Horror Costuming: Us

by Cláudio Alves

Many a great horror movie gained its place of honor in film culture partly due to its images of evil. There's Hannibal Lecter muzzled like a mad dog, Leatherface in a taxidermized mask, Dracula's sharp tuxedo, and other such sartorial miracles of materialized malevolence. Jordan Peele's Us adds another unforgettable sight to this gallery of rogues. With their red jumpsuits and golden shears, the Tethered are one of cinema's newest and most complex monstrosities, as memorable as they are frightening…

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Review: Sofia Coppola's "On the Rocks"

By Lynn Lee

What happens to a poor little rich girl when she grows up?

That question has fueled Sofia Coppola’s career, both to her benefit and to her dismissal by those who find her voice out of tune with the times.  I’m not one of the latter, so I sometimes feel oddly defensive about enjoying her films.  Although she’s far from the only writer or director to focus on the interior lives of wealthy white people, there’s something about her work that provokes a particularly insidious disdain in a way that Downton Abbey or Wes Anderson, say, does not.  Gender is an obvious factor in that difference, plus the shadow of her father and the advantages she’s assumed to have derived from him, as well as the limitations on her perspective of her own privilege.  Impatient viewers chafe at her characters’ seeming lack of chafing or rattling of the bars of their gilded cages, which Coppola presents less like cages than delicately tinted soap bubbles, their inhabitants’ discontents and subversions more often internalized than explicitly articulated.

Coppola’s latest feature, On the Rocks, plays in many ways like a wryly self-aware response to her critics...

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20:20 (Pt 1) Prodigious Bribes, Wonky Spells, Silent Judgment

Thirteen years ago (gulp) we launched a series called 20:07 which was immediately popular and imitated around the web (back when everyone had blogs, natch). In the series we froze a movie at just that spot, a punny play on time stamps vs the year we were living through. Occassionally we revisited the series with a different timestamp in other years due to our ongoing fetish for freezeframing movies at random. But we haven't done it in forevs. So since half the internet believes that, like, 'no movies came out in 2020' let's revisit 2020 releases that happen to already be streaming and freeze them at 20:20* just because. If you enjoy or if it piques your interest, we'll keep going for a whole 2020 release library ;).  The movies were chosen at random. How many of these 11 pictures have you seen? (We're going to have to start bingeing 2020 releases ourselves in order to catch up in time for the Film Bitch Awards. This will be the first year where those awards don't exactly line up with the Oscars, eligibility wise, since we want to stick to calendar year since that's what we've always done. 

* timestamp is not exact. DVD counters were exact but streaming tends to be difficult to read exact time stamps due to backwards counting on some sites, the lack of frame by frame ability, time stamps disappearing with pausing, pre-movie ads, and the like depending on the service, so these are "approximations". 

Always wondered what Grandma kept in those locked closets. Turns out it was full of medicinal herbs and elixirs and old books about ancient healing.

THE WITCHES (Robert Zemeckis, US) 
Warner Bros. Original release date: Oct 22nd. Streaming on HBO Max

I was such a fan of the 1990 version and Anjelica Huston's amazing performance as the Grand High Witch that I haven't yet had the heart to watch this remake despite sturdy Octavia Spencer not to mention Anne Hathaway camping it up. Have any of you watched this yet? 

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Showbiz History: Gunfight at the OK Corral, The Terminator, and Bond

Five random things that happened on this day (October 26th) in history...

1881 The Gunfight at the OK Corral lasted just 30 seconds on this day but it's been immortal since via the movies and television where it's been depicted dozens of times, most famously in Gunfight at the OK Corral (1957) and Tombstone (1993).

1931 Eugene O'Neill's Mourning Becomes Electra opens on Broadway starring Alice Brady (who will win an Oscar later that decade for In Old Chicago). But it takes 16 years for a film version to premiere which disappoints but nabs an Oscar nomination and a Golden Globe Drama win for Rosalind Russell...

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Borat's return in "Subsequent Moviefilm"

by Eric Blume

Borat Subsequent Moviefilm, the sequel to Sacha Baron Cohen's 2006 smash hit, has arrived on Amazon, and just within the first days of its arrival, the film has the country buzzing on whether or not Rudy Guiliani thought he was going to get laid by a teenager, plus registered a hateful tweet from Trump (and a hilarious comeback from Cohen to Trump).  When is the last time a movie provoked that kind of high-level anxiety?

The original Borat movie was revelatory at the time, an extension of the mockumentary style we'd seen since the Spinal Tap days, but roping in the clueless general populace to create a brutal takedown on American stupidity, racism, and sexism.  But the approach from the Borat creative team felt fresh...

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