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Friday
Nov062020

Vintage '87 (and what would have been nominated in an expanded Best Picture list?)

The Supporting Actress Smackdown of 1987 is two weeks away so get your votes in! We've already had a lot of fun revisiting 1987 films but before we get to the main event let's get some general context of that year in showbiz history. Ready? 

Great Big Box Office Hits:
The comedy Three Men and a Baby, the erotic thriller Fatal Attraction, and the Eddie Murphy action comedy sequel Beverly Hills Cop II, and the Robin Williams vehicle Good Morning Vietnam were easily the four biggest hits of the year, box-office wise. The enduringly popular Moonstruck wasn't quite in their league in tickets sold back then but still very popular, rounding out the top five. The other top ten hits of that year were the acclaimed mobs vs feds costume drama The Untouchables, the now arguably forgotten comedies The Secret of My Success and Stakeout, and the buddy action movie Lethal Weapon (which spawned a franchise). 

The competition for #10 was down to just a $320,000 dollar difference with best-seller all-star adaptation The Witches of Eastwick just barely beating out teen favourite Dirty Dancing. But back in the 1980s adults actually went to the movies a lot rather than only obsessing over "peak TV"...

Oscar's Best Picture Nominees: Of those 11 box office smashes of '87, Oscar cherry picked Moonstruck (6 nominations) and Fatal Attraction (6 nominations) as the cream of the crop and included them in the Best Picture race (correct choices).The beloved Broadcast News (7 nominations) and the costume drama historical epic The Last Emperor (9 nominations) were also popular with Oscar voters (and ticket buyers, too, it should be noted)...

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Friday
Nov062020

Ethan Hawke at 50: An Appreciation

by Lynn Lee

If I had to pick one actor who most perfectly embodies the spirit of Generation X, the choice would be a no-brainer.  With all due respect to other 40 and 50something stars (Leo, Brad, Johnny, Keanu) or dead icons (River, Heath) in his peer group, it could never be anyone other than Ethan Hawke.  Not because—or not only because—of Reality Bites, which made him the poster child for cynical, disaffected (but secretly vulnerable) Gen X slackers everywhere.  Rather because his career exemplifies the quiet independence and under-the-radar achievements of that not-quite-lost, but certainly liminal, generation.  He’s been working steadily since his debut, at the age of 14, in Explorers (1985), yet like any good Gen Xer, has successfully eluded easy characterization.  He reaches the half century mark today having assembled one of the most intriguing and eclectic bodies of work of any currently living actor... 

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Friday
Nov062020

Tweetweek: Voting, Holidate, and sick co-star burns

Curated by Nathaniel R

Since there's no avoiding politics at the moment, we give in for this twitter roundup but we keep it as movie-related as possible...

Every four years but great joke ;)

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Thursday
Nov052020

1987: The Untouchable Sean Connery, a look at the late actor's Oscar-winning performance

by Josh Bierman

When I heard about our 1987 retrospective I wanted to choose a film that I had never seen. I’ve been striving to cover blindspots in my film viewing history since the start of quarantine. I looked at the list of movies released in that year and when I saw The Untouchables the choice became obvious. At my home film festival, Cinema Quarantino, I’ve fallen in love with Kevin Costner as if it was 1991. I’ve also been really drawn to the films of Brian De Palma. All of that fell by the wayside when I woke up on Saturday morning to the news of Sean Connery’s passing

We’re all friends here, so please don’t judge when I say in keeping with the theme of having serious blind spots, the only other Sean Connery movie I’d seen is Murder on the Orient Express. Connery released his last studio film just as I was becoming obsessed with movies around the age of ten, so he wasn’t someone who was on my radar. I mainly associated Connery with Darrell Hammond’s inimitable SNL impersonation on Celebrity Jeopardy as well as his later career interviews (we’d be remiss to forget his one worded declaration of the Best Supporting Actress winner of 2002, we know Kathy Bates hasn’t). As if I wasn’t eager enough to watch it already, I welcomed the opportunity to not only watch a bit of Connery’s filmography, but the movie that won him his Academy Award...

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Thursday
Nov052020

Doc Corner: Experiments within reality as Glenn sits on DOKLeipzig's FIPRESCI Jury

By Glenn Dunks

In October, I had the pleasure of being on my first virtual FIPRESCI jury. The International Federation of Film Critics is an organisation that has allowed me to visit and judge both the San Francisco and Stockholm festivals in the past. Since moving back home to Australia it’s has become much harder to do. Still, I wouldn’t have been able to attend DOK Leipzig in Germany for a multitude of reasons this year even without a global pandemic halting international travel. But I was able to attend this doc and animation festival from the relative comfort of my couch! 

My fellow jurors were Yun-hua Chen (critic and film academy member from Germany) and Hrovje Puksek (programmer for the Festival of Tolerance in Zagreb in Croatia). We each watched 12 films from the international competition before landing on our winner: Darío Doria's Vicenta of Argentina.

Our statement...

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