Emmy Review: Guest Actress in a Drama

By Juan Carlos Ojano

For the last three years, The Handmaid’s Tale has dominated this category with wins for Alexis Bledel (2017), Samira Wiley (2018), and Cherry Jones (2019). This year, Bledel is poised for a victory lap in this category after competing in Supporting last season. Last year’s winner Jones is also back, but for a different show. She even pulled off a surprise win last year over Phylicia Rashad, who reappears in this category. Aside from Jones, Succession gets another nomination for Harriet Walter. Meanwhile, category mainstays Cox and Tyson are in for the fourth and fifth time, respectively, for their characters in their final seasons (though neither has won for these roles).

Let’s consider each nominee...

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The beauty of Emmanuel Lubezki's cinema

by Cláudio Alves

Before saying goodbye to our celebration of 2005, we must finish our look back at that year's Best Cinematography nominees. First up, we talked about the chromatic madness of Dion Beebe. Then, there were Rodrigo Prieto's cinematic elegance, the steely coldness of Wally Pfister's movies, and Robert Elswit's wide-angled wonders. Finally, we arrive at Emmanuel Lubezki, one of the past decades' most influential directors of photography. His free-flying camera movements, the masterful of natural lighting, and control of color are beyond description, so great is their beauty. No wonder AMPAS has fallen in love with the cinema of Emmanuel Lubezki, giving him eight nominations overall and three consecutive wins…

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Smackdown '05: Amy, Catherine, Frances, Michelle, and Rachel Weisz

The Supporting Actress Smackdown series picks an Oscar vintage -- 2005 this time -- and explores. 

THE NOMINEES 
A pregnant meercat obsessive, a gaslit housewife, a reckless activist, a tough union rep, and the perceptive companion to a famous writer.  For the Best Supporting Actress slate of 2005, the Academy went with two then fresh faces (Amy Adams in Junebug, Michelle Williams in Brokeback Mountain), and one mid-career actress stepping up her game (Rachel Weisz in The Constant Gardener). They filled out the remainder of the field with familiar players, an Oscar regular (Frances McDormand in North Country) and a previous nominee (Catherine Keener in Capote)

THE PANEL  
Here to discuss these actresses and films of 2005 are from left to right: cinephile and actress obsessive Ali Benzekri, Los Angeles Times' Justin Chang, Awards Daily's Joey Moser, the actress Kerry O'Malley (Snowpiercer, Boardwalk Empire, Strange Angel) and your host at the The Film Experience, Nathaniel R. Let's begin...

2005
SUPPORTING ACTRESS SMACKDOWN + PODCAST  
The companion podcast can be downloaded at the bottom of this article or by visiting the iTunes page...

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Emmy Review: Guest Actor in a Drama

By Juan Carlos Ojano

While the Comedy Guest categories are exciting, the Drama Guest categories are just hard to decipher. Last year’s winner, Bradley Whitford for The Handmaid’s Tale, was bumped up to regular supporting (and is actually nominated there). Meanwhile, none of his co-stars submitted in this category made it. Only two of the nominees are from Drama Series contenders and one of them was a surprise inclusion. One nominee is already on his fourth consecutive nomination playing the same role in the same series. Another nominee is actually a giving a lead performance. 

With no obvious frontrunner in sight, let’s consider each nominee...

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2005: America Ferrera in "The Sisterhood of the Traveling Pants"

by Nick Taylor

We all know the story of The Sisterhood of the Traveling Pants. Four 16-year-old Maryland girls who’ve been friends since birth - Lena Kaligaris (Alexis Bledel), Bridget Vreeland (Blake Lively), Carmen Lowell (America Ferrera), and Tabitha “Tibby” Rollins (Amber Tamblyn) - are about to spend their first ever summer apart. The day before they set out on their separate journeys, they find a pair of jeans that somehow (magically?) fits each of them perfectly. They vow to share the pants the whole summer, each wearing them for a week before mailing them off to the next sister. What surprised me is that the movie did not structure itself around said paints but spent time with all four girls regardless of who had them. To paraphrase one of Carmen’s last lines, the pants aren’t so much a character in Sisterhood but a witness to some of its events. Maybe you think it’s a little iffy to categorize them as supporting, maybe you think the structure giving each one their own plot and weaving them all together at the end allows for it. What’s not up for debate, at least for me, is that America Ferrera’s performance as Carmen is the undeniable highlight of the whole film.

There are a few reasons outside of Ferrera’s performance why I think Carmen’s section of Sisterhood is the strongest...

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