Tweetweek "I did not know that! ohmygod, Nicole..."

Harsh but fair.

it's awards season, plz keep the cinéma gays in your prayers as they will be completely unfuckable until april

— misterturkeyface (@mrunitedface) November 10, 2021

More curated tweets for you featuring Kirsten Dunst, Nicole Kidman, Paul Rudd, Octavia Spencer, Jamie Dornan, among others...

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'Boiling Point' is a One-Shot Tension Machine

By Ben Miller

Filmed as one continuous tracking shot, Philip Barantini's Boiling Point uses this technique to enhance its story rather than using it as a gimmick.  Filled with colorful characters and featuring a stellar lead performance from Stephen Graham, the film ratchets up the tension to show the immense pressures an upscale London restaurant faces on a daily basis.

Andy Jones (Graham) runs a hot new restaurant in London.  As the head chef, his responsibilities are endless.  With pressures mounting in his personal life, Andy enters to start work on a busy night...

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Bring Your Own "Yes No Maybe So"

So many new trailers. Nightmare Alley, Pam & Tommy, She-Hulk, Spider-Man No Way Home, Dog, Marry Me, Turning Red, Moonfall. Let's watch them all after the jump...

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Kidman rising, Stewart holding for Best Actress. But who else?

by Nathaniel R

Our favourite category! Not that Oscar chooses well but it's always the best acting category IN THEORY. So let's discuss Best Actress. You know you want to.

THE SURE THINGS
While Kristen Stewart has maintained the early frontrunner lead handily for her work as Princess Diana in Spencer, response to this past week's screenings of Being the Ricardos have suggested that Nicole Kidman could overthrow her for Oscar #2 for her work as Lucille Ball. She's sensational in the film, doing really interesting work (vocally and physically) differentiating between Lucille Ball and Lucy Ricardo, and also marrying some elusive internal issues like creativity, inspiration, ambition, with external stuff like a chain-smokers voice and the drama of the plot and multiple interpersonal conflicts. Ball's tetchy relationships and hot/cold rapports with each I Love Lucy cast and crew member is brilliantly differentiated and articulated. Besides, if any current one-time acting winner deserves a second statue, it's Kidman. This theoretical competition between Stewart and Kidman is interesting because both films originally raised eyebrows with their casting...

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Doc Corner: Denmark's Oscar Submission 'Flee' + 'We Are Russia' at DOC NYC

By Glenn Dunks

DOC NYC continues. The festival runs for in-person screenings from November 10–18 and then will carry over online until November 28. I have a Twitter thread covering what I am watching, but today we're looking at a big Oscar contender alongside a smaller, but no less worthy doc from the same part of the world.

I find it can often take a minute to get used to animated documentaries. I find the hand-crafted nature of the medium to be a bit of a barrier to the telling of these true-to-life stories. A barrier that my brain initially can’t quite comprehend when I am so used to the traditional elements—not too unlike adjusting to 3D or VR, maybe.

It’s true that animation has become more and more common in documentary, particularly as a means of representing moments of history that couldn’t have been captured on film. I sometimes wish they wouldn’t bother as the quality can often vary wildly. But like other documentaries made from a majority of animation (Keith Maitland’s Tower and Ari Folman’s Waltz with Bashir come to mind), the much buzzed Flee quickly surpasses those up-front mental blocks. Here, the vivid, colourful animation brings out an even deeper well of emotion from émigré Amin Nawabi’s story in the same way blue eyes can bring out the colour of an item of clothing.

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