinks are on me. [MORE AFTER THE JUMP...] 

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Review: Mary Queen of Scots

by Murtada Elfadl

The story is familiar. We’ve seen it many times on both film and TV. The queens are familiar. We’ve seen them being embodied by many actresses we love and admire. Now it’s time for Saoirse Ronan and Margot Robbie to play Mary and Elizabeth I in Mary, Queen of Scots. Familiarity can breed contempt. We’ve seen this before so why do we need another version? But familiarity can also help us absorb a story when we know the beats of its narrative. We can take in the performances, the costumes, the setting and not worry about following the plot. Director Josie Rourke and screenwriter Beau Willimon understand that they need to freshen up the material, give it a new spin. And so they try.

Their story concentrates squarely on Mary and starts with her return to Scotland from exile in France, threatening Elizabeth’s reign because of her strong claim to the crown with Elizabeth being unwed and childless...

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