AFI Fest: “The Son,” “Women Talking” and "Alcarràs"

by Christopher James

Sarah Polley assembles a terrific ensemble for her fourth feature, "Women Talking."

Though Saturday was Day Four of the AFI festival, it was merely my second day spent wandering around the halls of the TCL Chinese Theater subsisting on popcorn and soda alone. What a doozy of a day it was. The films all spoke in different ways to parenthood, family, community, and gender dynamics. Between Sarah Polley's Women Talking, Florian Zeller's The Son and Carla Simón's Alcarràs which film soared to be the best of the bunch and which missed the mark entirely? My takes on all three are after the jump...

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AFI Fest: “Nanny” and “Piaffe”

by Christopher James

Anna Diop gives a powerful performance in the horror drama "Nanny," coming soon to Prime Video.

The AFI Film Festival kicked off in earnest Wednesday with the premiere of Selena Gomez: My Mind & Me. The documentary of the pop sensation was directed by Alex Keshishian (“Madonna: Truth or Dare''). My first day at the festival was a double feature of female-directed genre pictures. Nanny, directed by Nikyata Jusu, and Piaffe, directed by Ann Oren. Both played with horror conventions in interesting ways to tell two very different stories. One deals with a complicated, bifractured tale of motherhood and sacrifice. The other dramatizes pleasure in odd, yet titilating ways. While both tell different stories and have different tones, one film was more successful than the other in marrying tone and storytelling into a satisfying package.

So which one was more successful? Find out after the jump...

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AFI Fest: Jafar Panahi’s stark portrait of Iran in “No Bears”

by Eurocheese

Director/Writer Jafar Panahi is currently sitting in an Iranian prison cell. By way of introduction at the AFI Fest, currently taking place in Los Angeles, our audience was reminded of this. That's not all. We were also informed that he has told his wife that this prison stay has been his most difficult – a shocking statement considering his arrest in 2010 led to him to a hunger strike. This set the backdrop perfectly, as the film portrays Panahi’s take on the current state of affairs in his country. 

Within the first few minutes, the fourth wall is broken as we learn Panahi (playing himself) is using a stand-in director to film his new feature, presumably because he is not allowed to direct himself. Meanwhile, he is staying close to his cast and crew in a small town close to Iran's border for a few days...

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Will "Best Supporting Actress" prove the most volatile category this year?

by Nathaniel R

Kerry Condon is brilliant in "Banshees of Inisherin". Oscar nomination forthcoming

Early December has a way of suddenly narrowing down Oscar nomination dreams but until we get there, the year's most volatile acting category feels like Best Supporting Actress. From the plethora of films with multiple options (Women Talking, The Woman King, Everything Everywhere All At Once, Glass Onion, Tár, She Said) to stand-outs in films with male leads (The Banshees of Inisherin, Armageddon Time, Triangle of Sadness, The Whale, The Inspection) and one key still-to-screen performance (Jean Smart in Babylon), there are a lot of valid choices for Academy members. And that isn't even all of the options if they're feeling freethinking and adventurous this season (rare but one can always dream).

At this point we're predicting...

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AFI Fest: “Selena Gomez: My Mind & Me” shows the star up close

by Eurochees

This year’s AFI Fest opened with a spotlight on pop star Selena Gomez under the direction of Alek Keshishian, who famously brought us Madonna: Truth or Dare (1991). The film kicks off promoting Gomez’s music and telling the audience her backstory, walking us through a career she began at 7 years old on the show Barney & Friends. She has been consistently working since that time, turning 30 this past summer. We learn about the physical toll lupus took on her, an emotionally exhausting period which led her to a breakdown stemming from her bipolar disease. Her decision to go public with her diagnosis ties into her statement later in the film that she is driven by her focus on what to do next when facing hurdles... 

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