The definitely incomplete history of Janis Joplin biopics

by Josh Forward

There have been so many rumoured, green lit and delayed productions of a Janis Joplin biopic, it’s nearly impossible to keep track. But we're here to try! Janis was a 60’s superstar, with an iconic voice and an image that was reflective of the counter culture of the times. She also sadly joined the 27 club by a drug overdose. 

Her incredible life and talent has been promised on the big screen for decades and the latest announcement has Michelle Williams as Joplin under the direction of Sean Durkin (Martha Marcy May Marlene). This will be based on Laura Joplin’s book "Love, Janis" made up of real letters from Joplin. This is not to be confused with the delayed version starring Amy Adams directed by Jean-Marc Vallee, halted by legal trouble which was tentatively called Get it While You Can.

But these two productions have actually been competing since the 1990’s. And before them there were other failed attempts. Let’s look back...

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Six notes on the first season of "Luke Cage"

Y'all remember that I wasn't too excited about Netflix's new Marvel show Luke Cage. As previously noted, I had the same trouble getting into it that I have always had getting into Superman movies -- invulnerability is antithetical to conflict and therefore dull in action franchises. But, that obstacle aside, I gradually finished the season -- the arrival of Claire Temple helped. Rosario Dawson was wonderful as always... and with Sonia Braga in tow this time, though the show didn't give the latter much to do. The increasingly complicated and cross-purpose agendas of the characters and plot helped, too. Well, that and the the fact that the show sparked interesting online discourse. That's always a plus.

After the jump five favorite things about Season 1 (spoilers obviously) and a response to the articles on "racial empathy gaps"...

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Judy by the Numbers: "Lena Horne Medley"

Anne Marie has been chronicling Judy Garland's career chronologically through musical numbers...

If you watch the full Judy Garland Show from start to finish in the order in which it was filmed rather than the order in which it was broadcast - which is what we're doing in miniature - a few patterns emerge early on. First, there is the legendary talent that crowds the first episodes: besides Judy herself, we've seen Garland reunited with Mickey Rooney, swinging with Count Basie, introducing her daughter Liza, and now she's belting Lena Horne numbers to Lena Horne herself. For any midcentury music geek, this show is the gift that keeps on giving. However, if you push past the fabulous talent to watch the format itself, you'll notice something else: for a variety programme, The Judy Garland Show doesn't have much variety.

The Show: The Judy Garland Show Episode 4
The Songwriters: Various, arranged by Mel Torme
The Cast: Judy Garland, Lena Horne, Terry-Thomas, directed by Bill Hobin

The Story: Only four episodes in, The Judy Garland Show had already fallen into something of a rut. The basic format never wavered - Judy sang first and introduced the guest(s), the guest(s) performed, star and guest(s) chatted, star and guest(s) performed, then Judy wrapped everything up with "Born in a Trunk." CBS execs had noticed - as had Judy Garland. By episode 4 her bad behavior had resurfaced, causing Lena Horne to reportedly lose her cool after Judy missed every rehearsal day.

Despite that conflict - or maybe because of it - Lena performs sparklingly on the show. In variety and expression, she even outperforms Judy. (Lena's references to Louis Armstrong during "Meet Me In St Louis" especially charm.) Nonetheless, missed rehearsals or no Judy Garland can carry a number, and the overall musical montage works well, even when a beat or two is missed. Unfortunately, the next week's show would not be so kind.

previously on Judy by the Numbers

Critics Choice Splinter Group Doc Prizes

You can't be both a feature film and a mini-series. Make up your mind! (Hopefully Oscar won't allow for shenanigans.)I don't think I got the memo from the Broadcast Film Critics Association this time. After fusing their TV awards into their movie awards like the Globes last season they're now separating out their doc prizes. I don't remember seeing a ballot. What's more they still haven't solved their loosey-goosey problems with pesky things like "categories." Somehow they've nominated O.J. Made in America for both Documentary Feature AND Documentary Limited Series. How can you be both things? Uff da. 

Nevertheless since Glenn has done such a fine job covering documentaries for us, it would be remiss not to note that we've already reviewed most of the nominees! The nominees in 13 categories (a silly abundance since many of the nominees repeat under different sub-categories) after the jump. Titles with links go to our reviews...

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Foreign Film Race Pt 3: It's your first feature and you're already submitted for an Oscar!

Everything you wanted to know about the foreign language film race ...but were afraid to ask*

Ivan Marinovic (Montenegro)Pt 1 All the trailers -Albania to Italy
Pt 2 All the trailers - Japan to Yemen

Pt 3. Filmmaking is a tough business. While the size and scope of opportunities within filmmaking industries varies tremendously across the borders, it's tough everywhere as creative careers inevitably are. So imagine then that you've finally managed to make a feature film after probably years of study and practice on shorts or frustrating fundraising efforts. Then pretend that the first time behind the camera in the narrative feature level results in your home country choosing you to represent them at the Oscars! That's incredible.

So a hearty congratulations to the 23 following first timers whose films have been selected to compete in Oscar's Best Foreign Language Film Race...

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