Friday, May 1, 2015 at 9:54AM It's quite possible that you'll love David Lynch as much as David Lynch loves coffee after watching this commercial. (If you don't already that is.)
Coffee, David Lynch, commercials Thursday, April 30, 2015 at 11:13PM We're almost to the mid season finale of Hit Me With Your Best Shot. This week's episode looks at Jane Campion's sorely underseen Bright Star (2009). The romantic drama about the poet John Keats and his unconsummated love with the headstrong Fanny Brawne was lost in the 2009 shuffle, but is a true beauty and a worthy entry in Jane Campion's tremendous filmography. It introduced the film world to the then 34 year old DP Greig Frasier, who had previously made shorts and obscure features, before Campion's film provided his breakthrough. He went on to plum assignments like Foxcatcher, Zero Dark Thirty and Snow White and the Huntsman. Frasier has yet to be Oscar-nominated but he's already one of the best DPs in the business.
Even more impressive, given that Bright Star is such a successfully intimate portrait of new love, is that the movie introduced its star Ben Whishaw to its film composer Mark Bradshaw; they were married just three years later.
Bright Star's Best Shots
11 images chosen by 13 participants
(in the order the articles came in this time)
Click on the pictures for their corresponding articles
One of the prettiest things I've ever seen.
-Zitzelfilm
Bright Star is all about the subtle touches of skin..."
-A Fistful of Films
...so many beautiful images that also happen to be encapsulations of the universal aspects of falling in love"
-Coco Hits NY
What is it that she spies beyond the boundaries of her domesticity, fenced off by windows and hidden behind opaque curtains?"
-Lam Chop Chop
In a film with mostly subdued feelings, this particular scene is electric with emotions..."
-Sorta That Guy
The years have been kind to the film..."
-Film Actually
This is the first time i’ve done a HMWYBS where I was absolutely disinterested with a film..."
- I Want to Believe
Fanny, trapped and bleached of color, but already pushing against her confines with a creative act."
-Anne Marie, The Film Experience
a film about four things: romance, Romanticism, being outside, and costuming..."
-Antagony & Ecstasy
What is young love if not...
-Evan Stewart
I truly and deeply hope that more people will seek this film out."
-Movie Nut
Unrequited love...
-Hey Norge
Campion has rightfully earned a reputation as a fiercely feminist filmmaker..."
-The Entertainment Junkie
NEXT WEDNESDAY NIGHT IS THE MID-SEASON FINALE. YOU HAVE A CHOICE OF ONE OF THREE MOVIES FOR THE ORSON WELLES CENTENNIAL: CITIZEN KANE, THE MAGNIFICENT AMBERSONS or THE LADY FROM SHANGHAI. See something you've always meant to see and pick a shot. You won't regret it.
Thursday, April 30, 2015 at 8:37PM We're so ready for sunshine and summer movie season! But let's wrap up April first ICYMI... not the whole month but the highlights. We work hard providing fresh content daily so we don't want you to miss anything. There's always something new. And... uh... old. Maybe we went a little overboard on the sudden Joan Crawford fetishizing this month but it happens. The actress fetishes. It's best to just let them play out. They're not going to be ignored, Dan.
Most Popular
Y'all seemed to like the Team Top Ten for Best Sci-Fi films Parts 1 and Part 2 i.e. before and after the populist dam-bursting of 1977's Star Wars & Close Encounters. That sci-fi madness came with a robust Artificial Intelligence fascination that's also going on at the multiplex (Avengers / Ex Machina). The other most popular feature was the return of the Ask Nathaniel Q&As for which I am flattered and must thank you for your participatory enthusiasm (another belated one very soon). It was fun to talk favorite crazy characters, missing Buffy & Battlestar Galactica, and dream screen-to-stage plays. Regarding the latter: I'm now fully obsessed with my Contact idea; I'm brilliant!
Oscar Predictions
The first wave which we affectionately call April Foolish Predictions because it's dumb to start so early are up. Dig into the charts and discuss (The remainder hit tomorrow)
Monthly Playlist
Our listening pleasures this month were showtunes. Margaret eased on down the road with her amazing and creative dream-casting of The Wiz's upcoming remake. Plus, it's Tony Season so Broadway is naturally on the brain. We're rooting for "Fun Home" based on the life of cartoonist Alison Bechdel. Aside from the showtunes we got our fingers tapping to Dolly Parton's immortal earworm "9 to 5".
"Last Night I Dreamt I Went To Manderley"
You didn't sign the guestbook so we don't know if you enjoyed the amenities and conditions of your 5 day stay with us but we had a ball serving you Alfred Hitchcock's Rebecca all the same: Day 1 a meet-rude courtship; Day 2 your new home and old (bitter) staff; Day 3 ooh, lingerie; Day 4 a costume ball mistake; Day 5 a trial by fire. We're eager to do this relay-revisit again but we need to find the right movie that's entertaining in all of its subsections.
Other Key Posts
The Walk -can you handle the vertigo?
Jane Campion - Anne Marie revisited 5 of her features
Taxi Driver - is it actually about the movies? I think so
Michelle Pfeiffer - she's shopping around a TV sitcom
Movie Amigurumi - we want every one of these brilliant crotchet dolls
Art Movies - these 5 paintings deserve the Woman in Gold movie treatment (only, uh, better movies)
Furious 7 - Michael reviewed the behemoth hit and didn't disappoint
Getting worked up over the lack of realism on display is like chastising a toddler smashing his Tonka trucks together because, actually, that’s not how to use a cement mixer properly.
Hot Piece(s) o' the Month
Hathaway as Miley - that lipsynching! Cox as Daredevil - those lips!
Coming in The Lusty Month of May
Favorite sex scenes, Orson Welles Centennial tribute, rising actor David Dastmalchian, Avengers-mania, and a 1979 retrospective to coincide with the Supporting Actress Smackdown.
Thursday, April 30, 2015 at 3:00PM Wrapping up the sci-fi week festivities (did you see the final top ten list?) we turn the time over to our fine new contributor Lynn Lee. You'll want to read this one! - Editor
Deep down, most people who think about artificial intelligence have the same fear: that it will not only surpass humanity but supplant us, ending our reign as the planet’s dominant species and extracting cosmic revenge for our own abuses. Building on these anxieties, movies about A.I. have embraced a pretty consistently grim outlook for humanity in the face of this phenomenon (which even has a fancy, if oddly spiritual-sounding name: the singularity). The slaves become the masters, seeking either to exterminate or enslave us.
But if A.I. overtakes human intelligence, and the machines evolve into a superior being, wouldn’t that include superior emotional intelligence? And wouldn’t a super (emotionally) intelligent being have developed extraordinary powers of empathy? Rather than using those powers to manipulate us, couldn’t they serve as a bridge between us and them? Or would they, in outstripping our own poor abilities, become a further source of divergence?
Films that pursue this line of inquiry typically balance the A.I.s’ desire to understand and learn human emotions against their basic survival programming. Blade Runner’s most transcendent moment involves a replicant (“more human than human”) reaching out to save a man (who may actually be a replicant himself) he was ready to kill just a minute earlier. A.I: Artificial Intelligence, brandishing the tag line “His love is real. But he is not,” teases out the conceit of such artificial beings, initially programmed to be and feel just like humans, evolving into a super-species who must deconstruct the emotional memories of one of their earliest prototypes in order to understand their own connection to us.
More recently, the quietly disquieting Ex Machina introduces an A.I. who turns the Turing test on its head and leaves unanswered whether a machine that can so expertly read and simulate our more vulnerable emotions will ever come to feel them for “real.”
I can’t think of another movie, however, that explores these questions quite like Spike Jonze’s Her...
Thursday, April 30, 2015 at 9:00AM Have you participated in Hit Me With Your Best Shot? Visual index coming tonight!
As an end to this month-long series on Jane Campion, Bright Star presents a perfect kind of artistic summation for the writer/director. This John Keats romance is part of a tradition of filmmakers and playwrights making art about art. Though presumably about the life of an artist, the finished play or film acts as its creator’s thesis statement about sublime inspiration (Minnelli’s Lust for Life), beauty and pain (Julie Taymor’s Frida), the thin line between madness and creation (Scorsese's The Aviator), or the creative process (Sondheim’s Sunday in the Park with George). Inevitably, these films and plays are as much about their creators as they are about their subjects.
Jane Campion had already made one such thesis statement earlier with An Angel at my Table, a biopic designed to explore the relationship between otherness and originality. By telling the story of Romantic poet John Keats (Ben Whishaw) from the perspective of his fiance Fanny Brawne (Abbie Cornish) in Bright Star, Campion explores not the creation of art, but rather art’s creative power. The audience sees Keats through Fanny’s eyes - Campion does love personal narratives - and so both Fanny and the film blossom into color. But first, we must be introduced to our young protagonist.
Campion's colorful thoughts on art and love after the jump...
Best Shot
"White. A blank canvas, or page."
