Doc Corner: 'Rewind' and 'On the Record'

by Glenn Dunks

To put one’s own story to film often takes some form of personal courage. To not allow any sort of emotional distance between the traumas and the pains of life and the audience will always be a tough line for many to cross. It is why documentaries are so often labelled as merely grim or depressing and placed in a metaphorical too-hard basket. It’s true that many are indeed an emotional trial of sorts, but to watch survivors speak directly to us is one of the things I most cherish about non-fiction filmmaking.

As I watched and listened to the stories of Sasha Joseph Neulinger, Drew Dixon and others unfold in two new documentaries, Rewind and On the Record, I found myself captivated and angry. Angry that this happened in the first place and angry that these films aren’t being spoken about as important works of film...

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The Furniture: Taking Joan of Arc Out of Time

Our Production Design series by the brilliant Daniel Walber is finally back for another season. Click on the images to see them in magnified detail. - Editor

by Daniel Walber

Why make a new movie about Joan of Arc? What hasn’t been said? The first film about her was made in 1898 and there have been dozens since. Some of them are regarded among the best films ever made. Why bother?

A few years ago, Bruno Dumont chose to answer these questions with a heavy metal musical. Jeannette: The Childhood of Joan of Arc (2017) is thrillingly strange, anointing the dunes of Dumont’s beloved Pas-de-Calais with dancing nuns and sung revelation. The music lends an unearthly gravitas to Joan’s visions, similar to how Breaking the Waves (the opera) presents Bess’s faith in a very different light than Breaking the Waves (the movie). I’d have written about it, but there’s no furniture to speak of - the entire film takes place outdoors.

Not so with the 2019 sequel...

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Weekly Trivia

Hey folks. Michael Cusumano here. We had a great time at last week's trivia match and I though I would drop in and give you a sample. Last week we had rounds focused on Cate Blanchett and an audio round on Oscar nominated scores of the 2010's plus the general knowledge round we do every week. The round was one minute per question. Let me know how you would have done in the comments (No Googling. Duh.)

 Every winning team gets to choose a round topic for next week's match, and I'm pleased to report 5/21 champs TEAM PEACH chose LGBT Movies/characters/actors nominated for Oscars for this Thursday's game. 

So brush up on that topic if you want a chance at the crown!

To play in this week's game: The event is held every Thursday at 7:30 PM EST on Zoom and runs approximately 2 hours. It’s $5 per person payable through Venmo or PayPal. Send a team name along with the payment and I will reply with the ZOOM information. You can include your contact information in a comment along with the PayPal or Venmo payment or contact me one of these ways: 

Email: WhiskeyCatProd@gmail.com
Twitter: @TriviaWhiskey
Facebook: Whiskey Cat presents: Zoom Movie Trivia  

Hope to see you there this Thursday!

Curio: Portrait of a Lady on Fire

Curio is our fan art appreciation column. Curated by Nathaniel R

by manga artist Inko Ai Takita.

Up until about last month we had an incredibly sound theory that had NEON released Celine Sciamma's Portrait of a Lady on Fire (2019) as originally expected in the fall of last year OR pushed it back fully to its rescheduled February release without that pesky "one week qualifier" that the film would have been a solid Oscar success. In either scenario we believe it could have scored Best Director and Best Cinematography and maybe even Best Actress nominations. 

As it was, positioned haphazardly between film years whilst NEON was (justifiably) distracted with making the miracle of Parasite's Oscar success possible, Portrait had to settled for halfsies...

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Horror Actressing: Rosario Dawson in "Death Proof"

by Jason Adams

Every time I see Quentin Tarantino's bifurcated 2007 flick Death Proof I want to write about Death Proof, and every time I write about Death Proof I tell myself I'm going to write about something besides Rosario Dawson's performance in Death Proof... and every time I spectacularly fail at this mission. This "Great Moments in Horror Actressing" post you're now reading is further proof, dead proof, of just that. It's just there is that moment, that single moment seen above, where Tarantino's camera zooms in on Dawson's face as her worry melts into absolute exaltation, and it is by my humble estimate one of the greatest, most electric close-ups in cinematic history. Just that!

But we are, like so much of this movie, zooming right on ahead of ourselves. Just what is it about that moment that makes all the hairs on my arms stand on end?

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