"Breaking Ice", "Promised Land", and "Goodbye Julia" among others join the Best International Feature Film Race

by Nathaniel R

As you read this yours truly is in Italy (visiting with Elisa probably!) but before I hopped on the plane I updated the Best International Feature Film Submission Charts and Prediction/ Overflowing Stats Chart. As of yesterday 74 films have been announced as intended submissions from their home countries. The list usually tops out at 93 films (about 19 to go!) and there's usually one unexpected switcheroo or omission from what was previously announced so we'll see. But here are a handful of highlights from recent announcements...

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TIFF '23: The Best International Film Oscar Race

by Cláudio Alves

The Toronto International Film Festival represents an excellent opportunity to get in touch with cinema from all over the world. For Oscar obsessives, it provides a great chance to catch up with Best International Film submissions, especially as they're announced throughout the festival. I already covered some of them – Australia's Shayda, Bhutan's The Monk and the Gun, Brazil's Pictures of Ghosts, Chile's The Settlers, Finland's Fallen Leaves, Germany's The Teachers' Lounge, Romania's Do Not Expect Too Much from the End of the World, South Korea's Concrete Utopia, and Turkey's About Dry Grasses. However, there are still some more TIFF titles to review.

They are the Netherlands's Sweet Dreams, Tunisia's Four Daughters, and Morocco's The Mother of All Lies. Though they haven't been officially selected, I also saw two of Norway's three finalists, A Happy Day and Songs of Earth…

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Norway's Oscar Submission Finalists

by Nathaniel R

Since we last discussed the Best International Feature Film four more official submissions have been announced from Egypt, Nepal, Slovakia, and Ukraine which you can read about on those charts (click on the country names) with several more to follow since oft-nominated countries like Spain, Italy, France, and Sweden are all announcing in the next few days. Tonight though, one of my favourite topics: Norway! As longtime readers know I once lived there and was once fluent in Norwegian. Those days are long long gone but I still like to watch Norwegian movies and television and try to turn off the subtitles on occassion.

Norway has announced three finalists for their submission: Let the River Flow, A Happy Day, and Songs of Earth...

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TIFF ’23: Baby, It’s Cold Outside

by Cláudio Alves

In narrative constructs, intense emotions, especially romantic ones, tend to be associated with high temperatures. It’s as if the feverous feeling escaped the body into the atmosphere. Or, maybe it’s the other way around, hearts and libidos inspired by the surrounding heat to burn hotter than ever. And yet, there’s something deceptively powerful about the flame of attraction sparking alive within the bitter cold. In those cases, one almost desires human connection as a physical need. The body calls for the warmth of another person. The mind yearns for companionship, a panacea to the frozen solitude of every day.

At this year’s TIFF, two films explore this dynamic, allowing the frigid climate to become as strong a force as human arrogance or the heart’s most ardent desires. In both examples, a love triangle emerges from the snow. They’re Nuri Bilge Ceylan’s About Dry Grasses and Anthony Chen’s The Breaking Ice…

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TIFF '23: Zar Amir Ebrahimi mesmerizes as "Shayda"

by Cláudio Alves

"Shayda" is coming to US theaters on December 1st from Sony Pictures Classics.

Though I've hardly been running after Oscar contenders while at TIFF – apologies if that's what you wanted out of this coverage – the Best International Film race remains at the forefront of my mind. With new daily announcements, the festival's an excellent opportunity to catch some titles that could be hard to track down later in the season. So, a lot of my scheduling has been built around productions that might end up in that race or have already been confirmed for the 96th Academy Awards. Not all of the experiences are positive, but  a few of them are revelatory.

Such is the case of Noora Niasari's feature debut, Shayda, representing Australia. If you thought Zar Amir Ebrahimi was remarkable in last year's Holy Spider, wait to see what she does here…

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