1991: Carina Lau in "Days of Being Wild"

by Nick Taylor

Happy Birthday, Wong Kar-Wai, who turned 62 years old last week, something that surely feels impossible for anyone younger than 61 to really consider for themselves! The celebrated auteur is known for his indefatigable sense of coolness and poise, doing for delicately conjured yet passionately felt romanticism what Ingmar Bergman did for psychological anguish. Especially in certified masterpieces like In the Mood for Love and Happy Together but even in lesser works like My Blueberry Nights, Wong’s sense of style is refreshing to sit with and inimitably his. And so, in celebration of our beloved birthday boy and the many gifts he’s given us across his career, I’m here to discuss Days of Being Wild, and the bewitching, jewel-toned performance of Carina Lau...

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When Bening met Beatty

by Cláudio Alves

Barry Levinson's gangster biopic Bugsy was the most nominated movie at the 1991 Oscars, ten nods in total, including Picture, Director, and Actor. While most of the big categories were won by The Silence of the Lambs, Levinson's picture still took home two statuettes. They were for Best Art Direction-Set Decoration and Best Costume Design, rightful rewards for a glamourous recreation of 1940s Hollywood and the nascent Las Vegas. Unlike Dennis Gassner, Nancy Haigh, and Albert Wolsky, the movie's star left the Academy Awards ceremony with no new little golden man of his own. Nonetheless, Warren Beatty might have gotten a greater reward out of Bugsy than any of the Oscared cineastes.

After all, it was during the shooting of Bugsy that the man once considered to be Hollywood's hottest bachelor finally met his match and future wife, the one and only Annette Bening…

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Final Emmy Predictions

By Abe Fried-Tanzer

Emmy nominations will be announced on Tuesday, July 28th at 11:30am ET/8:30am ET. We’ve covered the major categories, analyzed the rule changes, listed some of our favorite underdogs, poured over the ballots, and pondered lingering questions. It’s time now for our final predictions, and we’ll see how things play out on Tuesday.

Below, you’ll find our picks for the nominees in each of the top categories...

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The Furniture: Barton Fink and the Common Man's Wallpaper

Daniel Walber's series on Production Design. Click on the images to see them in magnified detail.

What is the wallpaper of the Common Man? It’s a strange question, but Barton Fink is a strange movie. The titular writer (John Turturro) is a man consumed by passion for the clichéd unsung hero, though he would never go so far as to actually ask a Common Man what he thinks. His obsession is really with the idea of the Common Man, abstract and waiting to be tossed onstage or slapped onto the blank canvas of a movie screen.

In his defense, the Common Man was not yet a cliche when Fink arrived in Hollywood, sometime in 1941. Henry Wallace’s famous “Century of the Common Man” speech wouldn’t be delivered until May of 1942, inspiring Aaron Copland to write his “Fanfare for the Common Man” soon after. Maybe someday the Coen Brothers will make a sequel, and Barton will take the opportunity to claim credit for both of those cultural landmarks.

But back to wallpaper. Barton Fink opens with a close-up of it, a pleasant sort of floral-Deco pattern in mild colors...

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Doc Corner: Women in music

By Glenn Dunks

At least once a year, we do a round-up of some of the music documentaries that are making the rounds. This year there is a particular focus on women in music with a range of titles covering pop (Kate Nash: Underestimate the Girl), punk and new wave (The Go-Go’s), rock (Suzy Q) and whatever it is that sits in between all of them (Sisters with Transistors)—and they of course sit alongside names like Dolly Parton, Tammy Wynette and Loretta Lynn in Ken Burns' Country Music, which we looked at recently.

I have actually already written about Liam Firmager and Tait Brady’s Aussie-made Suzi Q upon its local Australian release last year. I was impressed by its high energy retelling of the career of the “Devil Gate Drive” and "Can the Can" singer and guitarist Suzi Quatro. A rollicking is simply structured documentary that is appropriate daggy for the musician at its centre. You can read my full review at ScreenHub so let’s move on to the rest, which make for an entertaining dive through diverse musical stories.

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