93rd Academy Awards: The saga of Best Original Song

By Glenn Dunks

Quick, hum the melody of any of this year’s Best Original Song nominees (except “Husavik”). Hell, recite a single lyric from any of this year’s Best Original Song nominees (except “Husavik”).

Several years ago for The Film Experience, I ranked every winner of the original song category while hypothetically ranking each of that year’s nominees. We struck out with “Writing’s on the Wall”, which instantly became one of the worst winners of this beleaguered and controversial category. I unfortunately do not hold out much hope for this year’s crop of song contenders, only one of which deserves to win and only one of which would rank among the category’s finest winners. No need for suspense: that song is “Husavik”.

But we must and we shall look at this year’s nominees.

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Interview: Colman Domingo on "Ma Rainey's Black Bottom" and his slow burn career

This interview was originally published in an abridged version at Towleroad

a recent image from Colman's instagram

by Nathaniel R

Colman Domingo’s laugh is everything you hope it could be. Big, throaty, warm. It’s probably a little disarming for those who haven’t seen the full estimable range of his work and only know him from one of his tougher roles, like AMC’s zombie series  Fear the Walking Dead.  I first met him off the clock at a bar during the Toronto Film Festival a few years ago. Though I don’t usually approach celebrities in non-work circumstances I risked it if only to express appreciation (actors who’ve always been out of the closet deserve our respect). We ended up chatting over a drink. When I bring this chance meeting up, rather than shrugging off the awkward familiarity Colman begins to laugh. “We sure did!” he says enthusiastically before drifting into a familiar conversation — as so many of us have now — about how much he misses meeting and hugging people in person.

We spoke over Zoom in February, almost a year into the pandemic...

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On the SAG winners: History making but will they prove Oscar & Emmy influential?

by Nathaniel R

Riz Ahmed was one of handful of stars hat operated as inadvertent hosts by having bits of an interview spliced in all throughout the show about their careers and such.

We watched the SAG awards last night with a mix of fascination and relief. Fascination at the winners chosen and relief that the ceremony accepted that it couldn't be a normal one and therefore became merely a swift presentation of wins with acceptance speeches on Zoom. Aside from swift "bits" where famous actors talked about their headshots or the "special skills" on their resumes, it was all just actors talking about the nominated actors and then the winners beaming from their homes on Zoom. It ran just a single hour long...

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Gay Best Friend: Damian in "Mean Girls" (2004)

a series by Christopher James looking at the 'Gay Best Friend' trope  

"She doesn't even go here" - Daniel Franzese steals yet another scene as Damian in "Mean Girls."Everyone remembers their first.

I don’t think Damian from Mean Girls was the first gay character I saw on screen. So many comedies throughout the 90s and early 00s used gay characters as easy punchlines or setup for gay panic jokes. However, Damian was the first time I saw someone who said it was ok to be gay. It would be many years before I myself came out, but Damian always felt like a touchstone to come back to. Damian is arguably the most famous example of the “Gay Best Friend” trope in 21st century movies thus far. He epitomizes the stereotype in both positive and negative ways. What stands out and makes him timeless is the way he takes up space within the school, especially at a time where gay kids often tried to “make it through” or “fade into the background.” If he was going to be a stereotype, by God he was going to let you know that he was the stereotype and you'd better pay attention...

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A brief history of posthumous Oscars

by Cláudio Alves

Before the Oscar nominations were announced, some pundits predicted as many as four posthumous nominations. Obviously, there's Chadwick's Boseman's Best Actor bid for Ma Rainey's Black Bottom. His feverish take on August Wilson's Levee was indeed nominated and, at this point in the awards season, feels bound for victory. The other potential posthumous honors, those that didn't effectively happen, were Jack Fincher (Mank) in Best Original Screenplay, Chadwick Boseman again in Supporting Actor (Da 5 Bloods), and Michael Wolf Snyder (Nomadland) in Best Sound. With that in mind, it's easy to wonder how common it is for AMPAS to honor artists who have already passed.

For trivia purposes, here's a list of all posthumous Oscar nominations divided by category. Only competitive prizes were included, so no honorary awards...

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