Oscar Volley: Is an upset possible in "Best Editing"?

It’s that time again! Lynn Lee and Eurocheese discuss the Oscar race for Best Editing.

the Best Editing nominees

LYNN: Happy peak Oscar season, Eurocheese! Excited to discuss the editing category with you. Overall, this is a strong if relatively unsurprising lineup. I, for one, am absolutely delighted Sentimental Value made it in – that final scene in itself deserves all of the awards. And I can see the merits in the other selections, even if the Academy once again went with all Best Picture nominees (yawn). But then it’s been almost a decade since they included any non-BP nominees. So I will just sit in the corner and shed my own quiet tear for the unsung A House of Dynamite, which deserved more awards love in general but in this category in particular. At least the BAFTAs recognized that!

What are your thoughts on the nominees? And do you think the winner will also win Best Picture (for the fourth year in a row)?

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Alex Skarsgård first born son, 6'4" and a bundle of fun ♫

It's so freaking catchy, doncha think? 

Berlinale #2: "Everybody Digs Bill" and more...

by Elisa Giudici

Leyla Bouzid returns with A VOIX BASSE (IN A WHISPER)

Three more movies from Berlinale include a queer drama from Tunisia's Leyla Bouzid, a music bio about Bill Evans, and a docu-fiction hybrid film from Alain Gomis...

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Oscar Volley: Best Costume Design is all about aliens, monsters and demon twinks

Our Oscar volleys continue with the site’s weekly RuCappers, Cláudio Alves and Nick Taylor, tackling Best Costume Design…

Never trust a twink in oversized clothes and Coke bottle glasses with a hungry gaze.

CLÁUDIO: Hello, hello, hello, it's time to discuss my favorite Oscar category - Best Costume Design! And to keep the tradition going from these volley's last few seasons, why don't we start by describing a sartorial mélange of all nominees? Imagine me coming to you in Varang's war headdress and Marty Mauser's Coke bottle glasses. I'm also in a plus-sized cut of Smoke's azure-leaning ensemble, but instead of a 1930s suit jacket, I'm donning the powder-blue doublet from Hamlet's first staging. For extra accessories, let's go with the anachronistic Tiffany beetle jewelry with which Mia Goth adorns herself in Frankenstein.

What about you, dear Nick? What are you wearing, diva?

NICK: For this year’s runway, I’m seizing on the crimson death currents uniting these films…

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Oscar Volley: The Inaugural "Best Casting" Race

We kick off our annual post-nomination Oscar Volley series with the newest Oscar category: Best Casting. There have been calls to add Casting as a category for decades but the Academy always resisted... until now. 

Regina Hall & Chase Infiniti in ONE BATTLE AFTER ANOTHER. Casting by Cassandra Kulukunis

NATHANIEL: Abe, I'm sure I've shared this before but since we were assigned Best Casting -- in its inaugural year! -- I feel the need to shout that this film craft, alongside Editing, are the only two I feel I would have been great at, had my life taken a different path. I never took any steps toward making movies -- mostly scared off by how much time people devote to making just ONE if they're on the filmmaking side when my appetite is closer to 200 movies a year and ample time to obsess over about 30 of them as an audience member.

To jog your memory as we begin our discussion, here were the finalists in the category with the eventual nominees in bold...

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