Happy Birthday, Jessica Lange (& Nina Foch)

by Cláudio Alves

Like Mark said in his Veronica Cartwright tribute, this 4/20 is an essential date for actressexuals... among others. After all, we celebrate the horror queen's 75th birthday and that of Jessica Lange as well. Initially, I thought about writing about the star's upcoming adaptation of O'Neill's Long Day's Journey Into Night, but that film seems trapped in some nebulous distribution limbo. By all accounts, production wrapped in late 2022 after a brief halt due to financing issues. Since then, there's been hardly any news, and Lange herself speculated it might not yet be finished in a Vulture interview. Let's hope we don't have another Blue Sky situation in our hands, though that farrago resulted in a Best Actress Oscar.

So, instead of dwelling on that mystery, why not remember The Film Experience's collective love for Jessica Lange? Going through the site, I came up with a selection of write-ups worth revisiting, plus some bonus Nina Foch to mark her centennial…

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Happy 75th, Veronica Cartwright

by Mark Brinkerhoff

Veronica Cartwright in a 2020 documentary "LIfe After The Navigator" exploring one of her 80s films

Happy 4/20, which happens to be the birthday—same day/month/year—of both Jessica Lange and one Veronica Cartwright, the British-born former child star and current character actor extraordinaire.

When did you first clock the extraordinary Veronica Cartwright on screen? Though she mainly does TV guest spots (and the occasional direct-to-VOD titles) nowadays, I can say that she made an immediate impression for me in the mid-‘80s, starting with The Right Stuff (1983), Flight of the Navigator (1986), and most notably The Witches of Eastwick (1987)...

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April Foolish Predictions: What will happen in 'Toon Town'?

by Nathaniel R

Will the new emotions in "Inside Out 2" impress voters?

Last season, we finally saw another hand drawn film take the Best Animated Feature Oscar with The Boy and the Heron emerging triumphant. Will we have another rarity this year or will Oscar voters return to their Pixar and/or American CG habits? Each year we root for the underdogs in this category since great studios like Laika and Cartoon Saloon have yet to take home an Oscar. Sadly, neither of those companies will have a film ready this year. Still, we'll dream that it will prove a truly competitive year no matter what emerges. That always makes it more exciting.

Herewith our April Foolish predictions...

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A Star Is Born: Kirsten Dunst in 1994

by Cláudio Alves

For all its controversies, Alex Garland's Civil War has gifted us with more than just an (a)political provocation. The chosen format limits the film's considerations of conflict journalism, and its overall construction has flaws aplenty. Yet, in the picture's lead, Kirsten Dunst delivers another worthwhile turn as a disillusioned photographer. Exhaustion laces every gesture and actorly choice, and though Garland seems to abandon her for the film's final act, whenever the camera finds Dunst, she delivers. Whether portraying cynical apathy or shell-shocked grief, apprehensive over a younger colleague's fate or breaking down at the eleventh hour, the actress can weave straw into gold and elevate any material.

Considering her latest performance, I couldn't help but reminisce about Dunst's early days and how, thirty years ago, she became a star at just twelve years old…

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Sherlock Jr. @100: For the love of Cinema

by Cláudio Alves

This week, one of the best comedies ever made and a silent film masterpiece celebrates its centennial. It's none other than Sherlock Jr., Buster Keaton's 45-minute miracle of stunt work and cinematic considerations about cinema as materialized dream and broken escapism. A meta-movie for the ages, I consider it the old Stone Face's crowning achievement. Sure, The General is much more complex and Steamboat Bill, Jr. trumps it in sheer iconography. As for technical innovation, something like The Play House is probably Keaton's peak. However, there's something special about the 1924 lark, a simplicity that bolsters perfection, an ingenuity that rekindles my love for cinema whenever I set my eyes on it…

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