Doc Corner: 'Allen v. Farrow' & 'Framing Britney Spears'

By Glenn Dunks

How do you go about making a film or a series about celebrity scandal let alone writing a review of those very projects? It’s difficult. It is virtually impossible to not bring one’s own history and baggage to a work like Allen v. Farrow or Framing Britney Spears. And then there are the works themselves, both of which confront subject matters that demand the audience assess—or re-assess—their own thoughts and responses to damaging events in the lives of the rich and famous that played as entertainment for the masses in less enlightened times of media representation.

Arguably the two biggest works of documentary to have arrived in the first quarter of 2021, I actually don’t think either of them really work. They sure are thorny works, though, that push the viewer into murky areas that need to be explored.

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93rd Academy Awards: on the "Makeup and Hair" Nominees

by Nathaniel R

Throughout our "gulp" twenty years of covering the Oscars, no branch has proven more confounding than the Hair and Makeup designers. Like all branches they have weird and glaring blindspots (for some reason despite adoring makeup effects prosthetics they loathe the genre that most commonly deploys them: horror) but many of their rulings have been bizarre (remember how a little CG touchup on Nicole Kidman's prosthetic nose in The Hours disqualified the film in this category but throughout the rest of the Aughts huge CG spectacles were regularly honored?!). They love old age and prosthetic effects makeup regardless of quality, except when they suddenly get fussy about it and don't.  Sometimes they love wigs and other times only the makeup matters, hair be damned. They're tough to get a bead on but it's easier to suss out what might win once they've made their often perplexingly random finalist and nominee calls (Like how was Possessor and its innovative makeup effects not even on the finalist list? Oh, right, Horror film.) 

The nominees are listed in ascending order of how likely we think they are to win the Oscar...

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Linkness

• Vulture Marcia Gay Harden answers all the questions about her awesome Oscar win for Pollock on its 20th anniversary
• MNPP Josh O'Connor to make a queer horror film with Francis Lee (God's Own Country, Ammonite)
• Deadline very interesting (if way too complimentary) report on dubbing films into other languages. Daniel Brühl is among the top actors who dub their own performances into multiple languages rather than letting other actors do it and change the performance. It helps that he's fluent in multiple languages of course. 

More after the jump including Pose, Regé-Jean Page, Killers of the Moon, a new adaptation of Blindness, and recent showbiz deaths...

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93rd Academy Awards: Doc, Doc, who's there? A deep dive into the feature nominees

by Josh Bierman

I’m sure I’m not the only contributor/reader on this site who upon Oscar nomination morning wakes to find they’ve already seen just about every above the line nominee. Or if they haven’t, they come to terms with having to sit through Hillbilly Elegy after managing to avoid it for months. 

This season, like in so many past ones, it’s those below the line nominees that I spent time getting to know after the nomination announcement. I didn't expect to be so far behind on Best Documentary Feature ahead of nomination morning...

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Does Having a Co-Star Nominated in the Same Category Help or Hurt a Frontrunner?

by Christopher James

"Judas and the Black Messiah" became the 19th film to earn two nominations in Best Supporting Actor. Both Lakeith Stanfield (left) and Daniel Kaluuya (right) were nominated.Daniel Kaluuya has won all the major televised awards of the season so far for his tour-de-force performance as Fred Hampton in Judas and the Black Messiah. This should clear an easy path for him in Best Supporting Actor at the Oscars. The one difference: he faces off against co-star Lakeith Stanfield in the same category for the first time this season at the Oscars. Is this a show of confidence in the film, further solidifying his imminent win? Or does this open up the possibility for vote-splitting?

Theoretically, having multiple nominees from a film in a single category should double a film’s chances at winning...

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