"Moonlight" in Three Acts

Since Barry Jenkins' new film Moonlight is told in triptych style, we've opted to bring you our NYFF review in the same way with three of us writing it! - Editor

"Little" by Murtada Elfadl
Moonlight is a patient movie that takes its time to give us a full portrait of what goes on in a young man’s mind. Long beautifully rendered scenes provide us pivotal snippets of days in a life. The economy of the scenes mixed with the patience in storytelling means that every gesture and word counts. Barry Jenkins takes Tarell McCraney’s unproduced play "In Moonlight Black Boys Boys Look Blue" and paints it on screen, using his actors’ faces and bodies to deliver singular poetic images.

The languid melancholic tone fits the inner monologue of the main character Chiron (who is called "Little" in this first of three segments),  who is struggling to understand himself...

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Beauty vs Beast: Which of the Woods

Jason from MNPP here seizing the moment with this week's edition of "Beauty vs Beast" -- well, seizing one of many moments, but not only moments, because if life were only moments then we'd never know we had one. You know how it goes. Anyway this moment, this one of many not only, is the birthday of the director Rob Marshall, who makes magical movies that, uh... defy description. Like Into the Woods, perhaps? Yes, we are in the right story.

PREVIOUSLY Here it is a week later and I'm still pretty shocked it took me over 125 editions of this series to get to my favorite movie Rosemary's Baby - but who won? Well you guys sided with the Devil, just like the Oscars did, and gave the prize to Ruth Gordon's Minnie Castavet and her eternally chalky undertaste - said Marsha Mason:

"I think Ruth had the greater acting accomplishment. Mia was good at being afraid, but Ruth pulled off "loud old NYC lady in league with Satan," succeeding in making her both hilarious, outspoken and very creepy. She reminds me of Barbara Bush that way."

The Manipulative Monarch of "Farewell, My Queen"

We're celebrating Marie Antoinette for a few more days this week. Here's abstew - Editor

The legendary figure of Marie Antoinette has been the subject of gossip and infamy for over 200 years now. Although most scholars agree that all we may think we know about the excessive queen is mostly a misunderstanding. Even the most well-known phrase attributed to her, "Let them eat cake!", has been debunked as never actually been spoken by her. Even in her own time, there were pamphlets spread around France accusing her of infidelities with both men and women. At her trial, she was accused of staging orgies at the Palace of Versailles and even committing incest with her own son. Playing off of these rumors, French director Benoît Jacquot's 2012 film about Marie Antoinette, Farewell, My Queen, based on the novel by Chantal Thomas, invents a lesbian relationship between the Queen and a duchess at court...

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The Many Genres of "Jane the Virgin"

Please welcome new contributor Jorge Molina to the team. Here's his take on "Jane the Virgin," returning to TV tonight, two seasons in...

Jane the Virgin returns tonight on the CW for season 3Jane the Virgin has always been a hard show to describe. Even its one-line, high concept premise takes a couple of reads to fully grasp: “A young Catholic Latina virgin gets accidentally artificially inseminated. Hilarity ensues.” 

Two seasons in and the show hasn’t gotten any less complex. Each episode adds more layers on plot, character, and style: someone will get pregnant or thrown down the stairs; there will be flashbacks, and murders, and small meaningful moments; and it will be as bombastic as it will be intimate. Sometimes in a matter of scenes.

Jane the Virgin is the rare case of a show that’s created entirely on pastiche, and yet has an unmistakable originality and essence that’s fully its own.

It embodies many genres, and weaves them all together in one single, coherent, Latin-loving storyline.  Five genres as example after the jump...

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The Furniture: The Shrieking Color Scheme of Ghostbusters

"The Furniture" is our weekly series on Production Design. Here's Daniel Walber on Ghostbusters, just out on DVD and Blu-Ray

Paul Feig movies tend to be about comic excess. There’s always a nearly too much humor jammed in, not infrequently with the side effect of a bloated running time. To be fair, there would be more time for Melissa McCarthy and Leslie Jones to adlib about dancing if Ghostbusters weren’t also required to have a number of standard narrative beats, but that’s Hollywood.

The point is that Ghostbusters, like Spy, displays a remarkable dedication to extravagant nonsense. Its excessive approach, pushing every joke as far as it can go, is also true of its design. Production designer Jefferson Sage, Oscar-winning set decorator Leslie A. Pope (Seabiscuit) and the rest of the design team provide a a unifying absurdity in both color and texture that keeps Ghostbusters on a collision course with comedy...

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