Oscar Volleys: Best Costume Design is all about opulence - you own everything.

Team Experience will be discussing each Oscar category as we head into the precursors. Here's Cláudio Alves and Elisa Giudici with a conversation on Best Costume Design... 

"Babylon" | © Paramount Pictures

CLÁUDIO: Just as we're starting this conversation, I see my TL full of early reactions to Babylon, which was screened at long last. It still feels too soon to predict how the movie will do, whether critically or in the awards race, but it'll be polarizing. Some love it, some hate it, and the same singular elements have been recipients of both praise and loathing. With all this in mind, we can consider Babylon's chances in the Best Costume Design category. Honestly, at this point in the season, it feels like one of only two locks in the race…

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John Waters kicks off an already swinging 'Top Ten Season'

by Nathaniel R

 It's the most wonderful time of the year. No, not Christmas... "top ten season"!!! It's when we get to read so many different writers on what they valued most in a given year of entertainment (movies and otherwise). As per usual the festivities kicked off with director John Waters annual list for Film Forum. He places François Ozon's Peter Von Kant up top. 

By far the best movie of the year. Fassbinder’s classic lesbian melodrama is appropriated and remade as a gay Frenchman’s love letter to the original version. Hilariously stilted, often overwrought, but always highly entertaining.

The enthusiasm is a smidge confounding...

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NYFCC loves "TÁR" and "Banshees of Inisherin"

by Nathaniel R

TÁR

The New York Film Critics Circle was founded way back in 1935 and they hold a lofty place in film history given their publishing-giant of a city and their own rich history of interesting choices. For their 88th awards TÁR and The Banshees of Inisherin emerged victorious with two wins each, though a few of the other wins were quite surprising...

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Sight & Sound 2022 "All-Time" List

by Nathaniel R

Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles

The once a decade Sight & Sound poll of the "Greatest Films of All Time" is upon us, and there's a new winner. Chantal Akerman's Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975). The Belgian film jumped 35 spots from a decade ago to claim the top spot from Hitchcock's Vertigo which itself had pushed Citizen Kane from the top of the heap in an earlier poll. The list is getting extremely recent! A full forty percent of the top ten is now from the still newish 21st century... which seems extreme to us for an all time list given that there's nearlly 100 years of feature films before the year 2000! 

A few more notes after the jump and the top 50...

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Oscar Volley: Best Makeup... or is it "Best Prosthetics"?

Team Experience will be discussing each Oscar category as we head into the precursors. Here's Nathaniel and Elisa to discuss Makeup... 

Colin Farrell and... Colin Farrell?

NATHANIEL: Elisa, let's start with a question: Do you think this category should be split into two: Best Makeup Effects AND Best Makeup and Hairstyling? As it stands now, the latter never gets a fair shake. If you do incredible things with glamour and character design but don't offer anything in the prosthetic department, chances are slim to none that you'll be nominated!

For example I think it's pretty clear that Elvis, The Batman, and The Whale will be competitive primarily because they each bury one key character in prosthetics until they're almost unrecognizable. But why? It always feels a bit like showing off. Why hire a famous actor to play a role if you don't actually want their famous face? This bugs me most in the case of The Batman but it might be because I relish looking at Colin Farrell's face... and if you're going to deny me that, don't promise me Colin 'Feckin' Farrell...

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