The Academy sticks with March for Oscar night

Contrary to the Academy's pre-pandemic intention with Parasite's big night being the earliest Oscars of all time* (February 9th, 2020), Hollywood's High Holy Night has settled back into March as its sweet spot, when the bulk of ceremonies have been held throughout history. Forty-nine of the ninety-five ceremonies to date, or roughly 52% of them, have been held in March. In short, AMPAS is no longer trying to progressively shorten the season as had been their pre-COVID plan.

The 96th Oscars will be held on March 10th, 2024 to be exact. The press release and a bit more Oscar history are after the jump... 

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TCM Film Festival: Final Diary - Xanadu

By Christopher James

Have you ever watched a movie and realized it was instantly going to be part of your personality? Last weekend at a midnight screening of Xanadu, I thought I was merely filling a critical hole in my gay camp movie repertoire. The Olivia Newton John 1980 roller skating musical was a bomb when it first opened. Yet, through hit songs like “Magic” and “Xanadu,” the film hung around long enough to become a cult classic. Obviously the term “roller skating musical” doesn’t inspire much confidence in a film’s storytelling prowess. Xanadu isn’t a “so bad it’s good” curio piece. Instead, it’s an ambitious, messy, misunderstood masterpiece about the ebbs and flow of art and taste...

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"Elemental" to close Cannes

by Nathaniel R

Pixar's Elemental will close the Cannes Film Festival this year (Out of Competition) on May 27th before hitting theaters on June 16th. If you missed the original Cannes lineup post, that's here. The only other Pixar features to premiere at Cannes were Up, Soul, and Inside Out. Elemental is directed by Peter Sohn (The Good Dinosaur) 

In other TFE-specific Cannes news, our favourite Italian Elisa Giudici will be covering the festival again for us this year and we couldn't be happier about that. Stay tuned for more on Cannes.

Erotic Thrillers: Part 3 – Bare Witnesses

by Cláudio Alves

Making your way through the Criterion Channel's Erotic Thrillers collection, you'll start noticing a recurring concept here and there. One of the most prevalent is voyeurism (peeping toms or bystanders) twisted by the advent of violence. That very idea can lead to a consideration of the audience as another variation of the voyeur, whether in a critique or apologia. Fear and desire often mix, the horrified spectator enlivened by the hideousness they just saw even as trauma lingers in the psyche. Excited by danger and drunk on terror, they're laid bare for the camera in more ways than one.

As our cinematic odyssey reaches the end of the eighties, we encounter three tales of eroticized witnessing – Curtis Hanson's The Bedroom Window, Bill Condon's Sister, Sister, and the program's first woman-directed picture, Sollace Mitchell's Call Me…

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Drag Race RuCap: "Grand Finale"

CLÁUDIO ALVES: It’s over. RuPaul’s Drag Race has finished its fifteenth season, crowning one of its best winners yet while putting on a show full of musical interludes, political messaging, and gorgeous gowns. Though the excitement of lipsync tournaments à la season 9 is somewhat missed, the queens seem happy with a repeat of the season 14 format, where each finalist presents a solo number before Ru picks a top two to lipsync for the crown. Anyway, that’s a matter for later. First, dear Nick, tell me your general thoughts on the finale...

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