What did you see this weekend?

Parasite was astonishingly up 16% in its 16th weekend getting its third wind or so now as we approach Oscar night. 1917 has passed the $100 million mark and Little Women is almost there, too, both dropping less than 30% this weekend five weeks into their run. In short: they're all quite popular which is good news for the Oscars coming in early February. 

Weekend Box Office January 17th-20th (ESTIMATES) 🔺 = new or expanding / ★ = recommended
WIDE RELEASE (800+ screens)	PLATFORM TITLES
1 BAD BOYS FOR LIFE  $34 (cum. $120.6)	1 🔺   THE LAST FULL MEASURE $1.0 on 614  screens *NEW*

2 🔺  1917  $15.8 (cum. $103.8) CONTINUOUS SHOT, GLOBE VICTORIES ★	2 WEATHERING WITH YOU $693k on 458 screens (cum. $6.5) REVIEW  ★

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So many awards this weekend!

Designers, makeup artists, and personal stylists must be logging looooong hours this month. There's so many awards galas happening crammed in before Oscar night. We already covered the DGA and the Annies but that wasn't all that happened this weekend (and the Grammys are still to come tonight!). After the jump, a list of other prizes handd out this weekend to luminaries like Greta Gerwig and Roger Deakins.

USC Scripter Awards
Greta Gerwig won this prize along with the posthumous Louisa May Alcott and gave this lovely acceptance speech...

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Driver and Cotillard SING!

by Eric Blume

In other surprising/weird/interesting film projects ahead for us in 2020, filming just wrapped on Annette, a musical featuring Adam Driver and Marion Cotillard, and directed by French auteur Leos Carax. Apparently Driver plays a stand-up comedian and Cotillard an opera singer, whose lives take a twist with the birth of their daughter Annette, who is born with a "special gift".

The movie sounds gloriously bananas.  Is it in French or English, or both?  Leos Carax is, without hyperbole, one of the most idiosyncratic directors alive.  It's almost thirty years ago that he had Juliette Binoche waterskiing down the Seine in Les Amants du Pont-Neuf, and eight years ago that he mystified everyone with the accordions and role play of Holy Motors.  The man does not have a commercial bone in his body.

We know from Marriage Story that Driver can carry a tune. It's thrilling that at essentially the most pivotal time in his career, he's chosen to take a left turn with a movie like this.  And it's been far too long since Cotillard has had a great role.  She's utterly magnificent in Nine (not sorry, haters), and her two numbers in that film demonstrate her ability to both keep it simple / honest AND to fly into full-blown performance mode.  But...she's playing an opera singer?  Sounds iffy.   Still, Driver and Cotillard are two of the greatest actors working today, and matching them sounds wonderfully inspired.

This movie on paper truly earns the letters WTF.  Even if it doesn't land, it should at least be interesting!

"Klaus" and "I Lost My Body" surprisingly dominant at the Annies

Will "Klaus" get the ultimate delivery -- an Oscar! -- in February?by Nathaniel R

Netflix had a very good night at the Annie Awards via their international outreach to animators. The TV awards were dominated by their anthology series "Love Death, and Robots" and the feature film prizes were hogged by Spain's Klaus (with 6 awards) and France's I Lost My Body (with 3). That's a surprising outcome for an awards night usually dominated by American blockbusters.

Curiously Frozen II, which is not nominated for the Oscar for Best Animated Feature, was the only one of the high profile American films to win a prize. Toy Story 4, HTTYD: Hidden World, and Missing Link all came up entirely empty-handed despite plentiful Annie nominations. Best Animated Feature might just prove to be the only true nail-biter on Oscar night.

The full list of Annie Award winners is after the jump...

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Sam Mendes wins DGA again, 20 years later

by Nathaniel R

Sam Mendes was an acclaimed theater director when American Beauty hit the scene in 1999 asking audiences to "look closer" in its promotional material. They did. The film went on to become a sleeper hit and then a very big one and eventually win the Oscar for Best Picture and Best Director among others. Mendes is likely to repeat that trick at this year's Oscars 20 years later even though his film career in the interim hasn't been noteworthy enough to scream "2 time director winner!" But then Hilary Swank has two Oscars and Renee Zellweger is likely to join her while Close, Bening, Pfeiffer, Weaver, Garland, Stanwyck, Dunne, and many other genius actresses from Hollywood history have none so this is the way it goes sometimes...

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