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Wednesday
Mar232011

Elizabeth Taylor, "Functioning Voluptuary" (RIP)

A very sad morning it is. I am loathe to report that Elizabeth Taylor, has passed away at the age of 79. While I gather my thoughts -- I am genuinely upset at the moment, Liz having been one of my favorite people in the universe my whole life -- please enjoy this beautiful tribute from Paul Newman, another lost great, to one of the most important stars of all time.

or check out the gallery section to enjoy her beauty.

Tuesday
Mar222011

Tennessee 100: "Suddenly Last Summer"

Robert A. here (of Distant Relatives). When Nathaniel asked us to pick a Tennessee Williams based film and write about it, my first instinct was the pick something I’d seen again and again and thus could write with authority. Unfortunately all of those films were quickly scooped up and I thought, why not take the opportunity to explore one I’d always wanted to see but hadn’t gotten around to. Why did I want to see Suddenly, Last Summer?

Well...

 

Of course, Tennessee Williams films are often saturated in dripping sexuality.

Cue the crotchety old man in me saying “In my day, when films couldn’t show two people hopping in the sack, they were sexier.”  But in the case of Williams, it’s true. Consider shirtless desperate Marlon Brando shouting out for his lover in Streetcar or Eli Wallach seducing Carrol Baker in Baby Doll. This wasn’t every day sexuality winkingly eluded to to get past the censors. This was dangerous stuff.

Which finally brings me to Suddenly, Last Summer which stars Montgomery Clift as a psychiatrist hired by Katharine Hepburn to analyze, diagnose (and lobotomize) Elizabeth Taylor who has been hopelessly manic since witnessing the sudden death of her cousin Sebastian (Hepburn’s loving son) "last summer".

death haunts those conversations about last summer.

 

Made just a year after Cat on a Hot Tin Roof had every suggestion of Brick’s homosexuality purged, and knowing writer Gore Vidal claimed the studios made him do much of the same I went in expecting no less. Perhaps the innocence of the 50’s was still in full swing but from Taylor’s blunt declaration that Sebastian used she and his mother as “decoys” to attract desperate men, to the production design which covered Sebastian’s study with pictures and sculptures of naked men, the “undertones” seemed more like overtones.

To be gay would be shocking enough for audiences in 1959. But Sebastian’s predatory nature and the details of his grizzly murder add up to a kind of vampire sexuality where characters are at the complete whims of their urges, easily seduced, uncontrollably impassioned, set in a world explicitly characterized as one where the chaos of nature has free reign and we’re all victims in the making waiting to be devoured. My introduction to Suddenly, Last Summer was also my initiation into the most shocking of Tennessee Williams.

not the kind of action Sebastian was looking for

Suddenly Last Summer is actually a one-act play and, as such was not a Broadway outing for Tennessee in it's original run, double billed with another one-act. The film version won 3 Oscar nominations (art direction and a double Best Actress for Taylor and Hepburn. They lost to Simone Signoret in Room at the Top) There are no other feature film versions though there was a televised BBC production in the 90s with Maggie Smith (Emmy nominated), Rob Lowe, Richard E Grant and Natasha Richardson. 

Tuesday
Mar222011

Post-Crawford, Post-Host, Post-Cotillard

Madame LeFigaro [in French] an article about how many French stars are showing up in English language movies, the Post-Cotillard wave (though this has been going on for decades).
NY Times no word on Mad Men Season 5 and why.
Shiantology Shia Labeouf on the set of John Hillcoat's depression era drama The Wettest Country. Lots of stars in this one actually but I guess they weren't on the call sheet this day?
Kenneth in the (212)
Winslet, Wood, Winningham (and more) at the Mildred Pierce premiere.
<---Stirred Straight Up... has a collection of amusing, curious, vivid quotes about Joan Crawford from other actresses. (God, I should've thought to do some sort of Joan celebration before the revisioning of Mildred Pierce came out). This one from notsilent icon Louise Brooks is fascinating:

To me, Joan Crawford's screen portrayals are all one: a series of transparencies through which she projects her daydream –- herself –- a wonderful abused kid. On the screen, every ladylike effort is stretched by the memory of self-abasement; the salt of every tear is the salt of self-pity.

 

Geekiness
Retro Movie Review has a flash animated showdown about Ken Russell's The Devils. Although the wrong critic wins here because The Devils is brilliant.
My New Plaid Pants is hosting a very busy "Special People Day" TODAY in honor of Welcome to the Dollhouse's 15th anniversary.
Mister Hipp has a hilarious Admiral Ackbar illustration
The Playlist The low budget 1990 film version of Captain America is going to be available for mass consumption soon.

Versus
have you been reading about this online bitch-fight James Franco vs. Bruce Vilanch about the Oscar night performance failure? Vilanch bitches that Franco was not available until Thursday and wasn't committed enough and Franco basically implies that Vilanche's jokes aren't funny -- and even disses Bette Midler in the process (uncalled for. After this and his dissing of The Social Network I'm starting to lose faith that Mr. Franco knows what he's talking about.). Gold Derby weirdly sides with Franco stating that there's no reason he needed to be in town longer than he was  (!!! say what now? a live multi million dollar production and it's OK that he's not in town until three days prior?) but if you ask me everyone is at fault, Vilanch because the jokes aren't particularly strong but especially Franco since everyone and their Aunt Martha understands how difficult the Oscar hosting gig is. If you have 7,001 things going on maybe you shouldn't commit to doing a 7,002nd half assed and for a big stack of money? But maybe that's because I share this flaw (the overbooking not the big stacks of money). But when a huge one night a year historical event is counting on you and paying you, maybe it deserves your full attention? Just a thought. The Wrap says they've since made up.

Tuesday
Mar222011

Curio: Gus Van Sant, Painter

Alexa here. Lately James Franco has gotten a lot of press for his artistic aspirations, earning multiple degrees while he exhibits his artwork in Berlin, seemingly hosting the Oscars as an afterthought.  So also getting attention is "Unfinished", an exhibition of film and visual art by Franco and Gus Van Sant.  Most of the attention is focused on Franco, and what the show reveals about him. (For the exhibit he reedited footage from My Own Private Idaho, creating a 12-hour-long film titled My Own Private River.)  

But what I find interesting about the show, currently showing at the Gagosian Gallery in Beverly Hills, is seeing what Gus Van Sant is like as a painter. He studied film and painting at RISD, and was there at the same time as David Byrne (apparently urging Byrne to keep singing).  These watercolor portraits of young men, shown alongside Franco's film, obviously recall Mike and Scott from My Own Private Idaho, and share the film's dreamlike, loose, almost gangly quality.

more paintings after the jump...

Click to read more ...

Tuesday
Mar222011

"Carnage" Cometh

With filming wrapped on the stage-to-screen God of Carnage excuse me Carnage (I guess they shortened the title) from Roman Polanski we get our first still of the feuding couples played by Jodie Foster & John C Reilly (what a weird combo) and Kate Winslet & Christoph Waltz.

This is either during the arrival scene or during one of the we're leaving (only no one actually leaves) scenes. I am happy to hear that they have not adjusted the main time frame. It still takes place in real time in one evening, yay. I guess Polanski is confident enough with his craft (as well he should be) and with the play's terrifically verbal bite to not worry too much about people saying it's "stagey".

Though this statement from Jodie Foster worries me a little.

Kind of like Who’s Afraid Of Virginia Woolf?, but a little funnier. There’s a lot of wit.

Foster absorbing directing tips from Polanski?

Er. I'm not sure you want to compete with Edward Albee in the wit department. Just saying. Few people seem to ever remember how hilarious Virginia Woolf is until they're watching it. It is a bit like being kicked in the stomach while you're laughing so maybe that's why people don't remember the funny ha-ha? God of Carnage... excuse me Carnage... is quite funny and biting and it's true that it bears a passing resemblance to Woolf? in that black comedy four character claustrophobic all in one night way. But it's less genius than Woolf? Woolf? minor maybe. But still Woolf? is so many millions of times better than most everything else in the world that being a minor version of it is still pretty damn hot.

If they've pulled it off expect Oscar nominations come January.