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Thursday
Nov032022

Doc Corner: Dustin Lance Black and 'Mama's Boy'

By Glenn Dunks

Good intentions can take a movie a long way. Who doesn’t like good intentions?! The problem with good intentions is that they can too often mask deficiencies. And in the case of Mama’s Boy, those good intentions suffocate director Laurent Bouzereau’s ability to tell a story that might venture outside of the lines of the one its subject has a firm and unwavering interest in telling. It’s a lovely story of empathy, compassion, a mother’s love for her son (and vice versa) that nonetheless suffers from rudimentary structure, unadventurous editing, and is built around one talking head interview in particular that lacks spontaneity, as if reciting from a script. Considering it's adapted from a memoir, that probably makes sense.

The central figure here is Academy Award-winning screenwriter and social activist Dustin Lance Black and the film is about him more than the more interesting figure of his mother. Your mileage about that will vary...

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Thursday
Nov032022

Interview: The Director of Israel's Oscar Submission ‘Cinema Sabaya’

By Abe Friedtanzer

 

The winner of Israel’s Oscars, the Ophir Awards, automatically goes on to become the country’s Oscar submission for Best International Feature. This year, that film is Cinema Sabaya, which has an encore screening at the Other Israel Film Festival in New York City this Sunday after showing at last year’s festival. It’s also the feature directorial debut of Orit Fouks Rotem, who was kind enough to speak with me about her approach to this engaging movie about making movies...

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Wednesday
Nov022022

Discussing the 1997 Oscar Race (Again)

Ben & Matt win "Best Original Screenplay" at the Oscars

Remember how much fun the Supporting Actress Smackdown of 1997 was? Well, we had an opportunity to revisit that year much earlier than we were expecting to revisit it via our friends at the Cooler Than Ecto Podcast...

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Wednesday
Nov022022

Review: All Quiet on the Western Front

By Christopher James

Paul Bäumer (Felix Kammerer) heads into World War I in "All Quiet on the Western Front," the German submission this year for Best International Feature.

It’s daunting to remake a Best Picture winner. Steven Spielberg was able to breathe new life and vitality into West Side Story, making it a companion to the timeless original. But, more often than not, filmmakers buckle under the weight of expectations and self importance (like the failures of, say, Steven Zaillian's star-studded rendition of All the King’s Men or Timur Bekmambetov's Ben-Hur).

The Lewis Milestone adaptation of Erich Maria Remarque's anti-war novel All Quiet on the Western Front in 1930 struck new ground for realism, brutality and anti-war sentiments. It earned Oscar wins for Best Picture and Best Director. It's been regarded as a classic ever since, later receiving citations on AFI’s list of best films and best epics and inclusion in the National Film Registry. How could a new film pack a similar punch? Director Edward Berger doesn’t reinvent the story, but his 2022 re-telling of All Quiet on the Western Front is loaded with enough technical panache to make it a worthy, additive remake and a great time at the movies...

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Tuesday
Nov012022

Holdovers and Halloween: A Quiet Box Office Weekend

By Ben Miller

With Black Panther: Wakanda Forever inching closer to release, studios aren't about to release anything big that the Marvel behemoth could engulf.  With only two new releases for the Halloween weekend and two additional wide expansions, Black Adam and Ticket to Paradise both repeated their top spots from last week's chart.  

Weekend Box Office (actuals)
October 28th-30th
🔺 = new or expanding /  ★ = Recommended
links if we've written about it
WIDE (OVER 800 SCREENS) LIMITED / PLATFORM 
TICKET TO PARADISE TRIANGLE OF SADNESS
1  BLACK ADAM $27.4 (cum. $110.9) 1 🔺 ★ TRIANGLE OF SADNESS (sweden/uk) $548k (cum. $2.2) 610 screens  
2  TICKET TO PARADISE $9.8 (cum. $33.5) 2 🔺 ★ THE BANSHEES OF INISHERIN $535k (cum. $785k) 58 screens

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