On this day: Gloria Swanson, Typhoid Mary, and Sacheen Littlefeather

On this day in history as it relates to showbiz...

Gloria Swanson surrounded by herself in SUNSET BLVD

1898 Oscar winning costume designer Norma Koch is born. She designed the costumes on both of the main movies that Feud: Bette and Joan revolves around, winning for Baby Jane though Feud seems to hand the costuming credit on that movie over to Bette Davis
1899 The iconic Gloria Swanson (Sunset Blvd) is born...

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What did you see this weekend?

Beauty & the Beast continues to be a cash machine for Disney Corp, already at nearly $700 million worldwide. Power Rangers fared the best of the new releases with a stronger than expected opening. Was that nostalgia driven or just people in the mood for campy schlock? My friends and I headed to the theater after a few drinks because we figured we shouldn't see it sober...

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Review: "Wilson"

by Spencer Coile

Daniel Clowes struck gold in 2001 when he wrote the screenpay for Ghost World, an adaptation of his graphic novel of the same name. Telling the story of self-identified outcast Enid (Thora Birch), his first screenplay toyed with themes pertaining to isolation, the dissolution of friendships, and lots and lots of teen angst. It was relatable and altogether melancholic, but importantly-- it all worked. Drawing from his own work (no pun intended), Clowes pulled together some all-too-familiar film tropes, and managed to subvert them in thoughtful and oftentimes amusing ways. After a return to the screen with another adaptation of his own work, Art School Confidential in 2006, Clowes layed low, working primarily on writing/drawing and short films. He's back with Wilson, now in theaters, pairing with The Skeleton Twins director Craig Johnson, for another foray into the hilariously damaged human spirit...

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New Directors / New Films: "Happiness Academy"

Have you ever seen a film which mixes documentary with fiction? Hybrid films, films with documentary and fiction parts or at least performed / acted elements have been around for some time. I'm not enough of a documentary expert to know if this is an increasing trend but in the past few years I've seen a few. From my (extremely limited) experience the combo can spark frissons of excitement and thoughtful layers as in Sarah Polley's autobiographical mystery Stories We Tell. The hybrid approach can also be both fascinating and exhausting simultaneously as with Clio Barnard's The Arbor (2010) in which actors lipsynched to recorded interviews from the actual documentary subjects.

At this year's New Directors / New Films festival, which wraps today in NYC, the hybrid technique (genre?) gets another discussable entry via Happiness Academy...

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RuPaul's Drag Race S9E1 - Oh My Gaga!

by Chris Feil

It’s here, children! We’ve finally arrived at the premiere of season nine of RuPaul’s Drag Race! Not that we should complain about waiting considering we got a bonus All Stars season last fall, but when you’re talking the most joyous show on television enough is never enough.

So it doesn’t please me to say that this season premiere left me begging for more in the worst kind of way. While the episode starts out with the usual high energy and first day of school nerves as we meet every queen entering the workroom, we don’t get much of the queens beyond this introduction. The energy flatlines right around the second commercial break when much hyped presence of guest judge Lady Gaga establishes the challenge: a non-elimination Miss Charisma Uniqueness Nerve & Talent Pageant, each queen presenting a look representing their home city and a Gaga recreation.

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