Hit Me With Your Best Shot: Spider-Man 2 (2004)

by Nathaniel R

With Sam Raimi's take on Doctor Strange new in theaters, we chose his earlier superhero film Spider-Man 2 (2004) as this week's "Hit Me With Your Best Shot" subject. While Raimi directed all three of the original Spider-Man films, Cláudio was right to suggest that the second film could well be considered a "platonic ideal for what superhero movies should be". When the film first opened in 2004 I saw it twice on opening weekend, something I hadn't done since I was a teenager. Not coincidentally it made me feel like a little kid again, pouring over comic books. It was a kind of pop bliss seeing Spider-Man come to life in such a wonderfully judged adventurous, romantic, and thrilling movie. Though that kind of magic has long become normalized, Spider-Man 2 is still a thrill.

Revisiting it was fun though quite surprising in three specific ways...

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Review: "Ozark" Comes to an End with Season Four

By Christopher James

Will Marty and Wendy Byrd's actions finally catch up with them in?I didn’t think Ozark would be my latest binge. The Netflix crime drama was well lauded by the Emmys, winning 3 awards from 32 nominations over its past 4 seasons. In many ways, it seemed like the saturation point for “prestige TV,” an ultra-serious thriller with movie stars brooding in barely lit rooms. From the episodes I watched for Emmy coverage, it seemed like my suspicions were confirmed. However, when doing a fresh binge, the show’s personality and verve shone through the murky cinematography. The pilot sums up the central conflict the best, Ozark is about the clash of two worlds: the upper class city finance family and the brash locals they undermine at their own risk.

It all comes to an end with the final seven episodes of season four, which just dropped on Netflix. As the poster claims, the end revolves around one question: can the Byrds officially go clean?

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Which shows will be Tony Award nominated next week?

by Patrick Ball

Daniel Craig and Ruth Negga in a modern "Macbeth"

It’s only been 8 months since last year’s long delayed Tony Awards, but it’s time to celebrate the best of The Great White Way once more. This year’s crop represents the first full season since 18 months back when Covid chaos  closed the industry that depends on gathering patrons en masse in close quarters. Though at times it was a bumpy road back to anything approaching normal for Broadway, come Tony season we actually have a pretty robust roster of new shows ready for their turn in the awards season sun.

Nominations will be announced by Tina: The Tina Turner Musical’s Tony Winning Adrienne Warren and Joshua Henry on Monday May 9th. The Tonys will be broadcast live June 12th on CBS and Paramount+ and will be hosted by our newly minted Oscar winner and former Tony nominee Ariana Debose. 

Unlike the Oscars, the Tonys are in a bit of a world unto themselves in the landscape of theater awards...

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Doc Corner: 'Navalny' is the first Oscar contender of '22

By Glenn Dunks

What luck it is to be a filmmaker in the room at such moments of historic opportunity. Canadian director Daniel Roher has made one previous feature, a music bio-doc about The Band, which probably isn’t the sort of bellwether for somebody who is about to capture evidence of the plot to assassinate the political rival of Vladimir Putin. But here we are.

Because of that luck and whatever directorial smarts got him there, Roher and his film Navalny are surely very real contenders for the documentary Oscar, the first such major title of the year.

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Review: 'Doctor Strange in the Multiverse of Madness'

by Nathaniel R

In the recent What If? series on Disney+, which is based on the comic book series of the same name, Marvel's writers could fashion any kind of variation on traditional heroes (and villains) and storylines without any actual consequences for the large familiar canon. Zombie avengers? Sure! Peggy Carter as Captain America? Why not! The What If? series of the 1970s was not quite the beginning of the Multiverse in comics but it was close enough. These thought experiments were always pitched as alternate realities (as opposed to pure fiction) though it took awhile before the effects were felt. The multiverse essentially became a shortcut to any type of retconning any storyteller wanted to do; Contrary to all that dialogue in Loki, Marvel has no "sacred" timeline given all the reversals, resurrections, reboots, and switcheroos. The multiverse virus was even more of an epidemic in DC comics, Marvel's top competitor.

Unfortunately if What If is essentially fan-fiction without the fans, then Doctor Strange in the Multiverse of Madness is arguably stingers without a movie. The latest MCU movie is positively awash in cameos and teases for future installments, resulting in a film that feels very much like an incoherent feature-length mid-credits scene... 

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