Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe
Monday
Feb052018

The Furniture: Into the Marshes with Ida Lupino and Elsa Lanchester

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

This week marks 100 years since the birth of pioneering director and actress Ida Lupino. Twitter has been full of tributes to her work, including the eight feature films she directed. We've discussed a few of her films here before as well. For my part, I highly recommend her two episodes of The Twilight Zone.

However, I’m going to look at a movie from before she made the leap to directing, the only one in her filmography to receive a Best Art Direction nomination. 1941’s Ladies in Retirement is both a thriller and a play adaptation, a genre we don’t see too often anymore. But in that era it was fairly common, from comedies like Arsenic and Old Lace to the more explicitly malevolent Night Must Fall and Gaslight.

The setting of Ladies in Retirement, according to Reginald Denham and Edward Percy’s original play, is the “Living Room of an Old House on the Marshes of the Thames Estuary Some Ten Miles to the East of Gravesend, 1885.”

Of course, this being 1941, a location shoot in Kent would have been impossible even if the studio had wanted it. Instead, the marshes were built into a sound stage. The team was so proud of their ersatz swamp that they even set the opening credits in the muddy water!

Click to read more ...

Monday
Feb052018

Beauty vs Beast: Sibling Rivalry

Jason from MNPP here wishing us all the happiest Lovely Laura Linney Day! Today Linney is celebrating her 54th birthday, which means we're celebrating as well because she's a national treasure that one. But that happiness and celebration might not last long, I ruin everything, because I'm about to force a horrible choice on you with this week's "Beauty vs Beast" contest and ask you to consider choosing between the siblings of Kenneth Lonergan's 2000 sibling masterpiece You Can Count On Me -- Linney's hometown mama and boss-schtupper Sammy versus Mark Ruffalo's home-crashing money-grubbing seatbealt-wearing Terry. Vote and then tell us why you voted how you voted down below in the comments!

PREVIOUSLY Last week's Best Actor contest handed Timothee Chalamet a win as sound (to the tune of 87% of the vote!) as his trounced competitor Gary Oldman's eventual win at the Oscars next month is assured, so let's just enjoy us getting it right anyway. Said hepwa (and this is a fine list that I'd love to hear if anybody has any of their own to add to this list, too):

"There are five great young male performances in the past forty years, in chronological order: Dennis Christopher in "Breaking Away", Michael O'Keefe in "The Great Santini", Timothy Hutton in "Ordinary People", River Phoenix in "Running On Empty" and now Timothee Chalamet in "Call Me by Your Name"."

Sunday
Feb042018

Box Office: Jumanji and Showman Won't Quit

by Nathaniel R

Weekend Box Office (Feb 2nd-4th)
W I D E
800+ screens
L I M I T E D
excluding prev. wide
1. Jumanji $11 (cum. $352.6)
1. Padmaavat $2.5 on 354 screens (cum. $9.0)  
2. Maze Runner 3 $10.2 (cum. $39.7 2. 🔺 Bilal: A New Kind of Hero  $278k on 300 screens NEW
3. 🔺 Winchester $9.2  NEW
3. 🔺 The Insult $118k on 36 screens (cum. $237k)  
4. The Greatest Showman $7.8 (cum. $137.4) REVIEW | ANOTHER HIT MUSICAL 
4. 🔺  A Fantastic Woman $70k on 5 screens NEW CAPSULE | REVIEW
5. Hostiles $5.5 (cum. $21.2)
5.Mary and the Witches Flower $57k on 30 screens (cum. $1.8)  

 

Jumanji and The Greatest Showman continue to have incredible staying power in their 7th weeks, the former regaining its #1 berth and Showman holding tight at four...

Click to read more ...

Sunday
Feb042018

Del Toro's last stop before Oscar

by Nathaniel R

Last night Guillermo del Toro took his expected win at the Directors Guild Awards. Next stop: the 90th Academy Awards where he's also expected to claim his trophy. No one else in the Best Director field has enough momentum or goodwill to upset him, particularly given that the DGA prize is historically super predictive of the eventual Oscar win. They only seem to stray when they're making a "statement"...

Click to read more ...

Saturday
Feb032018

Uma Speaks Out

by Nathaniel R

Uma Thurman photographed by Damon Winter for the New York Times

"This is Why Uma Thurman is Angry" is the weekend's must-read. The movie star has been suggesting that she had a rage boiling up inside her for months now. She has now added her voice to the chorus of women accusing Harvey Weinstein of sexual assault. Though she spares us the sickening details this sharply written editorial by Maureen Dowd, who spent two nights talking to Uma, suggests plenty. Surprisingly it's more damning, in a curious and, for this particular season, atypical way, of her chief collaborator Quentin Tarantino with whom she had enjoyed a long and creative relationship.

I had really always felt a connection to the greater good in my work with Quentin and most of what I allowed to happen to me and what I participated in was kind of like a horrible mud wrestle with a very angry brother. But at least I had some say, you know?

The account of their strained relationship after Weinstein's misconduct and their falling out over a dangerous accident (warning the video is very upsetting) on the set of Kill Bill feel emotionally brutal.

The Bride had more names to cross of her list.