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Friday
Jan152021

The Oscar for International Feature has temporary rule changes!

This just in, courtesy of Scott Feinberg at The Hollywood Reporter, the rules are changing for this specific Oscar year in terms of the Best International Feature Race. While members are still required to watch a certain number of the nominees in order to vote in the first round as in past years, this year that number is 12, anyone in the Academy can do it which is a change from past years where you had to be part of specific volunteer committees. The concerning part is that the Executive Committee aren't doing their three film "save" this year. Usually they choose 3 of the 10 finalists. We know that process has drastically improved the quality of the nominees; the proof is in the pudding and the nominated shortlists have been delicious ever since. This year instead of the Executive Committee save, they're merely expanding the finalist list so the top 15 vote getting films will advance to the finals (yes, we'll update the prediction chart tomorrow to reflect this) from which the 5 nominees will be chosen.

The Executive Committee is expected to return to their "save" duties next year. Though judging on THR's intel it sounds like the change from 10 to 15 finalists will be permanent so how many of those the EC will be able to pick for 2021/2022 ... who knows?  

Interesting or scary? A little of both. We love the idea of 15 finalists (that's how many documentary gets and we like symmetry) but no executive committee worries us. What do you make of this decision? Sound off in the comments. And make sure to check out our plentiful coverage on this race including the Oscar submission charts, the list of where to see the films, looks at the directors who made them, and note the familiar actors who are starring in them. More reviews and a few interviews are coming soon.

Friday
Jan152021

everyone's a critic

Friday
Jan152021

Showbiz History: Regina King, Happy Days, and Meryl's sixth Globe win

6 random things that happened on this day, January 15th, in showbiz history

1948 This date is iffy (the internet can't seem to agree) but some say John Huston's classic The Treasure of Sierra Madre had its premiere in Los Angeles. At any rate, factually, it came out in sometime in January. A year later it will be up for four Oscars including Best Picture and win Best Supporting Actor for Walter Huston, the director's father. Later Huston will direct his daughter Anjelica to an Oscar win for Prizzi's Honor making him the only person in Oscar history to direct two family members to Oscars. The Hustons were the first three-generation Oscar winning family. The Coppolas followed later...

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Thursday
Jan142021

On Soderberg, Experimenting...

by Eric Blume

We've discussed Let Them All Talk a few times, but mostly in the ccontext of Meryl Streep. In honor of director Steven Soderbergh's birthday, I'd like to root for this weird little movie currently streaming on HBOMax.

Before the film came out, a friend of mine texted and said, "I feel like Soderbergh doesn't even make movies anymore...he just does experiments."  And that feels true.  Several years ago now, Soderbergh toyed with retiring, saying something along the lines of if he had to shoot one more over-the-shoulder shot, he was going to kill himself.  (I'm paraphrasing, relax.) While that may sound a bit pretentious, it also makes sense...

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Thursday
Jan142021

Review: One Night in Miami

by Matt St Clair

Regina King’s directorial debut One Night in Miami is a wonderful departure from the traditional biopic formula. Instead of focusing on key events from the lives of the famous, One Night in Miami  gives us a fictionalized, night-long conversation four iconic men might have been having at that exact moment in history. The titular night is February 25th, 1964, just after Cassius Clay’s boxing match with Sonny Liston and just before the famous athlete changed his name to Muhammad Ali.   

Malcolm X (Kingsley Ben-Adir), Cassius Clay (Eli Goree), musician Sam Cooke (Leslie Odom Jr.), and former NFL player Jim Brown (Aldis Hodge) gather together in a motel room to discuss the weight they carry as celebrities to help create social change through the Civil Rights Movement. Thanks to the lead actors, along with genius writing by Kemp Powers who adapted his own  play for the screen, we’re able to get a glimpse of the real people behind the iconic personas...

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