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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Friday
Aug122022

2022 Emmys: Comedy Supporting Actress

By: Christopher James

Hannah Waddingham hopes to win a second consecutive Emmy for her work in "Ted Lasso."What happens when winners collide? The Comedy Supporting Actress race is loaded with three past winners this year. Ted Lasso’s Hannah Waddingham looks to repeat last year’s win for season two of the hit Apple TV+ program. Meanwhile, both Alex Borstein (Marvelous Mrs Maisel) and Kate McKinnon (SNL) could add a third Emmy trophy to their mantle. McKinnon took home the prize in both 2016 and 2017, with Borstein following in 2018 and 2019. 

As powerful as these three are, it would be unwise to count out the newcomers. Janelle James and Sheryl Lee Ralph contend for the first season of Abbott Elementary, while Sarah Niles enters the race for her first appearance on Ted Lasso. Both Hannah Einbender and Juno Temple also earned their second consecutive nomination for their roles in Hacks and Ted Lasso, respectively. Who will take home the gold? Let’s break down the race...

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Friday
Aug122022

Review: "Inu-Oh", a punk riot and true spectacle 

by Nathaniel R

Last week we had the pleasure of an invitation to the East Coast premiere of the anime rock opera Inu-Oh, which opens in theaters today. It's distributed by GKids, a company which has long championed non-Hollywood animation for US audiences who we all know can be stubbornly myopic about animation, viewing it as a genre rather than a medium capable of all kinds of genres and visual experiences. The screening was at Japan Society here in Manhattan. I bring this up primarily because I had somehow never been there and must highly recommend the venue which has monthly screenings of both anime films and acclaimed live action Japanese films, too (recent films included everything from Miyazaki's Princess Mononoke to the kaiju film Mothra, to Akira Kurosawa's Kagemusha).  Seeing specialty films, which generally play to tiny arthouse crowds, in a beautiful respectful context to a large packed crowd is always a thrill (one of the reasons film festivals, never lose their thrill).

And Inu-Oh deserves a big screen so don't wait until streaming if it hits a theater near you...

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Friday
Aug122022

First 3 International Feature Submissions for the 95th Oscars

by Nathaniel R

The incredible Tang Wei stars in Park Chan-wook's "Decision to Leave"

Finally some news on the Best International Feature Film Oscar race. It's the most exciting for us to track since you really have to play along to be in the know.  Earlier today we told you about the possibilities from Israel (they always select the winner of the Ophir... unless they can't for eligibilty reasons) and we also have our first three official submissions. They are...

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Thursday
Aug112022

Interview: "Girl Picture" director Alli Haapasalo

By Ben Miller

I was fortunate enough to speak with director Alli Haapasalo about her Sundance World Cinema winner Girl Picture which was my favourite from the festival. The coming of age picture about three young women opens in select theaters tomorrow. We talked about female friendships in film, sex scenes, and changing your title to ensure people don’t think you made a film about strippers.

This interview has been lightly edited for clarity.

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Thursday
Aug112022

Doc Corner: Melbourne International Film Festival shows documentary’s many different forms

By Glenn Dunks

Two years ago (!) I mourned the absence of my local film festival. After another year off in 2021 due to Melbourne’s pandemic lockdowns, the Melbourne International Film Festival has finally returned to theatres this month. It has been such a wonderful feeling to sit down and watch films with other movielovers that we will quite likely never have another opportunity to see projected so big.

The festival runs for another week and a half yet, but let's talk about a few of the documentary titles screened so far. They are all extremely different and formally bold takes on the medium that deserve celebrating. From an experimental tour of America to an equally experimental tour of the human body, these have all been films I can't imagine having missed in the cinema. They won't get a sniff of Oscar buzz, but who cares?

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