Emmy Review: Drama Series

By Abe Friedtanzer

Will HBO or Netflix reign on Emmy night?

This year’s Best Drama slate includes seven past nominees and one freshman series. There are heavy hitters but also major omissions like Big Little Lies, The Morning Show, and This Is Us in favor of shows that didn’t consistently show up across categories. To me, Succession, which I’m predicting will win lead actor, supporting actress, guest actress, and writing, seems like the safe frontrunner, like Game of Thrones was last year. But are we missing another show that could win it instead? 

I’ll try to avoid major plot details in my analysis – but if you’d like more spoiler-filled descriptions, click on the episode titles. Let’s consider each nominee…

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1938: Judy Garland in "Love Finds Andy Hardy"

by Nick Taylor

Love Finds Andy Hardy is the fifth of sixteen films made about the life of its titular character, and one of three Andy Hardy films released in 1938. It's also first of threeto feature Judy Garland as Betsy Booth, the shy out-of-towner girl nursing a crush on Andy. This marks the first Andy Hardy movie I’ve seen, and given my severe allergy to Mickey Rooney I might leave it here for now. That being said, my dislike of Rooney pales in comparison to my adoration of Garland's lovely, roseate performance. 

Our story begins in early December. Andy Hardy (Mickey Rooney) has just learned from his girlfriend Polly Benedict (Ann Rutherford) that she’ll be visiting family for Christmas, meaning she won’t be able to attend the town’s dance. Andy is distraught, but an unexpected opportunity arises when his friend Beezy asks him to date his girlfriend Cynthia (Lana Turner) for a few weeks. He doesn’t want some other guy making the moves on his girl while he’s gone...

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YNMS: Dune (2020)

by Nathaniel R

-There's something happening to me. There's something awakening in my mind, I can't control it. 

-What did you see?

-I saw Oscar season coming!

Let's break down the new Dune trailer by Yes No Maybe So, shall we?

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Doc Corner: The best of this year's virtual documentary festivals

By Glenn Dunks

Despite what may be happening across the rest of film distribution, the documentary realm has barely had a chance to breathe. Just as there ever was, there are so many titles coming out each and every week that it is impossible to keep up with in a weekly column. This includes not just new releases to streaming, VOD and virtual cinemas (and now, as lockdowns cease around the globe, theatrical), but also festivals.

In fact, I’ve been able to attend more than any before. Whereas I wouldn’t have had the time nor the access to ‘attend’ England’s Sheffield Doc/Fest or the United States’ AFI Docs or Canada’s Hot Docs, I was able to finish my day job in the afternoon and take a quick world tour of some of the finest documentary and non-fiction festivals around. And there’s still more of them to come (like DocNYC) because, folks? There’s just so.many.movies. 

I wanted to highlight the best that I saw across each of the three festivals and give a spotlight to movies that took me to a poisoned Martinique, the frontlines of the women’s liberation movement, and the underground dance scene of Baltimore...

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Emmy Review: Limited Series

by Juan Carlos

"And the Emmy goes to Watchmen."

Truth be told, it is hard to see a scenario where any other nominee overtakes HBO's series, which is the most nominated this year. The second-most nominated limited series Hollywood (with 11 nominations) was not even nominated in this, the top category. All of the other shows have a crucial nomination missing. Watchmen’s nomination haul demonstrates overwhelming support. Interesting to note that all of the nominees in this category are female-driven stories. Here is one last take on the contenders for limited series…..

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