But why is it called "Bleach"?

by Nathaniel R

boys and their toys... i mean, superpowers.

How often do you have random streaming adventures where you watch something you've literally never heard of? This week on Netflix I caught a new Japanese flick called Bleach (2018) though for the life of me I can't figure out what the title means. It's one of those movies that's 1000% obviously based on a manga because it throws lots of random names, superpowers, and world-building terms and rules at you and assumes you'll be able to keep up. But nowhere in the entire picture does the word "bleach" factor in. I've turned it over and over in my head and unless I blinked during a crucial subtitle the title makes no sense whatsoever.

It was a fun popcorn watch but I had to share one moment near the beginning that had me howling...

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NYFF: Long Day's Journey Into Night

Jason Adams reporting from the New York Film Festival

Late in the film version of Six Degrees of Separation Stockard Channing's character, at her wit's end, says, "I will not turn him into an anecdote, it was an experience; how do we hold onto the experience?" That's how I feel about writing up my thoughts on Bi Gan's dream-adjacent Long Day's Journey Into Night. It was an experience. An out of body one, sorta. How do I turn that experience into words?

Luo (Huang Jute, whose handsome face we come to know from every angle) is haunted by what else, a lost woman (played by Lust Caution's Tang Wei, for a time anyway), and he wanders the damp earth and the the even damper underworld and everywhere damp in between trying to find her - trying to hold on to fractions of dreams and memories; who can tell which is which here? It's all fractured - time, space, sound...

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Posterized: Warner Animation and "Smallfoot"

by Nathaniel R

The animated comedy Smallfoot opens today. It has a 75% on Rotten Tomatoes, so a mixed response from critics but we expect audiences will like it since they're not always so picky about animated films. Plus the concept is cute and there are lots of big stars to promote it.

Let's take a quick visual perusal of Warner Brothers theatrical animated films. Warner Brothers is such a massive corporation that their subsidiaries are legion and "Warner Animation" as it is now is not exactly like "Warner Bros Animation" of the 1990s or what not but you catch the drift. The various animated subsidiaries of Warner Bros tend to have specialized in TV animation and direct-to-dvd titles which is one of three key reasons that the company has yet to land an Oscar nomination in the Best Animated Feature Film category. The second reason is quality. And the final reason is just bad luck. Surely their best film The Iron Giant would have been nominated had the category existed in 1999. And the snub of exceedingly clever blockbuster The Lego Movie ...well everything was NOT awesome when that happened, don't you agree?

How many of their 12 theatrically released animated features have you seen? The posters are after the jump...

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Happy 50th to Naomi Watts!

by Nathaniel R

the actress at Venice a month ago

Happy 50th birthday to Naomi Watts, born on this day in England. Many of us think of her as an Australian actress since that's where she first emerged but she didn't move there until she was 14. The first two movies I personally saw her in were Flirting (1991) and Tank Girl (1995). Flirting really ought to be enshrined and preserved for eternity since it gave us early looks at four enduring careers. Naomi has a small role but the three principal players are Nicole Kidman, Noah Taylor, and Thandie Newton. 

Naomi is so young in this clip of the girls "arriving" to a cross-school dance, that she's almost unrecognizable. She's the one in the pink with her hair up. But it's Nicole and Thandie that the cameras follow...

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Two Visual Triumphs Seeking Distribution: "The River" and "Shadow"

Since we're already deep into NYFF - thanks to Murtada and Jason for this excellent reviews (I'll join them shortly) --  I must accept that all the full reviews I had planned for things without release dates I saw at TIFF just aren't going to happen. But several films we caught are hitting theaters soon so they will get reviews: A Star is Born (10/5), Beautiful Boy (10/12), Border (10/26), and Boy Erased (11/2). In the meantime here are the final two TIFF films I must pinpoint because they don't have distribution yet but they totally deserve it.

Shadow
I'm calling this one 'camp without color,' because we always think of "camp" as something innately colorful, don't we? Director Zhang Yimou (House of the Flying Daggers) gifts for visual spectacle remain undimmed and this time he organizes his mise en scene around the duality of the yin yang symbols as well as inkwash paintings...

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