Drag Race RuCap: “Rate-a-Queen”

Paraphrasing Alyssa Edwards, the RuCaps are back back back back back again. For the next few months, Nick Taylor and Cláudio Alves will be following RuPaul’s Drag Race season sixteen…

Since Queen Bey won't do it, Sapphira Cristál provides her own RENAISSANCE visuals.

NICK: Okay, let me just say this to the readers right off the bat: These will not be as lengthy as they were last year, god willing. This is a challenge, a plea, a threat made to us, by us, for us. We are back, and we promise that no matter how long it takes us to finish, we’re gonna go over these episodes with so much depth, such thoroughness, that your heads will spin off your fucking necks. At least the split premiere means we don’t have to jump out of the gate evaluating fifteen queens. I for one enjoyed meeting half of this season’s contestants, all of whom seem entertaining and eager to be there. What did you think of season 16’s debut?

CLÁUDIO: First of all, I make no such promises cum threats. I know us and our propensity for verbal diarrhea so that just seems like an invitation for disappointment. We’re two size queens at heart, and we might as well accept it…

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321 Features vie for Oscars, but only 266 for Best Picture

by Cláudio Alves

Though a likely Best Visual Effects nominee, THE CREATOR is ineligible in the Best Picture race.

While we're still recovering from last night's Golden Globes (yay, Lily Gladstone!), the Academy has released its final eligibility lists pertaining to most categories outside the music, shorts, and specialized feature ones. Overall, 321 films will vie for Hollywood's little golden men. However, only 266 can compete for the Best Picture honor, a first in Oscar history. Such productions as Godland, Mami Wata, The Creator, The Marvels, and the new Ant-Man movie are out of the running. This year marks the start of RAISE - Academy Representation and Inclusion Standards – to whom films must submit a confidential form to guarantee Best Picture eligibility…

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Memorable Moments and Oscar Takeways from this year's Golden Globes

by Nathaniel R

Oppenheimer emerges as the big winner at the Globes (Photo by Rich Polk via Getty Images)

If you’re looking for a complete list of winners, that’s at the end of this post! 

Hello readers. Though I have been largely absent from writing, I am still me, therefore love movies and watch awards shows. The hilarious thing about my “notes” from awards shows (and also movies come to think of it) is that I always get so caught up in them that the notes ultimately end long before they should. The better the thing… the sooner the notes trail off! So herewith 8 expanded notes from the Globes, inspired by mostly indecipherable scribbles, and probably weighted towards earlier moments in the show...

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Weekend Awards Wrap-Up: Just Before the Globes

by Cláudio Alves

Da'Vine Joy Randolph won the Big Four critics awards. Nothing can stop her now!

Hours away from the Golden Globes, it's time to consider the past two weeks of winners, runners-up, and the whole shebang. The new year started with a golden tsunami, as Randolph consolidated her favorite status even more than before, and Past Lives staked its claim as one of the season's major contenders. The NSFC was more conventional than expected, while the Astras were their usual self, regional critics groups did their thing, and the Alliance of Women Journalists continued to prove its un-seriousness. Also, a potentially fake critics group is making some noise.

Though the Oscar nominations are just a few weeks away, the season is far from over. If anything, the race is just now heating up…

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Doc Corner: Wiseman and McQueen's duelling 4-hour epics

By Glenn Charlie Dunks

Like any sane and rational person, I devoted eight precious hours of my festive season to watching the two (yes, two) four-hour documentaries that have been offered up by famous directors. Length notwithstanding, the very idea of new films by Frederick Wiseman and Steve McQueen should be hard to pass up most of the time and so we have Menus Plaisirs – Les Troisgros and Occupied City, two very different movies that use their epic lengths to differing effect. Some better than others.

Although Wiseman’s familiarity with such a runtime makes his film the perhaps more naturally more successful, McQueen at least has enough ideas to make his latest work of non-fiction to (somewhat) keep up with the pace set by the chefs of three supreme eateries in France. Although it becomes quite clear that length, in this case, is not equal.

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