Nathaniel's Assorted Wonders (Top Ten Preamble)

by Nathaniel R

THE WONDERFUL STORY OF HENRY SUGAR © Netflix

PART 1 - In real life I am exceedingly punctual. The same is not true of my online listing life. But one of my goals for 2024 is rethinking and clarifying my lifelong need to talk about the movies. So stayed tuned but please follow on Substackd and Letterboxd and Instagram while I sort that out. I am hoping to return to writing, twice weekly. That's the goal. I've accepted that I'll never be able to do the daily churn again that kept the site lively. Bless Cláudio and the rest of the team who have filled in some of my gaps. The world has moved on (social media has replaced incessant blogging and consumption of blogging). Plus I also burned out trying to produce that much. But enough navel-gazing for the moment!

The next week at the site is dedicated to wrapping up my own long-running awards (now in their *gulp* 24th year) and talking about Oscar night (which is about to happen), so here are brief thoughts on some favourite film things of the year which I hope you'll use along with awards themselves as a 'recommended' guide when you're looking for something to watch...

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SXSW Review: "We Were Dangerous"

By Abe Friedtanzer

It’s chilling to contemplate how many people have been classified as 'other' or 'undesirable' throughout history. As a result many have been subjected to horrific and dehumanizing treatment. Conditions perceived as abnormal and deplorable have often been used to justify incarceration or forced rehabilitation. We Were Dangerous looks at a group of girls deemed incorrigible and forced to work towards becoming socially acceptable women, and a few who refused to let their personalities be erased by a repressive and backward-thinking society…

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Best Picture in Black-and-White: 2023 Edition

by Cláudio Alves

Re-releasing films in black-and-white, whether in theaters or through physical media, has become something of a trend. This year, Godzilla Minus One prompted a new edit with color stripped away, revealing a new way to consider its post-war twist on the kaiju mythos. I understand why audiences and filmmakers get carried away by these experiments. After all, for the past few seasons, it's a The Film Experience tradition to re-think the year's Best Picture Oscar nominees in silvery monochrome, pondering what each flick would look like transformed.

This is an exercise that can reveal qualities in composition and lighting, as well as provide a reference for the role of color in visual storytelling. Sometimes, its absence makes no difference. In other cases, a movie can't work in grayscale… 

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SXSW Review: "The Queen of My Dreams"

By Abe Friedtanzer

People are never quite as far apart as they seem. While a parent surely changes as a result of having to now put someone else first, a part of their old self still remains, even if it’s hidden. An unexpected death prompts an unusual connection for one young woman and her mother in the insightful, entertaining, and creative The Queen of My Dreams, screening at SXSW…

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Nathaniel's Ballot - Best Actress and Best Actor

by Nathaniel R

Natalie Portman in "May December" © Netflix

Time is up. Argh! We previously talked supporting actors, supporting actresses, and limited roles. Herewith the MOVIE STAR categories in the Film Bitch Awards. We saw surprisingly eye to eye with Oscar voters this year on the men if not quite the women. The 24 actors in this post are not, of course, the only praise-worthy performances this year. People will be angry that two of the actual Oscar nominees don't make my top dozen but I have to answer to my own opinion, else why have personal awards? What follows is a list of twelve performances each for Best Actress and Best Actor that resonated most with yours truly. Though, as per usual, Best Actress was far more competitive and five plus strong female performances were left on the cutting room floor.

After the jump the semi-finalists, finalists, and nominees in both categories...

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