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The Film Experience™ was created by Nathaniel R

 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd


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BAFTA Guru: Tilda & Meryl

Have you heard of the BAFTA Guru initiative? It's a new venture from the British Academy meant to benefit young actors and filmmakers (target market: 18-30) who are just starting out though surely any creative who hasn't yet "made it" (whatever that means) can learn from the people who have. BAFTA Guru interviews stars on their early years in the business and they'll also have lectures from filmmakers. It seems like it's less about practical advice at this point and more about eliptical impressions... early sense of cinema and acting, or anecdotes about lucky breaks. 

Neverthless we love to hear actors talking about their careers. Here's Tilda sharing a moment when she was 11 realizing she was faking emotion (and the mystery that keeps her interested in acting) and Meryl talking about how she got the part in The Deer Hunter.

Meryl Streep's career start suddenly makes so much more sense. Of course DeNiro would go for her admittedly  shameless moment ;) He has the ham actor's spirit himself. 

Love Tilda's bit on what keeps her interested in cinematic performance:

You can never ever know what someone else is really thinking. What they're going to tell you or what they're going to show you may not be everything, you know? There's always a reason to go looking."

Tilda Swinton is endlessly fascinating... as is the art of acting.


Q&A Pt. 1: Sexy Time, Big Scares, Grace Casting, Favorite Kubrick

As an apology for always taking so damn long with these Q & A columns, I'm doing two this week, but shorter just so I can get some questions done. I'm glad the feature is so popular so thanks for your patience when your questions aren't selected or delayed a week. Here we go. You asked. I select eight to answer... for now. Part Two in a day or three.

MARK: Do you think the success of The Help and Bridesmaids will get more female oriented films made, black or white?

Sadly I do not. It's actually not that rare for a female-driven film to become a big success. Everyone in positions of power just has collective amnesia about it the following year or assumes that it's a novelty even though novelty should imply "one off" and not something that occurs pretty much a couple of times a year. ;) 

KOKOLO: What is your favorite Kubrick film?
I haven't been a completist about everyone's favorite director but mine. But of those that I've seen my preference is The Shining. I don't like the ending very much but otherwise I love everything about it and I think it's spectacularly creepy. But this could be because I saw it in a spectacularly creepy way for a first time in (wait for it) a cabin in the woods without another house around for miles, surrounded by the pitch black of a forest. I was SO scared. And don't you think that the circumstances in which you first view a movie have a real longlasting impact on you (provided it's a great movie to begin with)?

As for Kubrick in general, I find his films somewhat alienating which I suppose is the point but he's just not a favorite of mine. We're all allowed our off-consensus feelings about "the masters" aren't we? I actively dislike Eyes Wide Shut (1999), hate its faux shocking orgy sequence and cheesy-ass pay cable looking fantasies and the molasses performance beats drive me utterly wild... not in the good way. No, I don't even like Kidman in it very much. I keep meaning to give it a second chance but... every time I see a scene out of context I hate it all over again. I do however worship the opening sequence with Nicole Kidman stripping in front of the mirror.

But because I have never written about Kubrick I will now allow of you to choose one of the following (I skipped ones I didn't feel like writing about) and I will rent and write about whichever one you choose before the end of November. Drum roll... GO!



BIA: Which actresses would you put on a shortlist for this new Grace Kelly movie?

Please god no. We don't need this movie! Unless it's an alternate reality fantasy in which Kelly loses the Oscar to Garland. Hee. But in all seriousness, I did look at my list of actresses in the right age range -- yes I keep age range lists like I'm some casting director! I am an actress nerd. I couldn't come up with anyone suitable - Grace Kelly was 25 at the peak of her movie fame and 27 when she married the prince and retired. [If you're curious some blondes in the 20something age range -- I'm not endorsing them just listing them...

Grace casting, Sexy & Scary movies and more after the jump...

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Links: Shoot Kristen Wiig, Vote Hugo Cabret, Fire Brett Rattner

Deadline is Hugo a serious Best Picture contender. Industry giants are getting behind it's 3D immersiveness and movie love.
Animation Mag ginger tomcats on the rise and it's not just Puss in Boots. Here comes word of a new animated film called Tailchaser's Song. I suspect we won't see this one till 2013 or 2014 because you know how long animated films take.
Empire another new animated film coming our way soon is Hotel Transylvania with Adam Sandler voicing the count who runs a destination for famous monsters and Miley Cyrus voicing his daughter Mavis. That's what she'll look like to your left.
Rope of Silicon revisits David Fincher's Panic Room (2002). How long has it been since you've seen that one? 

In Contention Spielberg's now talking War Horse but not everyone is happy about the screening strategies thus far.
24 Frames reminds us that Tom Cruise is going to be in a musical. We keep forgetting this one, Rock of Ages
AV Club Ebert Presents... At the Movies may be shuttering this season due to cost.
Terry Richardson just had two women we love in his studio: Dakota Fanning and Kristen Wiig. Which reminds me just got my "consider" copy of Bridesmaids. Yay... so eager to rewatch though it will be weird to watch without the hysterically laughing audience we saw it with in the movie theater.  

hate him
Have you heard the latest on new Oscar director Brett Rattner. As if his bad movies weren't enough reason to object to him. Now he goes and says "Rehearsing is for fags." Really, Brett? He's since apologized but really...? That's the kind of thing the would be director of Wicked should really feel. Big epic musicals, after all, are best when improved (lol)... and calling actors fags? Yikes. Awards Daily thinks AMPAS should fire him and The Film Experience seconds. And we all know how well AMPAS listens to our every suggestion like the time we gave them brilliant notes about all the legends who have never presented Best Picture an... oh wait, never mind. They never listen. Whaddya want bet it's Spielberg, Hanks or Nicholson presenting best picture again this year? (sigh)

Christopher Neimann illustrated his NYC marathon run. small screen
Wow Report It's not enough to make me start watching TV's Once Upon a Time again (it make-a my eyes bleed! it got dumped from the DVR) but get this: Greer Garson's genes are in one of the actor... them's world class genes. Greer Garson Genetic Greatness! I guess we should write about her sometime. We love.

offscreen fun
Paper Mag someone live tweeted live illustrated his whole NYC marathon run. Yowza. That's going the extra mile. Although honestly I thought this was illegal. I thought they had very strict rules about no phones and no tweeting while doing it. They only have a limited number of spots in the marathon each year for eager runners. Every year I go outside and clap for them until I am tired. What, that's exercize for me. All that arm movement. More strenuous than typing.


Kiera vs. Dakota: Who Will Make the Greater Artist's Muse?

With all the projects in development in the world drawn from an infinite number of topics, it's always curious to note how many of them inexplicably arise simultaneously on the same topics. Thompson in Hollywood reports that Keira Knightley is considering the lead role in Untouched (2013?) which is a romantic triangle biopic on the artist muse Effie Gray and her relationship to two men, the art critic John Ruskin and his protégé the painter Everett Millais. She married them both during her lifetime, though only the second marriage was consummated. 

But get this... Dakota Fanning is also playing this role in a competing feature called simply Effie (2012?) written by everyone's favorite Acting/Screenwriting Double Oscar Winner Emma Thompson. While we'd love to see more movies written by Thompson as well as meatier roles for Dakota Fanning (especially since Elle Fanning fever threatens to consume Hollywood), Keira has actual experience as an artist's muse. She's currently filming Anna Karenina, her third feature as Joe Wright's muse (He's only made four features prior to this so by the time Anna Karenina arrives, Keira will have starred in 60% of his filmography; they be tight.)

Effie (2012). Costumes by two time Oscar nominee Ruth Myers<-- Here is Dakota Fanning in costume as Effie. That's Greg Wise (Emma Thompson's real life man and Kate Winslet's heart-breaker in Sense & Sensibility) as her first husband, the art critic John Ruskin. Their marriage was famously unconsummated before she left him for his protege Millais (Tom Sturridge) which caused all sort of social drama in Victorian England.

Millais painted both Effie and her sister Sophie and other family members frequently. There's no word on IMDb about who plays "Sophie" or even if she's in the film but is it too much to ask for Elle Fanning in a surprise uncredited appearance?

Keira or Dakota?
Make your case in the comments.

Or did your eyes glaze over at "Emma Thompson"? Yes yes, we know. We were just saying. She's really all that matters in most movie conversations that involve her. Happily she also acts in Effie. Yay!




Thoughts I Had While Reading Harry Potter's "CONSIDER..." 

This Harry Potter and the Deathly Hallows: Part 2 "Consider..." FYC booklet arrived in the mail a couple of days ago so I thought I'd read it with you. Aren't I considerate?!  I can't scan it in as it's too heavy and bound tight to open flat. Expensive paper but then with those billion grosses they've got plenty of money to burn on a campaign.

So here we go...

I wish that you could see Melissa Leo in a fur coat reflected in his lenses!

okay, let's write this thing up. Click to continue if you'd like to read along...  as it's long and photoriffic.

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It's "Action!" for Bond 23 SKYFALL

What a lovely image to wake up to this morning...

Don't you just love clapboards?

Skyfall (aka BOND 23) shooting has begun and here's photographic proof from the official James Bond twitter account @007. Does this mean that Daniel Craig is a liar liar pants on fire since he said at the press conference we live-blogged that they were going to be shooting that very day. Here we are four days later and we see "Day 1". 

...not that movie timelines ever make sense; scene 45 is first!



P.S. Roger Deakins, eh? Bonus points for Bond on that one, he'll look even better than usual. We interviewed Deakins for True Grit earlier this year... and we're still confused that he's never won an Oscar.


Naked Gold Man: Oscar Wears No Watch, But It's All in the Timing

With more and more of the heretofore unseen contenders (Tintin, J Edgar, Young Adult, War Horse, etcetera) beginning to show their goods to tastemakers and balloting voters of various orgs & circles & associations... where to now? Or when to?

Time is a funny thing with Oscar watching. Though the race progresses chronologically in familiar ways each year through its many stages, it's simultaneously a non-linear experience. We're always hopping around in the timeline from the future (What Will Happen on Oscar Nomination Morning? On Oscar Night?) to the past (Statistics, Past Grudges, Happy Memories, The Perennial Subject of "Overdue" and "Momentum" and Over Analysis of Things That Just Happened). Back and forth, back and forth, back and forth. The time we're very rarely in is the present. If we're in the present at all (wrist check: it's 2:19 PM on 11|06|11 as I begin writing this) it's to take immediate stock of our surroundings  and then suddenly we're gone again. We've either instantly reduced the present to how we predict it will affect the future... or we've turned it into validation of our past biases or predictions.

A hypothetical example now. J Edgar reactions* range from reverential but not unqualified raves to respectful with a heavy cloud of "meh" to plain old "wow, it's just not any good!" thumbs down. Which means...


J. EDGAR is... [check whichever box applies in your hypothetical future tenses]

Still in key races. It's a biopic by Eastwood.
⌧  Out of the race but for Best Actor because it's that kind of role and he's that kind of star. 
⎕ Going to bomb with Oscar and the public.  

* no, I don't know why some critics have to obey embargoes and some don't.

That's all hypothetical, understood?!?

ACTOR, ACTRESS, and PICTURE past | present | future after the jump.

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