HOT TOPICS

Welcome

The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

Powered by Squarespace
Comment Fun

COMMENT DU JOUR
BEST ACTRESS 

EMILY "Amen. Isn't it weird Blunt hasn't been nominated yet?. " -MORGAN L

JENNIFER "you CRAZY for not predicting Lawrence. Crazy i tell you" -TOM C

LILY "I think it is Tomlin's to lose. " -HENRY

CHARLOTTE "What excites me the most are the non-default nominees. Rampling would be great " -MR GOODBAR

what are your early predictions?

 

Keep TFE Strong

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

Subscribe
What'cha Looking For?
Sunday
Jan272013

Silver Live-Blogging SAG Playbook (The Show!)

Previously: THE ARRIVALS

8:00 The announcer just said Zero Dark Thirty Jessica Chastain is "Zero Dark Flirty". Regret to inform that his was not even the worst pun of the intro. This was not even in the bottom ten of worst puns. Yikes. "Argo Seat Yourself"??? (And you don't even want to know how much television pays writers for this sort of thing. Can I apply?)

8:02 I Am An Actor from Jane Krakowski, Chris Tucker, Helen Hunt, Hal Holbrook, Sofia Vergara. Followed by Nicole Kidman with some hot razor cut flat iron hair to announce... 

8:06 SUPPORTING ACTOR. I predicted Tommy Lee Jones because of the huge audience response he gets in Lincoln. But perhaps I'm too stuck back in November and the TLJ hoopla has ended. The award goes to... oh, wow. Tommy Lee Jones. Who is not there. His absence does him no favors in a possibly very tight Oscar race.

8:08 Bradley Cooper, whose hair is unusually light brown fluffy. (I'm reminded of Dustin Hoffman in Tootsie ...as both Michael Dorsey and Dorothy Michaels) and Jennifer Lawrence introduce their own movie. They use a clip of the "silver lining" monologue over images of the cast. 

8:10 SUPPORTING ACTRESS. Justin Timberlake arrives in his 'suit and tie shit, suit and tie shit ♫' (plaid pattern potpourri but quite fetching)... and tries to do a little dance to the piped in canned show music [more after the jump]

Click to read more ...

Sunday
Jan272013

Silver Live-Blogging SAG Playbook (Arrivals)

6:22 Shall we begin?

6: 27 In this year of Past Favorites as Current Favorites -- so many previous statue-hoarding players in the mix -- I think it's wothing noting a bit of SAG history. Two of this year's Outstanding Supporting Actress in a Feature Film SAG Nominees were nominated at the very first SAG Awards for 1994: Helen Hunt won in the TV categories for Mad About You and Sally Field was up for Forrest Gump despite getting the ol' heave ho from Oscar voters who were otherwise totally GUMP HAPPENS! Except Mama Gump -- she don't happen!

6:44 Glee is STILL getting nominated? Mark Salling is addressing some sort of scandal/gossip that I am blissfully unaware of and shoos it away saying "I have a relationship with Jesus Christ"... Usually saying you have a relationship with a dude is not the way to stop gossip.

6:47 Lady Mary of Downton Abbey is showing major side boob and I am loving it.

6:56 I'm going to drink everytime someone claims they're tight with Jesus. #DrinkingGames #HolySpirits

 

 

 

7:00 Jessica Chastain is working a little side part, didn't want to go "too diva", doesn't know where to hide her jewelry, doesn't bother to hide her boobs.

MORE including Amanda Seyfried, Living Cartoon, after the jump

Click to read more ...

Sunday
Jan272013

Sundance Winners: Will "Fruitvale" and "Blood Brother" March On to Oscar Glory?

Here is Amanda Seyfried with some paparazzi at Sundance. Amanda is great at being a celebrity. 

So even if Lovelace didn't exactly light the world on fire, she still wins.

But I suppose we should discuss actual festival winners, now that the fest has wrapped and the journos have all exited the snowy peaks of Park City, Utah. Before we list the winners, let's look at the context of how well they usually fare come Oscar time the following year. Are there any patterns?

2012 Beasts of the Southern Wild & The Sessions split the jury & audience prizes for drama, respectively. Beasts went on to major Oscar nominations and The Sessions (which also won a prize for its ensemble acting held on for one Oscar nomination in the form of the title character played by Helen Hunt (back then it was called "The Surrogate" remember?). The House I Live In and The Invisible War split the juried & audience prizes for doc and the reverse happened: Oscar went with the audience fav rather than the jury fav. (Personally I think The House I Live In is a much stronger documentary so that outcome disappointed me). 

Total Oscar nods from Sundance prize-winning films:  9
Most Predictive: Best Documentary. 3 of the eventual 5 nominees won prizes here 

2011 This year produced a lot of disparate favorites but most of the hot films in the cold climate of Park City like How to Die in Oregon, Tyrannosaur, Project NIM, Like Crazy, Buck, Circumstance, Martha Marcy May Marlene, failed to win any Oscar nominations.

Total Oscar nods from Sundance prize-winning films:  2
Most PredictiveBest Documentary. 2 of the eventual nominees won prizes here 

More after the jump including this year's winning Sundance films. Obviously, congratulations for now and well done, can't wait to see you. Etcetera. (But will we be talking about them at Oscar time next year?) 

Click to read more ...

Sunday
Jan272013

Three Reasons Why "Argo" Became the One To Beat

You can't always know how the future will treat each year's awards recipients. Will their strengths will come into sharper focus as time erodes the particulars of the movie culture and conversation they arrived into or will that erosion grind a movie or performers appeal down with it? What will we make in five year's time of this moment when Hollywood threw awards at Argo instead of, say, Lincoln? That's what happened again last night at the Producers Guild Awards when Ben Affleck's 1970s CIA rescue tale took the top prize.

We don't have to wait for hindsight clarity when it comes to Argo's sudden rise in the previous deadheat Oscar race.  I'd say that three things are responsible, two of which no one could have predicted.

1. I'd been saying from the very start that Argo's narrative subtext, embedded into its truish story of a fake movie being used to rescue Americans from a hostile regime, that 'Movies Save the World!' feel would be irressistible to the back-patting awards season mentality in much the same way it was for the documentary The Cove some years ago.

The other two factors were not things anyone could have predicted though....

2.  Zero Dark Thirty emerged to somewhat reductive "so much better than Argo!" laudatory soundbytes (they both involve CIA meddling in the Middle East so they must be compared incessantly!) and for about a week it looked like The Real Oscar Deal but what happened next with it was very kind to Argo. Zero became the media's most slobbered on and teared at rag doll with everyone tsk-tsking and fuming and eventually subtly equating the making of it with condoning torture. By extension voting for it felt unpleasant to some, too. Suddenly the "better than Argo" conversation died and was replaced with just "...Argo", a rebooting if you will of where the Oscar conversation had previously been. Sometimes opening early helps and it's more than helped Argo.

3. The last, and most shocking turn of events was Ben Affleck's omission from the Best Director lineup. I'd long been predicting him to win that statue even though I hadn't viewed Argo necessarily as the future Best Picture champ, suspecting that we were in for a split year. The best thing that ever happened to Argo in terms of its Best Picture prospects was Affleck's "snub". And conversely, that's the worse thing that happened to Lincoln. Whatever one makes of the quality of the Best Picture nominees (have you voted for your favorite here?), Lincoln previously had the strongest narrative arriving as it did in this historic year of President Obama's reelection and the 150th anniversary of the Emancipation Proclamation. Affleck's over-mourned "snub" (people keep conveniently forgetting how strong the Best Director lineup is without him!) handed Argo an underdog narrative in a season where the narratives -- those tricky hooks that make a person or movie so irresistible in the Story of the Year's Entertainments -- weren't all that strong even if the movies were.

Reason no. 3 is in some ways the most understandable now that it's happened and the most baffling. If you really step back for some perspective Ben Affleck is an enormous waste of a Sympathy Vote. He's already an Oscar winner. He's an Oscar nominee even when he's snubbed (he'll win the Oscar if Argo wins Best Picture since he produced) - fancy that. He has a happy Hollywood marriage. He rose to fame with his best friend who is still a huge power player in Hollywood, too. He's risen from the ashes of a weirdly shaky leading man career to become a respected director and a... uh... leading man again. He's super handsome and aging well. He's made only three films all of which received Oscar attention, the latter two of which were big big hits. If anything he's a true golden boy of showbiz with a hugely enviable career and awards run and yet, you'd think he were dying! To this Awards Season he's suddenly treated like the Fantine figure in Les Miz on her death bed; the one to cry over "if only life weren't so cruel!", the one to promise everything to in order to make amends.

And all because he missed out on an expected Best Director nomination?

Mrs. Affleck at the PGAs. Oh, you know she makes this pose at home while mock scolding BenTHE WINNERS

Outstanding Producer, Film: Ben Affleck, Grant Henslov, George Clooney for Argo
Outstanding Producer, Documentary: Malik Bendjelloul, Simon Chinn for Searching for Sugar Man
Outstanding Producer, Animated: Clark Spencer for Wreck-it Ralph
Outstanding Producer, Longform TV: Gary Goetzman, Tom Hanks, Jay Roach, Amy Sayres, Steven Shareshian, Danny Strong for "Game Change"
Outstanding Producer, Episodic TV (Drama): Henry Bromell, Alexander Cary, Michael Cuesta, Alex Gansa, Howard Gordon, Chip Johannessen, Michael Klick, Meredith Stiehm for "Homeland"
Outstanding Producer, Episodic TV (Comedy): Cindy Chupack, Paul Corrigan, Abraham Higginbotham, Ben Karlin, Steven Levitan, Christopher Lloyd, Jeff Morton, Dan O’Shannon, Jeffrey Richman, Chris Smirnoff, Brad Walsh, Bill Wrubel, Danny Zuker for "Modern Family" 
Outstanding Producer, NonFiction TV: Prudence Glass, Susan Lacy,Julie Sacks for "American Masters" PBS 
Outstanding Producer, Live TV: Meredith Bennett, Stephen Colbert, Richard Dahm, Paul Dinello, Barry Julien, Matt Lappin, Emily Lazar, Tanya Michnevich Bracco, Tom Purcell,Jon Stewart for "The Colbert Report" 
Outsanding Producer, Competition TV:  Jerry Bruckheimer, Elise Doganieri, Jonathan Littman, Bertram van Munster, Mark Vertullo for "The Amazing Race"

Outstanding Sports Program: "Real Sports with Bryant Gumbel"
Outstanding Children's Program:  "Sesame Street"
Outstanding Digital Series: "30 Rock: The Webisodes" 

 

 

Saturday
Jan262013

SAG Award Seating. Any Requests?

Thanks to Sasha Stone for tweeting this. It's a SAG Awards seating chart (of sorts).

I can't make out the faces as well as I'd like but Jessica Chastain and Denzel Washington are right up front with Helen Hunt just the next table back. Expect lots of reaction shots from the front. Do you think any of them will win tomorrow night?

BFFs since before they were famous - Nicole & NaomiTV Guide has a partial seating chart which indicates that Les Misérables and Argo have front row tables both to the right of the stage and get this, SAG honors requests so...

BFFs Naomi Watts(The Impossible) and Nicole Kidman (The Paperboy) asked to sit together and are placed at Table 21. 

Awwww!

Double nominees get to choose where they sit so Bryan Cranston opted for the Breaking Bad table instead of sitting with King Ben of Argopolis. 

Which table would you most want to carouse with? Will you be hear for liveblogging tomorrow? I promise to stay put to avoid tech difficulties as with the Globes.

Saturday
Jan262013

29 Days 'til Oscar: Best Make-Up & Hairstyling

The Academy recently changed the name of the Best Makeup category to Best Makeup & Hairstyling but in truth hairstyling, wigs and whatnots have long been part of the diverse criteria for which Oscar voters are meant to reward Achievements in Makeup. But how does one define "achievement"? True to awards season in general (it's not just Oscar voters, mind you) the definition is usually "most=best". Sadly nearly almost all the golden statuettes in this category have gone to prosthetic effects -- werewolves, dwarves, you name it! It's the one category other than visual effects where genre films regularly lord it over more "noble-minded" efforts... (though strangely zombie pictures are the exception since they never even make the finalist list). 

So, how refreshing would it be if the Oscar went to the Hair and Makeup team of Les Misérables this year? I was surprised to hear on the podcast that my co-conspirators were almost universally opposed to this particular nomination but I actually think it's the strongest nominee in this category. It's got a very consistent boldly stylized feel and a shit ton of traditional wigs and prosthetics work if you're also looking for "Most" in your "Best". They've aged Hugh Jackman and scarred him up, imagined really putrid diseased miserables of many sorts, made Cosette even prettier than usual, and even dipped Helena Bonham-Carter's wigs in coffee and tea for "more character" - though I suspect it's not the first time her head has been dipped in vats of dangerously hot liquids.

More traditional nominees can be found in The Hobbit and Hitchcock this year...

...wherein actors are heavily buried in prosthetics to appropriate the look of inhuman things: dwarves, orcs, master auteurs. 

My advocacy for Les Miz might have a little to do with the fact that I love the film, but I do try and differentiate individual categories from overall feelings as much as I humanly can (as all awards voters should since great work is found in bad films and vice versa) but mostly it has to do with the actual achievement. And, as a bonus points, Les Miz also wins by virtue of my tiebreaker manifesto "Spread the Wealth!". I assume that The Hobbit is the frontrunner given voting habits in this category and yet I don't wish for the Oscars to become the Emmys and just hand the same statues to the same series each year as their small screen counterparts do. Given Peter Jackson's shameless story stretching for billions, this category could be tied up for decades if they keep handing Middle Earth Makeup Oscars (it's already won twice). Under the umbrella of "spread the wealth" it's also worth noting that the Les Miz team (Lisa Westcott & Julie Dartnell) is the only nominated team that has no Oscars among them*: Hitchcock's Howard Berger previously won the gold for The Chronicles of Narnia (as well as an Emmy for The Walking Dead); Peter King and Tami Lane on The Hobbit team both already have Oscars, his for this particular franchise and hers for The Chronicles of Narnia

Q: Why does Lisa Westcott have no Oscars despite two nominations (Her Majesty Mrs Brown, Shakespeare in Love) prior to Les Miz?
A: Because she doesn't do werewolves or fantasy creatures. 

Can we call a one year moratorium on dwarves, elves, monsters and prosthetic biopics in this category and give it to the zombie whores and scarred bread thieves for once !?!

While we're on the topic... here are the Film Bitch Award's Makeup Nominees for 2012