The Honoraries: Liv Ullmann in "Shame"

We're celebrating each of the upcoming Honorary Oscar winners with a few pieces on their career. 

by Eric Blume

Ingmar Bergman’s 1968 film Shame features one of Liv Ullmann’s greatest performances.  This was the third collaboration between the two artists, and the film is the middle portion of Bergman’s unofficial “Island Trilogy” that started with The Hour of the Wolf and concluded with The Passion of Anna.  Ullmann’s face is like the face of the film: beauty going blankly sour…

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Linkers Dozen

• THR talks to Michelle Yeoh about her new film Everything Everywhere All At Once. Great 'meeting Tarantino' story and now I wish they'd have worked together
• AV Club our era of famous faces being paid lots of money for those faces to be buried / unrecognizable under prosthetics continues with Sean Penn in a Watergate thriller

Vanessa Bayer, Ewan McGregor, Anne Hathaway, and more after the jump...

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Vote on the new Smackdown. Meet your fellow panelists.

A new season of the Supporting Actress Smackdown is upon us. We'll begin with the current season, honoring the films of 2021.

• Buckley, The Lost Daughter
• DeBose, West Side Story
• Dench, Belfast
• Dunst Power of the Dog
• Ellis, King Richard

So email your votes ranking each nominated Supporting Actress performance on a scale of 1 (poor) to 5 (perfection) by this Sunday March 20th. Your votes will count toward the final outcome. Now, let's meet your fellow voters who we'll be chatting with you on the podcast.

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The Honoraries: Liv Ullmann in "Persona"

We're celebrating each of the upcoming Honorary Oscar winners with a few pieces on their careers.

by Cláudio Alves

Sometimes, a film is so great that it robs you of words, leaves you speechless, struck dumb with awe. It's been a bit over two years since I've started writing for The Film Experience and, in that time, it's been a privilege to write about some of the best works of cinema I've ever seen. Ingmar Bergman's Persona tops them all and, when facing its wonder, it's hard to articulate anything. Perhaps no other film has been as tirelessly examined in the history of criticism, making it impossible to bring anything new to the discussion. And yet, it remains mysterious, as beguilingly unknowable as when it premiered in 1966. To try and write about it is a maddening exercise.

Even so, a celebration of Liv Ullmann wouldn't be complete without mentioning the first work in the artistic collaboration that forged her legend, that's at the center of her legacy…

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SXSW: Life as Dolly Parton in ‘Seriously Red’

By Abe Friedtanzer

Just as Patton Oswalt was a draw for another SXSW film, I Love My Dad, actress Rose Byrne getting top billing in a movie about a Dolly Parton impersonator was also an appeal. Seeing a photo of Byrne as Elvis only made it more intriguing. But this is a classic example of a bait-and-switch, albeit a productive and satisfying one, since Byrne has almost no lines and barely even appears in the film. Instead, this is a story of an Australian woman yearning to find herself who does so through her undying love for the popular country star… 

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