Year in Review: Style Icons of the Big Screen

by Cláudio Alves

As an obsessive list-maker, to write a top ten for The Film Experience's Year in Review was more of a dream come true than a challenge. As we're in festive times, I decided to give myself a gift, by fusing one obsession with another. Cinema, costume design and list-making all consumed my Christmas Eve afternoon in a haze of sartorial glory. Looking back at the movies of 2019, from opulent period pieces to humble contemporary dramas, I went in search of the year's greatest style icons. Not those of real life, obviously, but the ones who graced the silver screen.

In decades to come, we may look at them as we now look at Darth Vader's sinister countenance or Holly Golightly's Givenchy clad figure. Who knows? More than predicting future icon-status, this is a list of personal favorites, though.

Without further ado, let's celebrate 2019's style icons, but first, some honorary mentions…

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The precursors don't always matter

by Cláudio Alves

In these merry times of winter holidays and gift-giving, there's no better present than the gift of hope. For Oscar obsessives, this can come in many forms. One of them can be the reminder that the precursors aren't everything when it comes to the race for Hollywood's most coveted little golden man.

Even if your favorite performance of the year hasn't been getting any sort of awards love, that doesn't mean its Oscar chances are dead and buried. Remember the case of Marcia Gay Harden, a surprise nominee that became a surprise victor when she conquered the Academy Award for Pollock. What a thrill.

She's the patron saint of Oscar surprises. In honor of her, here's a list of those lucky actors who scored an Oscar nomination despite having no nod whatsoever from the Globes, the SAGs, the Critics Choice Awards, or the BAFTAs...

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Soundtracking: White Christmas

by Chris Feil

White Christmas is a classic “let’s put on a show to save the barn” musical, except its traveling entertainers are saving... a resort hotel in Vermont. What it isn’t is a Christmas staple that has all that much to do with Christmas. Despite the title, the film is closer to a winter-set cousin to the likes of Gentlemen Prefer Blondes or Summer Stock, and still we watch it every holiday season. Perhaps that’s partial carryover from Bing Crosby’s White Christmas album (more of a staple in my household than the film was) and Crosby’s other holiday films (ditto, strangely) - his presence alone is enough to make him some baritone duke of the holiday season in the eyes of audiences.

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Seven Stocking Stuffers!

Our year in review continues. A new list daily.

MERRY CHRISTMAS, HAPPY HANUKKAH, HAPPY KWANZAA to our beloved readers! 

For this festive morning of gift-giving, here's a list of some treasures from this year's movies that would make some lucky recipient smile from ear to ear. Which of these 7 would you most want to kiss Santa Claus for stuffing in your stocking this morning? Do tell in the comments.

(We wanted to include JLo's Hustlers fur or Tom Mercier's mustard Synonyms coat but we've never seen a stocking big enough to include either so we decided clothing was not allowed for this particular list) 

• The 'Scholar's Rock' from Parasite. You'd have to be more careful with it than the Kims were but it did bring them sudden success as advertised. 

• A Sith wayfinder from Rise of Skywalker. They are very rare so they're valuable. Though why would you want to go to Exegol? What a (surreal) dump...  

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Looking back at 2019 Filmmaker Interviews

by Murtada Elfadl

2019 gave me the chance to speak to a few filmmakers about their films, their process, what they think their art contributes to the world. These filmmakers came from all over the world, and the breadth of their experiences and the topics they tackled is astounding. As the year comes to an end and we look back at the moments that stood out, here are some of the most fascinating insights I heard.

Recently The Farewell was not allowed to compete in the main film categories at the Golden Globes, and accepted only as a “foreign” film when its story is quintessentially American. After all the United States is a country of immigrants. Some people’s insistance on calling The Farewell foreign when it's so American just indicates that they don't think anyone whose 1st language isn't English is American enough despite their contributions to this country. When I talked to Lulu Wang during the summer, I asked her if she thinks her film being not entirely in English might limit its appeal...

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