Oscar Volley: "Best Supporting Actress" is a fun, fantastically chaotic Free-For-All!

The Oscar Volleys continue. NICK TAYLOR and ERIC BLUME discuss the ever volatile race for the Best Supporting Actress Oscar.

Amy Madigan in WEAPONS | © Warner Bros.

NICK:  Hello Eric! I’m writing you the day after the Actor Awards announced their winners. Amy Madigan took their Supporting Actress prize for her pristine turn in Weapons, while Wunmi Mosaku can add Sinners’ Best Ensemble award to her shelf. It’s a three-way race between them and Teyana Taylor’s commanding turn in One Battle After Another, and I for one couldn’t be happier. Hell, Inga Ibsdottir Lilleass and Elle Fanning are better also-rans than most of the past decade’s undisputed champions.

After several years in a row of middling lineups, this is the best Supporting Actress field since 2020, maybe even 2016. There aren’t even any leads (or categorically ambiguous) to dampen our fun. In a year with plenty of outside contenders and tantalizing non-starters, all five women earned their nominations fair and square, without feeling preordained. I’m still debating if Taylor or Madigan will go all the way, and while I ponder the fate of all things, let me ask you: How do you feel about this category, Eric? Where do you think the winds are blowing?

ERIC:  Nick, I agree wholeheartedly that this is the best field we've had in many years, not a lame performance in the bunch!  Which is why I'm personally a bit dismayed that the two performances I feel are the strongest (Sentimental Value's Inga and Elle) are the two that seem out of the running for a win...

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Split Decision: “Train Dreams”

In the Split Decision series, two of our writers face off on an Oscar-nominated movie one loves and the other doesn't. Today, JUAN CARLOS OJANO and CLÁUDIO ALVES discuss Train Dreams...

JUAN CARLOS: So why don't you like Train Dreams?

CLÁUDIO: Seriously, that's how you start our convo?

I guess it's an appropriately blunt opening to argue over a blunt movie that wears the costume of subtlety and gentleness without quite pulling it off. Well, in my opinion, of course, since being the one organizing this series has made me well aware that everyone on the team likes Train Dreams. And, to be fair, the picture's grown on me to the point I'm actually rooting for it in the Best Cinematography race and wouldn't even be mad if it pulled off an unprecedented victory in Best Original Song. It's a picture full of great elements that ultimately falters under the weight of one or two major failures, some misbegotten choices that collapse the potential it might have had in different circumstances…

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Oscar Volley: “Best Actor” will be a nail-biter to the bitter end

The Oscar Volleys continue. Today, CLÁUDIO ALVES and EUROCHEESE discuss the Oscar race for Best Actor.

Timothée Chalamet in MARTY SUPREME | © A24

CLÁUDIO: Last year in movies turned out to be an odd one for me. Mostly because, when I looked at my spreadsheets and lists to make up a ballot, the male acting categories felt markedly richer than their female counterparts. This never happens, not to me, at least. Yet, here we are. And while the supporting acting races don't necessarily show this - the Supporting Actress quintet AMPAS chose is one of the strongest we've had in years, mayhap decades - the leads bear the truth of the matter quite starkly.

In other words, I'm surprisingly happy to be discussing Best Actor rather than Best Actress in this year's volleys. I'm even happier to be doing it with you, Eurocheese! Are you similarly enthused?

EUROCHEESE: Same! I could have easily filled ten Actress slots the prior year, but last year saw a slew of brilliant male leads, making the limit to five a difficult choice. I can't complain about the choices the Academy made here - all five deserve their names in this lineup...

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Interview: "The Singers" Director Sam A. Davis

by Ben Miller

Actor Mike Young and Director Sam A. Davis on the set of "The Singers"Director Sam A. Davis is receiving accolades and a large amount of views of his short film The Singers following the recent Oscar nominations. I was lucky enough to speak with him about male sensitivity, shooting cigarette smoke, and his role as a director and cinematographer.

This interview has been lightly edited for clarity...

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Oscar Volley: "Best Original Screenplay" is sewn-up for Ryan Coogler. It's his coronation.

The Oscar Volleys continue. Today, LYNN LEE and BEN MILLER discuss the volatile Oscar race for Best Original Screenplay.

BLUE MOON took the slot many thought/hoped would be filled by SORRY, BABY.

LYNN: Ben, it’s been a long if not especially strange road getting here, and we’re in the homestretch now!  Other than the surprise of Blue Moon being the sleeper nominee, this race seems to be running pretty much as expected.  What do you think of the nominees?  Does Sinners have this in the bag, or could one of the international nominees score an upset?  I don’t think Marty Supreme is winning this one, and I swear it’s not just because it's my least favorite of the nominees.

BEN: As much as I love Blue Moon, I have to pour one out for my beloved, Eva Victor's Sorry, Baby...

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