How Timothée’s Elio Changed Me

by Juan Carlos Ojano

Oscar nominee and Twitter boyfriend Timothée Chalamet celebrates his 25th birthday today. With a film career that spans less than a decade, Chalamet already made a huge cultural mark by becoming the youngest Best Actor nominee since 1939 for his work in 2017’s Call Me by Your Name. Adapted from the novel by André Aciman, the film tells the story of the romance between Elio (Chalamet) and Oliver (Armie Hammer) in the summer of 1983 in northern Italy. While Chalamet has continued to do interesting work, he has yet to match the widespread critical acclaim that he earned for this performance. 

It is then just apt for me to celebrate his birthday by recounting the very precious moment of being introduced to him by watching Call Me by Your Name for the first time and its profound impact on me. This is going to be some candid storytelling so fasten your seatbelts...

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Showbiz History: Traffic, Show Boat, and Gérard Depardieu

7 random things that happened on this day, December 27th, in showbiz history

1927 Jerome Kern and Oscar Hammerstein's "Show Boat" opens on Broadway. It will utterly change the musical artform linking plot and characters and song in a way that had never been done. Plus it has truly amazing songs. Here's a good 5 minute overview of how revolutionary it was. It's had three film versions but honestly it seems ripe for a remake given today's much more evolved takes on race relations and appropriate casting processes. In short Hollywood is always remaking the wrong projects and ignoring famous but non-definitively made titles that are perfect for redos...

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Review: Wonder Woman 1984

By Lynn Lee

Heading into this strange winter holiday season, Wonder Woman 1984 faces a daunting double challenge even for one of the world’s most iconic superheroes.  First, as a movie, does it live up to the widely acclaimed first Wonder Woman?  Second, will its performance – by whatever metrics apply in COVID times – justify Warner Bros’ decision to release the movie simultaneously in theaters and on its newly controversial streaming platform HBOMax?

The jury’s still out on the second question, but the answer to the first, alas, is no.  Wonder Woman 1984 is a mess.  Despite that fact, it’s also surprisingly enjoyable, due to the charisma of its cast and residual goodwill from its 2017 predecessor.  But as the movie that may shape the future not only of the Wonder Woman franchise but of movies as we know them, it’s a worryingly slender reed to bear such pressure...

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Year in Review: 20 Style Icons of the Screen

by Cláudio Alves

We Are Little Zombies

A with last year, I'm merging two of my dearest personal obsessions, costume design and the madness of list-making, for year's end. From colorful comic book inspired styles to detailed period fashions, 2020 was rich with interesting sartorial choices in both film and TV. To celebrate, here are some of the best-dressed characters from fiction and real-life. Even if this has been an annus horribilis like no other, there's still plenty to admire from the world of entertainment. Because it's 2020, there are 20 entries. One may think there would be a dearth of options to fill so many positions, but nothing could be further from the truth. In fact, here are some that didn't quite make the cut before we that list of 20...

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Oscar Chart Updates: Production Design and Film Editing

We've been discussing each Oscar chart this past week or so so let's finish up the visuals with Production Design and Film Editing.

PRODUCTION DESIGN
Beyond Mank, which features Oscar nominees Donald Graham Burt and Jan Pascale recreating Classic Hollywood this field remains something of an 'anything is possible' mystery. Best Picture heat often helps in the 'below-the-line' categories. But, even acknowledging that fact, many of the hottest Best Picture contenders like Ma Rainey's Black Bottom, One Night in Miami, Minari, and Nomadland, have by their very intimate story natures, not a lot of visible art direction happening. It's not that they aren't beautifully designed but you know how at the Oscars it's pretty standard that "MOST = BEST"...

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