So Brad Falchuk and Ryan Murphy have finally done it. After years of wooing me with meaty roles for actresses of a certain age (meat served bloody raw) in their American Horror Story anthology series, I am down for watching it as it airs. It's been clear for some time that the creative team's orientation is fully aligned with the Actressexuality™ named and promoted by TFE for several years now. Thus, a natural kinship exists even if yours truly is squeamish about horror. I have been mostly agnostic when it comes to Jessica Lange my whole life (though I thought her "Sister Jude" on Asylum was easily her best work since the 80s) but when it comes to two-time Oscar winner Lange paired with Sarah Paulson, Oscar winner Kathy Bates, Oscar nominee Gabby Sidibe, Lily Rabe, AND Oscar nominee Angela Awesome Basset? Uncle! I surrender to your casting voodoo.
Kathy Bates in "Coven"
Please to Note: I did try to watch the first two seasons but in both cases, I eventually bailed after a few episodes from the gore and the, how to put this, unwatchable epileptic fits of lensing and editing and framing. Listen, I can live with frenetic editing (you kind of have to since the late 80s) knowing that when I need a fix of long takes that let me enjoy great acting, I can always seek out auteur films. (Odd that it would be auteurs, who so thoroughly OWN their pictures, that would be the only ones to just hand said pictures to the actors on occasion). But it's not just the genre or the typical short attention span in cutting that has previously made AHS unpalatable for me.
The show, or at least the first handful of episodes of its previous seasons, often appeared to have been shot and edited and framed by a group of wild, bug-eyed, A.D.D. addled 12 year old boys... albeit uniquely pervy pre-teens who were raised in asylums and jacked off to photos of grande dame actresses while horror movies were projected on continual loop on the grey walls of their prison. The only break in horror programming was obviously the complete filmography of Jessica Lange.
...or at least the lobotomy scenes from Frances (1982).
It wasn't just quick cutting but canted cameras, baroque flash cuts, inebriated camera swerves, you name it. But let's put that behind us and move on to Season 3's first two eppys after the jump. Spoilers ahead obviously.
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Thursday, October 17, 2013 at 10:30PM 
Tim here. Barring the unexpected end of civilization between now and January, 12 Years a Slave is going to be nominated for the Best Picture Oscar, and has the clearest shot of anything right now to taking the win altogether. Everyone reading this site knows that as sure as we know anything, which makes it a little shocking when you step back a bit and realise that, as of the day I write this, the film still hasn’t technically been released yet. So I guess we can add “general audiences thinking it sucks” to the list of reasons that it might crash and burn, though I think the end of humanity is at least as likely.
