On this day: Lady Jane, Devil Dolls, Bergman Wedding, Phase Three

Helena Bonham Carter & Cary Elwes star in Lady Jane (1986)On this day in history as it relates to the movies

1553 Lady Jane Grey takes the throne in England. Her reign is just nine days long and Helena Bonham Carter plays her in her feature film debut (filmed just before A Room With a View though it was released second)
1856 Nikola Tesla, famed inventor and futurist is born in the Austrian empire. He's later played by David Bowie in Christopher Nolan's The Prestige (2006) but isn't it strange that he has never received his own major biopic given his fame and eccentricity and pop culture relevances (bands named after him, characters based on him, etcetera)?
1871 Marcel Proust, French novelist is born.

 1925 The "Monkey Trial" in which a man is accused of teaching evolution in science class, begins in Tennessee. It's later adapted into a famous play and the Stanley Kramer film Inherit the Wind (1960) nominated for four Oscars
1936 The Devil-Doll, a horror flick directed by Dracula's Tod Browning opens in US movie theaters starring Lionel Barrymore, who masquerades as an old womenfor nefarious purposes (!), and Maureen O'Sullivan.

1937 Ingrid Bergman gets married for the first time at the age of 21 in Sweden to Petter Aron Lindström. They are married until 1950 when she divorces him to marry Italian director Roberto Rossellini (Stromboli, Journey to Italy) temporarily making Bergman persona non grata in Hollywood for her scandalous adultery
1946 Sue Lyon, Kubrick's Lolita (1962) is born. She won the now defunct award "Most Promising Performer" from the Golden Globes that year but her career was rather shortlived
1958 Fiona Shaw, British great of stage and screen, is born
1959 Ellen Kuras, great cinematographer (Eternal Sunshine of the Spotless Mind, Summer of Sam) is born
1966 AO Scott, Film Critic for the New York Times is born. He recently released the book "Better Living Through Criticism". Happy 50th, A.O.
1977 Chiwetel Ejiofor, Oscar nominated star of 12 Years a Slave, is born 
1983 Iranian actress Golshifteh Farahani (star of About Elly and The Patience Stone) is born. Charlie McDowell is born to actors Malcolm McDowell and Mary Steenburgen on this day as well.  He has recently become a director with the Twilight Zone like romantic dramedy The One I Love and next year's scifi romance The Discovery starring his girlfriend Rooney Mara as well as Riley Keough and Jason Segel 

1992 Roland Emmerich's Universal Soldier battles it out with the live action animated hybrid Cool World and the romantic dramedy Prelude to a Kiss on their opening day in US movie theaters (none of them are unable to unseat A League of Their Own, which stays at #1 in its second week.)
2020 Marvel Studios has already blocked out the date - supposedly for the penultimate film in their "Phase 3" plan though we don't yet know what that is.

Review: The Neon Demon

This review was originally published in Nathaniel's column at Towleroad

What are we looking at? 

The Neon Demon‘s first tableau features Elle Fanning, throat slit and reclining on a chaise lounge floating over a pool of photogenic crimson blood. It’s so perfectly lit and shaped it begs to be honored as a metaphoric pedestal exalting her death. Is the obviously smitten man photographing all of this her serial killer who missed his calling as an art director?

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The Furniture: Design Heralds Doom in The Witch

"The Furniture" is our weekly series on Production Design. Here's Daniel Walber...

The Witch has a lot in common with Black Narcissus. I probably wouldn’t have noticed it if the 1947 Powell & Pressburger classic weren’t still on my mind from last week’s column, but it’s very true. Thomasin’s family of fanatical Puritans and Sister Clodagh’s nuns both find themselves on the edge of their known world, motivated by faith to make a new life. Yet both groups are doomed from the start. They’re overwhelmed by their environments and fall in the face of doubt, sexual temptation and the power of nature.

Of course, Thomasin isn’t bedeviled by gorgeous matte paintings of the Himalayas. The Witch was shot in the very real wilderness of Ontario, in the former town of Kiosk. That’s “former” because the population starting leaving after the fire at the lumber factory in 1973. Now there’s just some abandoned railroad tracks and a towering forest. If that’s not the perfect place to shoot a horror film, I don’t know what is. 

The landscape dwarfs the solitary 17th century farm where the bulk of the film takes place. Cinematographer Jarin Blaschke takes advantage of this as frequently as possible. There are countless shots in which the cast seem like helpless children at the mercy of the trees...

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FYC: Kate Dickie and the Raw Emotion of "The Witch"

Out this week on blu-ray/dvd is Robert Eggers's The Witch. Warmly received by critics, but divisive for general audiences, the film is a marvel of craft and inescapable dread. But the film is more than its horror elements and immaculate period detail - at the center is a potent family tragedy as well-developed as any drama you'll seen this year. And the bruised soul of that tragedy is actress Kate Dickie.

Dickie stars as the matriarch of a Puritan family banished from their New England settlement in the 17th century. Her Katherine begins the film essentially wordless during the excommunication, then is defined by her off-screen sobs after the film's first punishments. Once Katherine collects herself, she quickly reveals herself to be a devout believer firmly planted in her role as wife and mother. As things quickly turn from bad to worse, her agony surges with authentic depth until she becomes willingly deluded by her own suffering.

Dickie's portrayal is a prime example of The Witch offering more than its horror contemporaries...

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April Showers: Carrie

In April Showers, Team TFE looks at our favorite waterlogged moments in the movies. Here's Kieran Scarlett on Carrie (1976).

Brian de Palma’s horror classic Carrie has scenes at both the beginning and the end in which our heroine, Carrie White (Sissy Spacek) gets clean. Because of what happens between those scenes, they take on very different meanings. When we first see Carrie White, she is diffident and beleaguered—whether at home with her mother Margaret’s (Piper Laurie) stentorian declarations of fanatical Christian values or at school with the focused torment of her peers. It’s very clear that Carrie has internalized the harsh words of Chris Hargensen (Nancy Allen):

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