Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
DON'T MISS THIS
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe
Monday
Nov102014

Stockholm Film Festival: Turkey's Oscar Entry Soars

Glenn has been attending the 25th Stockholm Film Festival as a member of the FIPRESCI jury. Here he is to discuss Turkey’s 2014 Oscar submission, Winter Sleep.


There’s a moment over an hour into Nuri Bilge Ceylan’s Winter Sleep where two of the main characters finally strip away the societal niceties that their relatively comfortable existences requires of them and they reveal their true feelings about one another. Some might suggest that the scene, fraught with simmering tension and explosive drama, comes too late in the picture – it effectively kicks off the second act – and that Ceylan’s film could have easily had 20 or 30 minutes shaved from its runtime. I wouldn’t argue that these people are wrong; at 196 minutes, Winter Sleep is the one percent of film lengths of 2014 (only Lav Diaz’s Norte is a longer new release if I am remembering correctly). Still, I found the majority of Ceylan’s Palme d’Or winner to be thoroughly engaging and surprisingly scintillating given its subject matter.

The plot of Winter Sleep sounds like a parody. Perhaps a sketch from Saturday Night Light making fun of Upper West Side noddies who’ll go and watch three hours of subtitles. Or maybe it’s a Woody Allen gag. Either way, there’s no getting around the fact that Winter Sleep is about a man, a former actor and now the writer of a rather pompous newspaper column and owner of a sleepy hotel in the Anatolian hills, and several of his acquaintances discussing ethics and morals. There is his younger wife who has grown increasingly attached to a local group raising funds for the community, his sister with an alcoholic ex, a best friend, a tenant who’s late on his rent check, and various constituents that he has decided he lords over due to his wealth and status. ...more after the jump

Click to read more ...

Sunday
Nov092014

Box Office: Sci-fi Rules the Day

Amir here, reporting to box office duty. Finally, the day cinephiles have been waiting for all year has arrived. America gets the chance to see one of our greatest working directors bring his epic vision to the screen. I speak, of course, of Frederick Wiseman's National Gallery, which opened on one screen to respectable returns. Others were too busy checking out Big Hero 6 and Interstellar. Disney's animated film actually topped the charts – I did not expect it to overcome Nolan's juggernaut, if I'm being honest – but both film finished with more than $50 in the bank. This is an incredibly rare feat: even though it's happened for the third year in a row now, it's only the fourth time that two films open with 50+ numbers. On all three previous occasions, an animated film beat a live action one: Wall-E and Wanted, Madagascar 3: Europe's Most Wanted and Prometheus, and Monsters University and World War Z. All eight films are also more or less science-fiction, which calls for a poll:

 

 

TOP DOZEN
01 BIG HERO 6 $56.2 NEW Tim's Review / Nathaniel's Take
02 INTERSTELLAR $52.1 NEW Michael's Review
03 GONE GIRL $6.1 (cum. $145.4) The Podcast /  Jason's Review
04 OUIJA $6 (cum. $43.4) 
05 ST. VINCENT $5.7 (cum. $27.3) Michael's Review
06 NIGHTCRAWLER $5.5 (cum. $19.7) The PodcastNathaniel's Review 
07 FURY $5.5 (cum. $69.2) Michael's Review
08 JOHN WICK $8 (cum. $27.5) Michael's Review
09 ALEXANDER... VERY BAD DAY $3.4 (cum. $59.2) 
10 
THE BOOK OF LIFE $2.8 (cum. $45.2) Interview
11 BIRDMAN $2.3 (cum. $8) The Podcast Nathaniel's Review
12 THE JUDGE $1.7 (cum. $42.5) 

PLATFORM
01 WHIPLASH $.3 88 locations (cum. $1.5) The Podcast / Michael's Review
02 CITIZEN FOUR $.2 59 locations (cum. $.6) 
03 THE THEORY OF EVERYTHING $.2 NEW 5 locations Nathaniel's Review

Aside from Wiseman's film, the other big limited release of the weekend was The Theory of Everything, which returned really solid numbers on five screens and will roll out next week in search of some Oscar gold. I haven't yet seen any of this weekend's films, but I did catch up with Birdman: Or the Unex... oh, stop this nonsense, which I mostly liked, even though I found it uneven and undermined by a) Lubezki's distracting and confusing cinematography and b) Keaton's incredibly boring performance. For a performance that is similarly meta without forgetting that there is an emotional connection to be made with the material, see: Rourke, Mickey.

What did you see this weekend?

Sunday
Nov092014

Red Carpet: Governors Award Fashions... Let the Campaigns Begin

Jose here. As Nathaniel noted, the Governors Awards were held last night in Hollywood (yay Maureen O’Hara!). As usual they were pretty much a rehearsal dinner for the Oscars next year. While their red carpet is more subdued than Oscar’s - they’re there to pay tribute to legendary honorees, not to steal their thunder - there were a few exceptions to the rule. After all, if you want people to vote for you, you gotta make sure they remember you.

Let's take a look at what 16 of the Oscar hopefuls wore. What might it mean in the larger scheme of things?

 

Emily Blunt has worn this exact same thing to at least 10 other award ceremonies, color variations aside. Don't get me wrong, she's stunning etc. etc. etc. but will it help The Baker's Wife's Oscar cause, to look so every-year Blunt? The under-nominated actress should start experimenting and leave her go-to silhouette behind - wear a massive ball gown that tells people...

you've changed! you're daring! You're different in the woods!  ♪ ♫

Reese Witherspoon, too, looks the same, except it works to her favor. She's paying homage to Elle Woods, reminding voters how funny and cute she was in Legally Blonde, and how complex and dark she is in Wild by contrast. I rest my case.


Now two Best Actress dark horses, Gugu Mbatha-Raw has been in our minds all year long with her breakthrough performance in the sleeper box office hit Belle, and as she prepares to do the publicity rounds for Beyond the Lights it was delightful to see her attend. Perennial nominations-bridesmaid Marion Cotillard showed up with the Dardennes to remind people how terrific she is in Two Days, One Night, while I'm not particularly in love with her Dior dress (pretty much an altered version of what J.Law wore at the Oscars this year) I hope she talked to everyone at that party (it was 600 people) to convince them to vote for her.

 In a just world, Jenny Slate would be a slam dunk contender for Best Actress because she's incredible in Obvious Child, but an indie about abortion without a heartwarming message or a twee soundtrack is perhaps way too cool for Oscar. She definitely seems to be playing the "newbie" card, which is why she showed up dressed like Lupita Nyong'o at this year's ceremony. I hope that helps her cause! Jessica Chastain was there too, as she always is nowadays and rightfully so, and of course she was campaigning for her three or four scenes in Interstellar because it's November and she has made absolutely no other movies this year. I don't know what you mean about a three-hour-long melodrama with James McAvoy in which she's giving us Meryl Streep in Kramer vs. Kramer brilliance and a 1980s gangster flick...I seriously don't.

In a just world, Jenny Slate would be a slam dunk contender for Best Actress because she's incredible in Obvious Child, but an indie about abortion without a heartwarming message or a twee soundtrack is perhaps way too cool for Oscar. She definitely seems to be playing the "newbie" card, which is why she showed up dressed like Lupita Nyong'o at the Oscars. Will it help her campaign subliminally? Jessica Chastain was there too - where isn't she nowadays? -- and of course she was campaigning for her three or four scenes in Interstellar because it's November and she [ahem] has made absolutely no other movies this year. I don't know what you mean about a three-hour-long melodrama with James McAvoy in which she's giving us Meryl Streep in Kramer vs. Kramer brilliance and a 1980s gangster flick with Oscar Isaac in which she's giving us Michelle Pfeiffer in Scarface ...I seriously don't.

 Literally, every single person involved in Boyhood was there. All. Of. Them. Look!

Moving on...

If there was such a thing as prom king and queen of awards season red carpet, this year would continue to be a popularity contest by way of The Imitation Game vs. The Theory of Everything. (Cumberbatch may have won round 1 in Toronto but round 2 on the early campaign trail has gone to Redmayne.) Just look at how cute they all are! Will people who vote for Eddie Redmayne feel like they must vote for Felicity Jones too? Can Benedict Cumberbatch win without Keira Knightley? For now, all I can say is that not since Kate & Leo have I wanted two screen couples to get married like I want these Brits to do.

 All of these handsome men below are potential Best Actor spoilers, and all of them seem to have shown up primarily to remind voters "hey, we clean up nice too!" since none of them play particularly glamorous characters. I'm especially bowled over by Oscar Isaac's bold brown tux with Clark Gable mischievous mustache accessory. Which one is making you swoon?

About that not-stealing-honorary-thunder business...

When does Tilda Swinton not steal everyone else's thunder? At first it seems strange she was even there until you remember "Remember that weird lady in Snowpiercer !" She undoubtedly has to remind people many times that that was her, which makes her instantly praise worthy. From frumpy to avant garde, now that's how you get votes. Similarly David Oyelowo showed up in one of the only tuxes worth talking about. 

Which of these dazzling stars will we be seeing in every red carpet from now until Oscar? What were some of your favorite looks?

Sunday
Nov092014

Say What? Tilda to Miyazaki-san

What did Tilda Swinton say to Hayao Miyazaki? 
Amuse us with your best guess in the comments.

Swinton, Lasseter, and MIyazaki at the Governors Awards

 

Bonus Round Competition: Correctly guess / make a case for what her favorite Miyazaki movie is.

I'll name two winners on Wednesday.

Sunday
Nov092014

Review: Interstellar

Michael C here with your weekend review...

With its plot about humanity taking the next step of evolution into outer space, it was inevitable that Christopher Nolan’s Interstellar would be compared to 2001: A Space Odyssey. But despite surface similarities the comparison is a poor one. Nolan has never shown any inclination towards the kind of mind-expanding abstractions that constitute Kubrick’s version of the infinite. It is no coincidence that Interstellar’s plot centers around Jessica Chastain’s quest to complete an equation. Nolan movies demand answers. Even when his films appear to be ambiguous they pull back to reveal an underlying order. The mysteries of The Prestige are shown to be a complex web of interlocking secrets; the infamous spinning totem from Inception’s ending isn’t an enigma so much as the precise punchline to an elaborate riddle. Even the blazing anarchy of the Joker takes the form of moral conundrums with tidy binary choices.

So to complain that Nolan is no Kubrick is both accurate and something of a non-sequitor. Nolan is not going to stop being Nolan and whether that qualifies as a good thing will vary according to viewers’ willingness to ignore the persistent groaning sound of the plot buckling under the weight of ponderous exposition. Interstellar is no different than Nolan’s other films in this regard, but it’s also the same in that its peaks are so amazing they justify wading through all manner of shortcomings to reach them. Interstellar may be overstuffed and clunky and it crosses the line into silliness more than once, but every so often it will lay a fingertip or two on the sublime. How many films can make that claim? 

Click to read more ...