JA from MNPP here with this week's "Beauty Vs Beast," which is a real Hemingway-esque battle between the forces of Man and the forces of the Untamed Wildnerness. On the one side we have Tom Hanks, multiple Oscar winner, as the determined Detective Scott Turner, trying to solve the most important make-it-or-break-it case of his career. And on the other side... there's Hooch, the junkyard dog who witnessed this most heinous act of murder.
As the VHS box said at the video-store I worked at in high school, they're the oddest couple ever unleashed! Today is actually the 25th anniversary of Turner & Hooch's release, and heck, somebody should note it. Tom Hanks would probably rather it be forgotten, and I probably haven't seen the movie in 20 years, but I was 11 when it came out and dang it... I totally saw it. That means something.
T&H was actually a pretty big hit though (as movies with adorable feisty doggies sometimes are). It was in that period post-Big pre-Philadelphia where Hanks was flailing a bit - people look back fondly on The Burbs and Joe Vs The Volcano now but at the time tweren't so, and then there's the giant sucking sound of The Bonfire of the Vanities. And Turner & Hooch, of course. Of course! The story of a neatnik cop learning to love a tower of slobber. And in return, as the film's Wiki puts it, "on a positive note Hooch also instigates a romance between Turner and the new town veterinarian Emily Carson (Mare Winningham)." But I think the main user review of the film at IMDb says it best:
"My boyfriend loves this movie so I watched it and I laughed. Hooch acts exactly like our dog- big and messy and destructive. Tom Hanks was very convincing as a meticulous detective and Hooch is a hoot as a dog that can rattle him.. All in all this is a good movie to watch on a rainy afternoon like we did."
What more could you ask for? Now on to the choosing!
One week is all you've got to slap a leash on your winner and march them around the ring - tell us in the comments who you're barking for!
PREVIOUSLY Last week I asked you guys to choose between the Devil and an Oscar-winning actress, and I'm not surpised the actress took it but proving he's no fluke the Devil really put up a good fight. Still it was Chris MacNeil who walked about with 3/4s of the ultimate vote, winning not just her daughter back from the depths of Hell itself, but also your validation (clearly the bigger prize). Said brookesboy:
"Ellen is so brilliant in this film, I have to go with Chris. Still, that devil has some impressive tricks up his sleeve, even if theoretically he is against vulgar displays of power. Team Chris! Give her that damn crucifix already!"
Monday, July 28, 2014 at 9:20PM 
In 1970 John-Michael Tebelak was completing work on his master’s thesis project about Jesus Christ at Carnegie Mellon University. Before long he would pair up with musician and lyricist Stephen Schwartz and in May of 1971 the musical Godspell would officially begin playing. Around the same time, Andrew Lloyd Webber and Tim Rice were finalising work on a rock album, a concept musical of sorts, on the last ten days of Jesus' life. The album would be released in the fall of 1970, and one year later Jesus Christ Superstar, the musical developed from the soundtrack, would open on Broadway. By some weird happenstance the fates of the two Jesus musicals would be tied*. Two years later, the two musicals (both moderate hits on stage by that time) saw screen adaptations released in 1973.
