"Anatomy of a Fall" wins big at the Césars

by Nathaniel R

the great Juliette Binoche announcing Best Actress at the César Awards on Feb 23, 2024 in Paris

This has not been an awards season full of surprises. The expected winners just keep on winning whether we're talking awards bodies in the US, UK, or France. The 49th annual César Awards took place Friday in Paris with the expected winner, Justine Triet's Anatomy of a Fall, taking home six prizes. The nomination leader, Thomas Cailley's mutant adventure The Animal Kingdom also won multiple prizes with five statues in total... all for craft awards.  As expected the stupidly maligned but brilliant Oscar submission The Taste of Things was shut out from any wins after a paltry nomination showing.

The winners of each category and a few comments after the jump... 

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Berlinale #7: France is the big winner at Berlin

By Elisa Giudici

Mati Diop and Lupita Nyong'o at the awards ceremony © Ali Ghandtschi / Berlinale 2024

There was a clear standout at the 74th annual Berlinale: French cinema. Given the competition lineup, France secured all three podium positions one way or another. Let's start with the Golden Bear, naturally. The jury, led by Oscar-winning actress Lupita Nyong'o, crowned a new documentary by French-Senegalese director Mati Diop (of Atlantics fame) as the winner. It's a double win for French cinema: not only is Diop a French citizen, but she's also a product of the Cannes Film Festival, a source of national pride.

Her winning documentary, Dahomey, is a low-budget project that might have struggled in the bright spotlight at Cannes... 

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39th Spirit Awards: My Personal Ballot

by Cláudio Alves

The Film Independent Spirit Awards are almost here! While one waits away the hours before the ceremony starts retrieving a tradition from the Film Experience past feels like a good idea. So, here goes my ballot as a Spirit Awards voter, but only in the film categories since I'm much more unsure in the TV categories – evaluating only from submitted episodes of shows I don't watch feels tricky, especially when it doesn't look like folks submitted their best option. Even in film, many of the nominees were unfamiliar to me, making the voting process an experience marked by discovery. 

There were a lot of beautiful surprises, resulting in a varied ballot. At least, I hope it reads that way, though my absolute favorite contender is easy to suss out…

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Berlinale #6: Kirsten Stewart in "Love Lies Bleeding"

by Elisa Giudici

LOVE LIES BLEEDING © Anna Kooris

A young woman hitchhikes along the edge of an American road, wearing shorts, a T-shirt, and carrying a backpack with her belongings. Jackie or Nomi? It's just one of the passages in Love Lies Bleeding that brings to mind Paul Verhoeven's Showgirls. The two films have a lot in common, starting with a rare attitude in American cinema: looking at an "unpresentable" American reality from within, while completely abstaining from any kind of judgment, morality, or dramatic commentary. Other similarities include the dream of the Vegas show (Jackie wants to participate in a bodybuilding competition) and a constant male presence as a judge and dangerous force. Director Rose Glass demonstrates the same ability as Verhoeven to make such bold and decisive choices, with a certain taste for the quip, that the film will inevitably be divisive.

With this introduction, I don't mean to say that Love Lies Bleeding is looking to reference Showgirls...

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Review: "About Dry Grasses" has a Novelistic Scope

by Nick Taylor

Are you, like the rest of us here at The Film Experience, furiously racing to catch up with some of last year’s most celebrated films before March 10th? Depending on where you live, there’s another certified banger making its way across the US and Canada this weekend. Nuri Bilge Ceylan’s About Dry Grasses likely made its biggest headlines out of Cannes for Merve Dizdar’s semi-surprising Best Actress prize against more internationally recognizable competition like the May December gals and newly Oscar-nominated Sandra Hüller. If you can believe it, Dizdar’s win is wholly deserving, and the film itself is remarkable…

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