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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Monday
Dec232019

Tweetweek: Feat Old Deuteronomy (...and Burlesque ?)

Some tweets curated for you over the past couple of weeks because they amused us...

If only Joel, if only. 

AFTER THE JUMP How actors eat food in movies, how people become gay, how Timothée Chalamet was conceived, best of the decade, and more...

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Sunday
Dec222019

The Best Costumes of the Star Wars Saga

by Cláudio Alves

When I was a child my dad gifted me with the tapes of the original Star Wars trilogy and then took me to see The Phantom Menace when I was just five. Other kids left the theatre thinking of pod races and cool fights, but what most fascinated me were Queen Amidala's astounding costumes. As soon as I got home I started sketching ideas of what other crazy attires she could have worn and an obsession with movie costumes was born. I'd only consider dedicating my college studies to it many years later, but that didn't stop me from filling boxes full of drawings of the Naboo Queen and her mother in a variety of extravagant fashions.

In honor of the end of the Skywalker saga, let's take a look back to the franchise's many chapters in search of its very best costumes. Costume design is one of the few elements where the quality never wavered across nine movies, despite a single costume design nomination and win from the Academy (for the 1977 original).

There was plenty to choose from. To avoid any character dominating the list, the self-imposed limitation is one costume per character. 

Honorable Mentions: The many permutations of the Jedi's classic garb including Darth Maul's black version of it, Snoke's red Pretorian guard, Queen Apailana's funereal splendor and the jacket Finn got from his sexy boyfriend...

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Sunday
Dec222019

Year in Review: Mainstream Box Office (feat. Lupita, Queen Elsa, and lots of Superheroes) 

Our Year in Review party is getting off to a bit of a slow start (we launched with 50 biggest documentary hits) but we hope to speed up now and what better festive topic during the holiday moviegoing season than an audience participation one? Herewith six "top ten-to-twenty" box office hit lists regarding various subgenres of the mainstream and what we can learn from them... at least in terms of moviegoers today.

We're starting with female-led pictures because this should not be regarded as a minority or special interest topic given that half of the world's population is female! Little Women was a major late-breaking success in this arena but it wasn't the only success from 2019. Let's look at that chart first.

🔺= the movie is still in over 100 theaters. Figures are as of February 23rd

1. TOP GROSSING (LIVE-ACTION) FILMS WITH A FEMALE LEAD
(Excluding films where a male lead is just as prominent as his female co-star)

Captain Marvel

01 Captain Marvel $426.8 (Disney/Marvel, March 8th) starring Brie Larson
02 Us $175 (Universal, March 22nd) starring Lupita Nyong'o
03 Maleficent Mistress of Evil $113.9 (Disney, Oct 18th) starring Angelina Jolie
04 Little Women $107.1 (Columbia, Dec 25th) starring Saoirse Ronan
05 Hustlers $104.9 (STX, Sept 13th) starring Constance Wu & Jennifer Lopez...

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Sunday
Dec222019

Every weekend means... yet more prizes. 

by Nathaniel R

Some of these were announced during the week but the weekend is when we catch up. In today's lineup: The Satellies (who went Ford V Ferrari crazy), The Black Film Critics Circle, plus Dublin and  Nevada critics. There's also a second organization from Phoenix listed. At first we were stunned because the only cities with two critics orgs that we can think of off the top of our heads so far are New York, Los Angeles (major media hubs both), and Boston... all, notably, places with very elite and long-lived film critics orgs that are difficult to be accepted into. Thus a second upstart group forms usually with "online" in the title (back in the early Aughts when print vs web was still sort of a thing). That 'online' designation makes less and less sense these days so some critics organizations who originally had it have been rebranding (all critics are now online critics with every former major print publication having long since moved to the web). Is Phoenix a sign that all major metropoles* will have two or three critics organizations by, say, 2025? Will critics organizations eventually outnumber the actual industry guilds that make the movies (if they don't already).

But I digress. In this weekend's roundup, Marriage Story comes out on top but we also want to talk about Texas in general because it's, shall we say, curious when it comes to film critics awards...

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Saturday
Dec212019

Curious notes on the 344 films eligible in most Oscar categories

Feature categories like International, Documentary, and Animated and all three shorts categories have their own eligibility rules with Oscar. Visual Effects, Makeup, Song, and Score have bake-offs to narrow things down. But the bulk of Oscar's 24 categories don't have any winnowing process to speak of. The Academy has recently released their annual reminder list of eligible titles which always has a few odd reveals. You can read the full list of 344 features here but here are a four things that stood out to us.

Netflix gave most of their originals one week qualifiers from Velvet Buzzsaw early in the year til Atlantics now

1. Netflix gave almost all their non Best Picture contenders one-week qualifying releases this year, including Velvet BuzzsawAlways Be My Maybe and Earthquake Bird and the mesmerizing Atlantics ...

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