Meryl Streep is... Iron Lady

The first picture of Meryl Streep as Margaret Thatcher is out. Courtesy of the BBC.

Meryl Streep and Margaret Thatcher, The Iron Lady

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I worry about this biopic given that the director of Mamma Mia! is helming. Hopefully she learned what a camera was and what editors do and somesuch on that practice run. I'm also curious about what drew Streep to the project. I don't know a lot about British politics but I know enough to know that Margaret Thatcher, former Prime Minister, was no friend to the liberal artsy set (i.e. Meryl's people) and I've heard Thatcher vilified in films like Hunger (2008) and in various songs from the likes of  Sinéad O'Connor. Anyone remember that kick off to Boy George's "No Clause 28" which was fighting against anti-gay legislation at the time?

[Thatcher impersonator] "The aim of this government is to make everyone as miserable as possible!" ♫

I'm sure there are more examples of famous progressives publicly hating on her or at least the politics she embodied as Conservative Leader.

But back to Streep. What I really want to know is why Meryl so rarely works with the great auteurs? Imagine the potent combo. I mean think of Daniel Day-Lewis paired with P.T. Anderson or Emily Watson with Lars Von Trier. If Meryl ever faced a director on her level the earth might spontaneously combust from the artistic fire.

Remember that awesome speech Nora Ephron gave about Meryl Streep playing you? So so funny. Here it is again just for kicks. The best comedy bit that Nora Ephron ever wrote?

Eve Stewart on "The King Speech" Lacquering, Mike Leigh Yelling and Marlene Dietrich Peeing

How's that for a headline? All that is promised shall be delivered.

I recently interviewed production designer Eve Stewart, currently enjoying her second Oscar nomination for The King's Speech, and it was a completely delightful experience. Some of her spirit must have rubbed off on The King's Speech, which is, whether one is rooting for it at the Oscars or not, a much livelier viewing experience than what anyone might have expected reading a plot description months ago. "If you just hear about it on paper, it sounds..." I begin to admit after becoming acquainted.

"...a bit boring?"  she finishes my thought for me, matter of factly, with no hint of offense. "In the end i just thought 'GOOD GOD!' people are going to be looking at this room for 20 minutes. It better be interesting."

And so it went throughout the interview with Eve Stewart's merry recollections of The King's Speech, the intense work on Mike Leigh films, and her excitement about a new HBO project coming up. Here at the Film Experience we like to begin interviews with behind the scenes movie players by asking them to describe their job.

Moviegoers, including we film bloggers, have differing and sometimes spotty ideas about what each of a film's players bring to the table.

Nathaniel: When I think of production designers and art direction I think of people maybe looking at color palettes, approving sets, looking for props, talking intently to the costume designers. How would you describe what it is that you do?

Eve Stewart: I would describe my job as to support the story visually and to make sure that the world in which the story is set comes to life and creates a 'Bubble of Belief' around the characters which kind of transports the viewer with them.

Nathaniel: When it comes down to the nitty gritty like set constructions and prop work. Do you have a bunch of minions that you're bossing around?

Stewart: Oh I'm really hands on. My team is very small. I did painting at the Royal College of Art. I did opera and stuff like that so I didn't really do the normal film route. So the people I work with are sculptors, painters, fine artists that I've worked with since I was young and they all have a massive role to play.

Nathaniel: Do costume designers report to you since the visual look is your job?

Stewart: They don't report to me but i'm really collaborative.  In the end you are responsible for everything that is seen, all that gets photographed, so you have to make sure it all pulls together. I mean, It's terrible if you're designing a building and it doesn't look like the people live there because you haven't communicated with the costume designer. And also with color, you have to work together and compliment each other.

Nathaniel: The obvious standout set to me is the speech therapist's office, which I like to describe as a "dilapidated diorama"

Stewart: (laughs) Good!

Nathaniel: I love that it feels a bit like a stage. I mean part of that is the way it's shot but it pulls out for us that Logue (Geoffrey Rush) is a theater person at heart.

read the whole interview for more on The King's Speech, her Mike Leigh movies and Marlene Dietrich for HBO after the jump

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Oscar Nominee Luncheon

Oopsie. Misremembered the date on this.

Thought it was tomorrow. Guess I should have checked my own calendar right here.

Here are my favorite bits from the live stream televised portion

• James Franco at the end of his interview "Is that it? WHAT? all right". Ha. the interviews were super super short.
• Learning that Jeff Bridges is recording an album with T Bone Burnett. Interesting.
• Michelle Williams being sad that Ryan Gosling wasn't nominated but then a quick "but there are lots of other friendly faces" and she was off without even saying thank you or bye to the room.
• Hailee Steinfeld admitting she mostly only watched the Oscars for the red carpet to see what they were wearing. Well, she picked up the gift quickly (see red carpet lineups)

• That Jacki Weaver was practically invisible under the microphone. Actually that wasn't HAPPY but it was interesting. couldn't they have had one of those moving stand that goes up and down.
• Nicole Kidman was asked about other Australians nominated. Re: Jacki Weaver: "its so wonderful to see to see Jacki Weaver who I grew up watching to have this chance it says to so many actors it doesn't matter what age you are you can have a huge break."
• Nicole Kidman also said that this nomination,her third, is the one that made her happiest. Partially because of the movie but also because of how long it's been since she was last honored. "10 years?"
• HAPPIEST MOMENT Hearing that Jacki Weaver has had several offers for new movies. Yes! She says "I've never had grand ambitions to work elsewhere and suddenly i'm thrust into this milieu of excitement. i must say it's become addictive quickly. I've been saying it's the twilight of career but it appears to be the midafternoon."
• One more Jacki Weaver quote: "How do I feel? If I were a bell I'd be ringing."
• John Hawkes was very nonchalant "It's a wonderful time in my life but I'm nervous that my cover is blown" Jeff Bridges also spoke about anonymity being a gift for actors.

• Amy Adams walking out to scattered quiet journalist applause. "That was tepid" she joked. "I'm just playing" She seemed very relaxed.
• Amy when asked about Christian Bale said 'all that matters to me about working with an actor is what happens between action and cut' Interestingly vague. She then said that he stays in character between takes.
• Annette Bening telling the truth about how to combat homophobia and other such issues. " if you can open people's hearts first then maybe people's minds get opened after that."

• Colin Firth on whether people have been treating him differently: "I do get the odd bow which I put down to confusion or facetiousness."
• Helena Bonham-Carter was hilarious throughout in one of the longer interviews. Second happiest moment for me, a long time fan, was her admitting that The King's Speech has born fruit and people are interesting in casting her again. YES.
• HBC on the offer for The King's Speech "When they first approached me I wanted to play George cause that's the best part. I didn't look in the mirror and think I was a dead ringer for the Queen Mum."
• HBC on what she'll wear to the Oscars "I have no idea really. it's probably going to be a catastrophe. "

About That Best Actress Oscar Curse...

I've noticed a raft of articles popping up about the infamous Best Actress Oscar curse which states that your marriage will fall apart if you win Best Actress.

Recent Oscar-Winning Divorcees

This is undoubtedly on the brain because of the whole Sandra Bullock Brouhaha last year (and because people have run out of things to talk about Oscar-wise?). ABC says scientists have proven it statistically and one of said scientists offers up this unscientific theory.

Winning an Oscar can be construed as a big jump in professional status that an actor or actress has in their world and in the eyes of the broader audience… The general social norm kind of requires a man to have higher professional and economic status over the wife. So whenever that social norm is violated, both husband and wife may feel discomfort.

We do still live in a patriarchal society so this is probably true. It would be especially true for men or women who buy into the patriarchy without having questioned its value system thoroughly (most people don't). This problem of separate status might just be acerbated by Hollywood itself which knows from hierarchies. Who's hot, who's not, etcetera. Star actors undoubtedly have egos.

But here's another happier detail they didn't think to look at. What of the women who win only after they shed their troubled relationships? Perhaps break-ups prompt creative renewal.

Jane Wyman won her Oscar for Johnny Belinda shortly just after dumping Ronald Reagan. Nicole Kidman won her first nomination (Moulin Rouge!) and then her first win (The Hours) back-to-back in the year that followed her high-profile split with Tom Cruise. That's just the two I can think of off the top of my head but I'd be willing to bet that there's more. Julia Roberts and Benjamin Bratt's break-up was already brewing before she won for Erin Brockovich. Julia's case could theoretically be part of the aforementioned curse or part of this bizarre blessing in disguise; lose a handsome man, get a naked gold one to replace him.

As for actresses who married or will marry their man after they've already achieved major star status (I'm thinking of Amy Adams actor man and Natalie Portman's acclaimed ballet star fiance in this year's Oscar race), I don't think they should worry too much. These men have undoubtedly already evolved or acclimated themselves to their "societal-norm" breaking coupledom.

Then you have women who crossover these categories, defying it. Emma Thompson's marriage to frequent collaborator Kenneth Branagh ended two years after her Oscar win but her relationship with Greg Wise (her Sense & Sensibility co-star) didn't suffer when she won her second Oscar.

His & Hers BAFTAs (Spring 1993); Emma's Oscars (March 1993 and March 1996)

And where does marriage-crazy two-time Oscar winner Elizabeth Taylor fit into all of this?

If you have the answers or just theories to these wedded bliss / wedded miss questions, have at it in the comments.

30 Seconds to Summer - THE SEQUEL

We're doing a quickie Yes No Maybe So for the Superbowl movie spots.

Aaron Eckhart fights aliens in Battle: Los Angeles

In Part One I covered the movies I'd already done some thinking about (usually due to stars or superhero familiarity). Here in Part Two, movies I had not paid even a whiff of attention to up until this very moment. New eyeballs who have casually dropped in from a google search might be shocked that a movie website exists that does not spend almost all its posting time serving up rumors about blockbuster movies and had never before EVER said a word about these four movies exists. But it's true! The Film Experience exists!!! There are about 21,000,000 sites that do that other thing well but this is not one of them.

after the jump super 8, battle los angeles and more.

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