Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
DON'T MISS THIS

Conjuring Last Rites - Review 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe
Wednesday
Feb172021

Showbiz History: The Help, Madame Butterfly, and the first superhero comic?

7 random things that happened on this day, February 17th, in showbiz history...

1904 Puccini's beloved opera Madame Butterfly premieres in Italy in what was essentially rough draft form. After audiences booed, he revamped it for four months and the streamlined version became a global success. The opera was based on the play by David Belasco. The story has made it to the big screen six times beginning with the silent film era. Two of the subsequent films were versions of the opera itself, one a Japanese film in 1954 and the other a French film in 1995. Have you seen any film version of this or the opera itself?

1936 The daily newspaper comic strip The Phantom launches (and is still running if you can believe it) essentially giving rise to the superhero genre...

Click to read more ...

Tuesday
Feb162021

Martin Scorsese on Fellini and the devaluing of movies as "content"

If you want your love for cinema reenergized you'll want to head to Harpers to read Martin Scorsese's wonderful essay on Federico Fellini and his 1960s heyday and artistic influence. Though much of the essay is a love letter to cinema and Fellini himself (and I Vitelloni, La Dolce Vita, and 8½ in particular) Scorsese also sticks his neck out again to comment on today's cinematic landscape. He always runs into trouble when he does this because people are so quick to misinterpret or take notions out of context or dismiss artistic concerns as "get off my lawn!" generational warfare. But art is for everyone of all ages and it's important and we should always rise up in its defense. That's not being 'out of touch,' that's simply caring about something deeply!

Take this bit for example, in which he discusses streaming culture and the way it devalues movies as "content" a business term, no longer an artistic one...

Click to read more ...

Tuesday
Feb162021

Streaming Revisit: Pauline Collins in "Shirley Valentine"

by Baby Clyde

These days Driving Miss Daisy’s multiple wins for the 1989 film year are seen as a low point in Oscar history. Not only that the film itself is often criticised for its naïve take on race relations, but especially because 32 years later movie goddess Michelle Pfeiffer is still without a Best Actress award. Whilst no one critizes Jessica Tandy’s performance the win is viewed as a career award for someone who’s film career didn’t warrant one. Combine this with Pfeiffer losing for what is probably her most legendary part and no one’s happy. Especially me as I don’t sign up to either of those interpretations!

In my eyes there is only one possible winner in this contentious race...

Click to read more ...

Tuesday
Feb162021

Review: Judas and the Black Messiah

by Lynn Lee

The flame that burns twice as bright burns half as long.  That isn’t Fred Hampton’s epitaph, but it could well be.  Only in his case, it wasn’t even half – more like a quarter.  At the age of 21, Hampton was already one of the brightest lights in the Black Panther Party when he was assassinated in his own home by the Chicago police, with help from the FBI, in 1969.  The most tragic aspect of his premature demise wasn’t that he was just getting started; it was that he had accomplished so much in such a short time and gave every indication he could have done so much more had he lived.  The second most tragic aspect was the identity of his betrayer: an African American FBI informant who had embedded himself in Hampton’s inner circle.

Both of these aspects get their due in Judas and the Black Messiah, the first non-documentary film to focus on Hampton and the man (and Man) who brought him down...

Click to read more ...

Tuesday
Feb162021

WGA Nominations -- Good news for late breaking streaming titles

by Nathaniel R

The White Tiger is a surprise nominee at the WGA

The Writers Guild of America will have their awards ceremony on March 21st, 2021 but today they announced their nominations.  It's always a bit tricky to look at this in the context of the Oscars since the eligibility rules are different. Though the WGA also extended their eligibilty period to match with Oscar (as you'll see given a couple of their nominees), several key films each year are not eligible. You can't be nominated for a WGA unleses you're already a member of their guild; in other words at the WGA you'd never get a situation like, say, you had with Parasite winning the SAG Award. Furthermore animated films are not eligible for this prize but are obviously eligible at the Oscars; Shrek was nominated and Pixar has had 7 nominees: Toy Story, Finding Nemo, The Incredibles, Ratatouille, WALL•E, Up, and Toy Story 3)

The nominees and Oscar related commentary is after the jump...

Click to read more ...