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Wednesday
Dec042019

Doc Corner: 'At the Heart of Gold' prizes the voice of survivors above all else

By Glenn Dunks

It has become somewhat unkind to describe a documentary as old fashioned or traditional. It seems to be that talking heads intercutting a single, linear story is somehow considered by some to be stodgy and boring. If you watch enough of them, you see recreations and animations and all sorts of gimmicky tricks to, I suppose, dazzle the viewer into thinking they are watching something that is more ‘cinematic’ than it is (whatever such a term may mean to you). They don’t always work, and in those time that they do in fact not work it can often harm a film, distracting from what could have been a, yes, simple, but usually better film. You could call it old fashioned or traditional.

Thanks heavens then that director Erin Lee Carr didn’t try any of that nonsense in the HBO documentary At the Heart of Gold: Inside the USA Gymnastic Scandal.

Even its title is so meat and potatoes that those who expect works of non-fiction to have evolved beyond the classical form will probably zone out just hearing the name. But Carr’s movie is one of such harrowing despair that anything other than clear, direct, unfussy filmmaking would have been all wrong.

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Wednesday
Dec042019

Soundtracking: Blue Valentine

by Chris Feil

“You and me, you and me. Nobody baby but you and me...”

Ryan Gosling’s Dean breaks a makeout session and produces the romantic gesture lost to our time: a playlist burnt to a cd. It’s the ultimate young love gesture and met in kind with wide-eyed affection by the young woman its meant for, Michelle Williams’ Cindy. He’s chosen a song for them, in the tradition of all romances, one that will belong just to them. Before the soulful murmur of “You and Me” by Penny and the Quarters, Dean acknowledges the cliche of it as quickly as he shrugs it off. They will be different from all those other couples going honoring the ritual, he promises her. They will be special.

Blue Valentine charts the degradation of such romantic fantasies, showing us how painfully average their broken love will become, with music the embodiment of that fading vision of romance...

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Wednesday
Dec042019

We Like the Suits, Mr. Bond

by Murtada Elfadl

My favorite thing about Daniel Craig’s reign as James Bond that started with Casino Royale (2006) are his tight tight suits. They are just tight enough to allow movement yet showcase his trim buff body as the slinky spy from the British Isles. Behold


And let’s see him in action...

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Tuesday
Dec032019

What does Gwyneth Paltrow think of “Knives Out”?

by Cláudio Alves

This year’s been full of filmmakers commenting on other’s movies, auteurs criticizing blockbuster franchises and Hollywood stars lashing back. The Scorsese-Marvel wars are still active on social media and each day that goes by, another film professional adds their own two cents on the kerfuffle. To be honest, I don’t care about Chris Evans’ views on Scorsese or Michael Haneke’s opinion on Iron Man. However, it’d be lovely to read a certain Marvel-star’s reaction to the most delicious murder comedy of the holiday season. 

Wouldn’t everyone love to know what Gwyneth Paltrow thinks of Rian Johnson’s Knives Out? I certainly would…

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Tuesday
Dec032019

John Waters and other list-makers. "Freak out, baby, freak out"

by Nathaniel R

Climax is #1... according to John Waters

It’s top ten time of year (lots of them after the jump) and the great unofficial kick-off is the always delicious and on-brand John Waters lists for ArtForum. His lists are on brand because some of the films you can totally see why America’s most famous cult director would love them (his #1 fits that bill splendidly “Frenzied dance numbers combined with LSD, mental breakdowns, and childhood trauma turn this nutcase drama into The Red Shoes meets Hallucination Generation. Freak out, baby, freak out!”)  and one or two because you’ve never heard of them (obscure  indies!) and generally one or two that you weren’t even remotely expecting for its mainstream-appeal reasons. 

  1. Climax (Gaspar Noe)

  2. Joan or Arc (Bruno Dumont)

  3. Once Upon a Time … in Hollywood (Quentin Tarantino)...

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