Queering the Oscars: "The Adventures of Priscilla, Queen of the Desert"

For Pride Month Team Experience is looking at queer and queer-adjacent moments in Oscar history...

by Cláudio Alves

It was the night of the 67th Academy Awards when a Vera Wang-clad Sharon Stone stepped on stage to present the Best Costume Design Oscar, the second category in an evening most remembered for its Forrest Gump lovefest. And yet, amid celebrating that epic of political passivity and proto conservatism, the Academy found time to tip its metaphorical hat at two classics of 1990s queer cinema. The second such picture, Trevor, would have its moment later when the Live-Action Short race resolved itself in a shocking tie. For now, slotted after a resplendent Dianne Wiest accepted the Supporting Actress trophy, it was time to honor The Adventures of Priscilla, Queen of the Desert…

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First & Last 004

We're bringing back one of our greatest hits like an aging band on tour.
CAN YOU GUESS THE MOVIE FROM ITS FIRST AND LAST SHOT?

The answer and a note on the film are after the jump. But try to guess in your head before clicking to see the answer...

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"Horseplay" and the cinema of Marco Berger

by Cláudio Alves

HORSEPLAY (2022)

Last week, Marco Berger's Horseplay enjoyed a limited release in American theaters. The film is the Argentinean director's latest purview of queer desire among straight-passing men, full of his trademark languidness and crotch shots galore. In some ways, it represents an Ozu-like return to heretofore explored premises, with both variations and shapeshifting tone making the virtually identical feel radically distinct. For those who've been following Berger's career, it might be a rewarding foray into violent bleakness. For viewers first encountering his oeuvre, it makes for a strange introduction. 

With that in mind, let's think back to the auteur's evolution, from blue-balling short exercises to the latent disquiet of Horseplay…

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First & Last 003

We're bringing back one of our greatest hits like an aging band on tour.
CAN YOU GUESS THE MOVIE FROM ITS FIRST AND LAST SHOTS? 

If you heard the sound there, you'd immediately know the answer but the last shot (after the jump) will surely give it a way...

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Yes No Maybe So: "Poor Things"

by Cláudio Alves

Vasilis Marmatakis has done it again. Yorgos Lanthimos' preferred poster designer always knocks them out of the park, and his latest creation's no different, hitting that sweet spot between beauty and unease. Poor Things looks impossibly enticing, mixing the lushness of period stylings with bodily discombobulations that hint at the mysteries of Emma Stone's character. She'll be Bella in this adaptation of Alasdair Gray's 1992 novel, a resurrected young woman who pursues personal freedom beyond the will of Dr. Baxter, the scientist who brought her corpse back to life. The original text has been described as funny, cerebral, and dirty, making it sound like the perfect playground for Lanthimos and his particular brand of off-kilter cinema.

Along with this new poster, Searchlight Pictures also released the theatrical trailer for the movie, whose American release is scheduled for September 8th. Considering that date, one wonders if the work might be headed to the Venice Film Festival. While waiting for confirmation, let's delve into the trailer and give it the customary 'Yes No Maybe So' treatment…

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