Berlinale #5: Four bizarre films

by Elisa Giudici

L'EMPIRE © Tessalit Productions

If I think about the typical film competing at Berlin, I imagine something quite dramatic, decidedly political, and sometimes rather heavy. This edition of the Berlinale has added the adjective "bizarre" to this profile of mine. Here are four films seen in these hours that deserve this adjective.

L’EMPIRE by Bruno Dumont
Let me preface this one: Dumont and I just don't see eye to eye. He might be the only French director whose work I can't seem to appreciate, despite my overall fondness for French cinema. Given this history and a rather late screening on a very heavy day, the recipe for disaster was served. However, one positive thing about L’Empire I can say: in hindsight, it made me reassess his previous film, France, which I saw at Cannes and detested...

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A Very French Scandal

by Cláudio Alves

The César Awards ceremony happens tomorrow, with Anatomy of a Fall poised for a sweep befitting its status as an Oscar darling. For some, its victory will taste like justice after what many have decried as a scandalous snub. After all, despite its acclaim, Justine Triet's film wasn't selected to represent France in the Best International Film race. Instead, the selection committee went with Trần Anh Hùng's The Taste of Things, which competed against Anatomy in Cannes, losing the Palme d'Or but nabbing the Best Director prize. The decision generated much press, with people decrying it as undue punishment toward Triet, who criticized Emmanuel Macron's government in her Palme acceptance speech.

However, this perceived indignity has led to its own backlash. Hùng's film has been belittled nonstop, including by Triet on social media. It all culminated with the César nominations, where France's Oscar submission got three "below-the-line" nominations and nothing else…

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Drag Race RuCap: “The Sound of Rusic”

Nick Taylor and Cláudio Alves are following and recapping RuPaul’s Drag Race season sixteen. This week, they’re joined by extra special guest Nathaniel Rogers…

THE SOUND OF MUSIC sure looks... different.

NATHANIEL: I’d love to waltz into the werq room in a stylish gown with a big soundbite but the truth is I’m sick so I’m bundled up in bed and preserving my voice. But [whisper voice] heyyyguirls. Excited to talk about these queens and this challenge. As a proud musical theater queen (sorry not sorry Dawn) I was excited for “The Sound of Rusic”. That said the Rusicals aren’t really the musical theater challenge people make them out to be. The Rusicals owe way more spiritually to Carol Burnett’s classic Gone With the Wind curtain dress sketch than musical theater...

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Did She Do It?

by Cláudio Alves

Between Messi charming his way through the Nominees Luncheon and last Sunday's BAFTA victory in Best Original Screenplay, Anatomy of a Fall is entering the Oscar voting period with an upswing of exposure and widespread love. Justine Triet's Palme d'Or champion has proven a beguiling mystery, sustained by a performance that leaves the viewer drowning in ambiguity. According to Sandra Hüller, she was directed to play a writer accused of murdering her husband as if she were innocent, but the film never discloses whether Sandra did it or not.

Indeed, when perusing reviews, online reactions, or just conversations between cinephiles, nobody seems to agree. Some find it evident that she's guilty, while others believe there's no way her husband's death was murder…

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BAFTA only has eyes for "Oppenheimer, "Poor Things," and "The Zone of Interest"

by Nathaniel R

The Great Samantha Morton receives a BAFTA Fellowship

The last chance for "upsets" this awards season, is SAG next weekend. The BAFTAs came and went with the usual suspects taking just the prizes you'd expect them, too. Which is not to say there weren't any arguable surprises... albeit in lower profile categories. A complete list of winners and nominees are after the jump...

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