'Any Mike, Dick, or Wolfgang... Any Mike, Wolfgang or Dick ♪ ♫ '

HIT ME WITH YOUR BEST SHOT RETURNS WEDNESDAY NIGHT. Our cinematography-loving series, returns from hiatus on June 3rd. Here are your first three movies so get to watchin' em! Spread the word, rent the pictures, pick a shot and join our more-the-merrier visual party.

DICK TRACY (1990)
Wednesday, June 3rd

Before live action takes on illustrated fiction were regular, and definitely before they were respectable, Warren Beatty brought his terrific eye to this pop colored live-action conjuring of the classic syndicated detective comic with outlandish looking villains and femme fatales. (Like Sin City minus the gruesome machismo and way more color / fun.) Nominated for 7 Oscars including Cinematography (Vittorio Storaro), the all time best haul for a comic adaptation outside of The Dark Knight. and still the record holder for most wins (3). [Netflix  | iTunes | Amazon]

AMADEUS (1984)
Wednesday, June 10th

Right before this leaves Netflix Instant Watch let's dive deep into arguably the best biopic ever made, Milos Forman's lush battle of wills and talent between Salieri (F Murray Abraham) and Wolfgang Amadeus Mozart (Thomas Hulce) the last film ever nominated for two Best Actor Oscars (before category fraud campaigning rendered those a thing of the past). Nominated for 11 Oscars including Best Cinematography (Miroslav Ondrícek) though it lost that one despite 8 wins elsewhere. [Netflix | Amazon] 

MAGIC MIKE (2012)
Wednesday June 17th

Before the XXL sequel hits theaters for the 4th of July holiday, let's stuff some dollar bills into Channing Tatum's G string in Steven Soderbergh's overachieving male stripper drama. Soderbergh's love of yellow filters (he does his own cinematography as "Peter Andrews") can grate, but this movie is worth drooling at, excuse me looking at again. Nominated for Zero Oscars because... it's a male stripper drama. But obviously this is the one Matthew McConaughey should've won his Oscar for. [Netflix | iTunes | Amazon]

Podcast: Two Transatlantic Conversations

This new unconventional episode of the podcast features two guests and two conversations. First Nathaniel calls Australia to check in with Glenn Dunks to see what he's been up to cinematically since leaving NYC. And then a conversation with Guy Lodge in London about his experience at this year's Cannes Film Festival.

Contents

• 00:01 - 02:30 Intro: Nathaniel (feat. Annie Lennox)
• 02:26 - 19:15  Glenn From Australia: Mad Max Fury Road, The English Patient, Nicole Kidman in Strangerland, 54 The Director's Cut, Film Preservation
• 19:16 - Guy from London: Loving Arabian Nights, The Lobster and Todd Haynes' Carol, Cannes Jury Prizes, The Assassin, Son of Saul and the Foreign Film race, Maryland, and hating Paolo Sorrentino's Youth

Please to enjoy and continue the conversation in the comments. You can listen at the bottom of this post or download from iTunes tomorrow.  

Cannes, London, and Australia

Links

Vanity Fair "Introducing Caitlyn Jenner" Annie Liebovitz's great photo of Caitlyn (née Bruce) is all the rage on the internet today. Vanity Fair's cover story will be 22 pages in print form
VF Tumblr also has behind the photoshoot footage
Awards Daily wonders what the Academy's documentary branch will do about the new New York Times policy -- previously their policy was to review every single movie that opened in New York City
In Contention the screenwrite of Grace of Monaco live tweets it to "correct" the record
You Must Remember This I'm so behind on this podcast which is typically great and educational about Old Hollywood -- the latest episode is about the Manson Murders in Hollywood but don't let a ton of "Star Wars" titled episodes fool you. It's not Lucas's space opera but 40s-era stories about stars during wartime
The Film Stage looks at the 10 favorite films of Rainer Werner Fassbinder which include Johnny Guitar and Salo, or: The 120 Days of Sodom; sounds about right! The prolific gay auteur would have  been 70 this week

The AV Club with some funny news: E.L. James will basically rewrite 50 Shades of Grey to make more money oh and to tell things from Christian's perspective.
Variety bummer news: Sofia Coppola stepping off the director's chair for The Little Mermaid
The Stake urges you to remember that Point Break (1991) is "tremendous" before you see the inevitably terrible remake - while on that topic...
RedBubble has a cool graphic poster of that movie for sale
The Playlist a new tearjerker project for Channing Tatum, Two Kisses for Maddy about a widower raising his daughter 
Cinematic Corner falls hard for Furiousa and Mad Max Fury Road
Reel Talk thinks we need to start taking Nicholas Hoult seriously (as do I post Fury Road... though I was far less convinced previously)
CineMunch wonders who your favorite drunk actresses are on their latest podcast -- with gin drink recipes!
CHUD great new poster for the final Hunger Games movie. Those movies are dull but I will give them this: they've always had wonderful smarts about the teasing
MNPP's quote of the day reveals two Stephen King properties that the studios actually don't want. Weird
MNPP gets excited like Chris Pratt for Jurassic World 

Tweet o' The Week
Squarespace no longer seems to allow tweet embeds -- they say they do but they never show up at TFE anymore so this is a snapshot of a tweet from the ubiquitous Jessica Chastain herself. (About the formerly ubiquitous Bryce Dallas Howard). It is wonderful. Gingers forever.

Showtune to Go!
June is Pride Month and with Caitlyn Jenner kicking things off with that Vanity Fair reveal today let's go back to one of the most moving original gay anthems "I Am What I Am" from La Cage Aux Folles. It's only one of the greatest songs ever written about being true to yourself. (I adore that moment at the beach in Paris is Burning when the two ladies start singing it).

Sing out, John Barrowman! 

Beauty vs Beast: Mars Girls Are Easy

Jason from MNPP here with this week's "Beauty vs Beast" -- today is the 25th anniversary of one of our most favorite trash spectacles, Paul Verhoeven's Total Recall! The film was dropped on a unsuspecting public on June 1st, 1990, probably expecting the usual Arnold Schwarzenegger shoot-em-up... you know, "usual" meaning without any little people with crimped hair shooting machine guns. Little did they know! Well maybe if they'd seen Verhoeven's previous Amrican effort, the similarly bonkers Robocop, they had a clue. Still the movie was a great big hit, as to be expected in 1990 with Arnold's big face on the poster, even if it's still incredibly strange in that incredible Verhoeven way.

Back in 2009 I listed five of my favorite side characters from this movie over at my own site - I've seen this movie more times than I could count, so every twisted-up face is like an old friend - and I figured it'd be more fun to dive a little deeper than just Arnie vs Ironside or Sharon Stone vs that dark-haired lady that isn't Sharon Stone for today's competition. So on one side we have Mary... who the hell is Mary, you ask? She's probably better known as "The Three-Breasted Hooker." Ahh now you know who I mean. (As an aside here's a dishy necessarily-NSFW interview with the actress Lycia Naff who played the role.) And on the other, the rebel leader Kuato, played (and voiced) by Marshall Bell and a gooey gut-puppet. Freeeee Marrrrrsssssss...

I know what a hard decision this is, so you've got one whole week to choose.

No, not two weeks. One week. ONE week!

Critics Choice TV Awards: Faceoff, Allison Janney, The Americans

Charlize giving a "Genius" award to Seth McFarlane. The title disturbs both of them. After the laziest weekend of all time in TFE HQ, we must jump right back to deep conversations on all the entertainment thingies that matter and some that don't. Who's to say which is which but you? This week I watched a lot of mindless TV as I vegged out (I have no idea why my body/mind absolutely rejected my normal blog 24/7 routine) so let's go with that first and talk about the Critics Choice TV Wins. They're the Emmy-like sibling branch of the BFCA (I am not a member of the former, just the latter). Thankfully they don't try to predict the Emmys at all the way my branch tries to predict the Oscars (sigh). They're totally willing to get behind TV shows that haven't a prayer with Emmy (note their win for The Americans which The Emmys consistently ignore) . This doesn't mean they don't still make annoying choices but at least you can tell they're voting from their hearts.

Drama
Best Drama Series: The Americans (FX)
Best Actor in a Drama Series: Bob Odenkirk, Better Call Saul (AMC)
Best Supporting Actor in a Drama Series: Jonathan Banks, Better Call Saul (AMC)
Best Supporting Actress in a Drama Series: Lorraine Toussaint, Orange Is the New Black (Netflix)
Best Guest Performer in a Drama Series: Sam Elliott, Justified (FX)

More winners and commentary after the jump...

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